\u013dudov\u00edt Petr\u00e1nsky<\/p>\n
\u00a0<\/strong><\/p>\n V\u00edzie Vincenta Hlo\u017en\u00edka<\/strong><\/p>\n Posolstv\u00e1 a\u00a0v\u00edzie. Pon\u00ed\u017een\u00ed a urazen\u00ed. \u010carovno smutn\u00fd svet klaunov a\u00a0artistov, ale aj utrpenie Je\u017ei\u0161a na Golgote. \u017d\u00e1nrov\u00e9 obrazy zo slovensk\u00e9ho vidieka, ale aj civiln\u00e9 mot\u00edvy z\u00a0mesta. V\u00fdtvarn\u00fd svet Vincenta Hlo\u017en\u00edka (1919 – 1997) je obsahovo i\u00a0v\u00fdrazovo pestr\u00fd. Ani dnes jeho obrazy nenech\u00e1vaj\u00fa \u010dloveka \u013eahostajn\u00fdm. Nemilosrdne id\u00fa pod ko\u017eu a\u00a0testuj\u00fa na\u0161u citlivos\u0165. S\u00fa nad\u010dasov\u00e9 a aj dnes st\u00e1le aktu\u00e1lne a\u00a0pre div\u00e1ka pr\u00ed\u0165a\u017eliv\u00e9. Bratislavsk\u00e1 Gal\u00e9ria Nedbalka pokra\u010duje vo svojej dramaturgii propag\u00e1cie slovensk\u00e9ho v\u00fdtvarn\u00e9ho umenia a\u00a0a\u017e do 10. novembra pripravila v\u00fdstavu Vincenta Hlo\u017en\u00edka – ako v\u00fdber z diel zo 40. rokov 20. storo\u010dia zo zbierky Gal\u00e9rie Nedbalka. \u0160tyridsiate roky v diele autora boli mimoriadne d\u00f4le\u017eit\u00e9 pre jeho \u010fal\u0161\u00ed v\u00fdvoj, pri\u010dom z v\u00fdtvarn\u00fdch discipl\u00edn s\u00fa zast\u00fapen\u00e9: olej, akvarel, gva\u0161, kombinovan\u00e1 technika a pastel. Gal\u00e9ria Nedbalka vyd\u00e1va k v\u00fdstave publik\u00e1ciu Vincent Hlo\u017en\u00edk: Posolstv\u00e1 a v\u00edzie.<\/p>\n \u00a0<\/strong><\/p>\n Po\u010f u\u017e domov, Odyseus<\/strong><\/p>\n B\u00e1jnemu Odyseovi to trvalo dvadsa\u0165 rokov, Laco Teren to stihol o\u00a0dva roky sk\u00f4r. V\u00a0pr\u00edpade Laca Terena (1960) predstavuje metaforick\u00fd domov Oravsk\u00e1 gal\u00e9ria v\u00a0Dolnom Kub\u00edne, kde mal roku 1996 svoju premi\u00e9rov\u00fa v\u00fdstavu. A\u00a0hoci odvtedy sa tu prezentoval aj na kolekt\u00edvnych v\u00fdstav\u00e1ch, na s\u00f3lo v\u00fdstavu jedn\u00e9ho z\u00a0najv\u00fdraznej\u0161\u00edch umelcov strednej gener\u00e1cie \u010dakala Orava osemn\u00e1s\u0165 rokov. Ur\u010dite aj preto, \u017ee Teren si svoje v\u00fdstavn\u00e9 projekty d\u00f4sledne vyber\u00e1 a\u00a0v\u00a0poslednom obdob\u00ed vystavuje zriedka. V\u00a0koncepcii E. \u013dupt\u00e1kovej m\u00e1me a\u017e do 9. novembra v\u00fdnimo\u010dn\u00fa pr\u00edle\u017eitos\u0165 stretn\u00fa\u0165 sa s\u00a0jeho najnov\u0161ou tvorbou na v\u00fdstave Po\u010f u\u017e domov, Odyseus. N\u00e1jdeme na nej aj s\u00e9riu z\u00e1ti\u0161\u00ed a\u00a0charakterov\u00fdch hl\u00e1v, pri\u010dom niektor\u00e9 ve\u013ekoform\u00e1tov\u00e9 obrazy s\u00fa vystaven\u00e9 spolu so soch\u00e1rskymi z\u00e1ti\u0161iami, pod\u013ea ktor\u00fdch vznikli. V\u00a0pr\u00edpade maliarskej s\u00e9rie hl\u00e1v sa Teren vo\u013ene in\u0161piroval zn\u00e1mou kolekciou b\u00fast (\u201echarakterov\u00fdch hl\u00e1v\u201c) barokov\u00e9ho soch\u00e1ra F. X. Messerschmidta z\u00a02. polovice 18. storo\u010dia, ktor\u00fd p\u00f4sobil aj v\u00a0Bratislave. Kolekciu dop\u013a\u0148aj\u00fa autorove plastiky z\u00a0bronzu.<\/p>\n <\/p>\n Transform\u00e1cie Ondreja Rudavsk\u00e9ho<\/strong><\/p>\n Ak str\u00e1vite len nieko\u013eko chv\u00ed\u013e pri Ondrejovi Rudavskom (1966), m\u00e1te pocit, \u017ee ste sa ocitli pri dyname nekone\u010dnej energie. Ni\u010d nie je nemo\u017en\u00e9, ni\u010d nie je strnul\u00e9. A\u00a0podobne to c\u00edti\u0165 aj v jeho obrazoch, videoklipoch \u010di filmov\u00fdch projekci\u00e1ch, s ktor\u00fdmi sa presadil aj vo ve\u013ekom svete \u201eshowbizu v\u00a0Spojen\u00fdch \u0161t\u00e1toch. V\u0161etko na nich je v\u00a0pohybe, \u0161pir\u00e1la \u013eud\u00ed sa to\u010d\u00ed doslova vo vesm\u00edrnom rytme, mikro aj makrokozmos sa neust\u00e1le men\u00ed, transformuje. Transform\u00e1cie – to je aj n\u00e1zov Rudavsk\u00e9ho v\u00fdstavy v\u00a0bratislavskej Gallery Slovakia, ktor\u00e1 touto prezent\u00e1ciou za\u010d\u00edna svoje p\u00f4sobenie na kult\u00farnej mape Bratislavy. Amb\u00edcie novej gal\u00e9rie s\u00fa vysok\u00e9, zost\u00e1va veri\u0165, \u017ee vydr\u017e\u00ed v\u00a0nasadenej kvalite.<\/p>\n <\/p>\n To mus\u00edte vidie\u0165!<\/strong><\/p>\n * Vo vynovenej Danubiane v \u010cunove, ktor\u00e1 pre\u0161la ve\u013ekou \u00fapravou vr\u00e1tane dostavby m\u00fazea, mo\u017eno a\u017e do 16. novembra nav\u0161t\u00edvi\u0165 v\u00fdstavu Galandovci. Predstavuje \u00f4smich z\u00e1stupcov tejto legend\u00e1rnej v\u00fdtvarnej skupiny na Slovensku.<\/p>\n * V\u00a0Gal\u00e9rii mesta Bratislavy v\u00a0P\u00e1lffyho pal\u00e1ci m\u00f4\u017eete do 21. septembra obdivova\u0165 retrospekt\u00edvu sl\u00e1vneho rak\u00faskeho maliara,\u00a0soch\u00e1ra a\u00a0v\u0161estrann\u00e9ho umelca Ernsta Fuchsa (1930), ktor\u00e1 zah\u0155\u0148a najv\u00fdznamnej\u0161ie diela jeho tvorby.<\/p>\n * Dve krajiny. Obraz Slovenska: 19. storo\u010die x\u00a0s\u00fa\u010dasnos\u0165. To je n\u00e1zov expoz\u00edcie v\u00a0Slovenskej n\u00e1rodnej gal\u00e9rii, ktor\u00e1 v\u00a0Esterh\u00e1zyho pal\u00e1ci potrv\u00e1 do 19. okt\u00f3bra.<\/p>\n","protected":false},"excerpt":{"rendered":" \u013dudov\u00edt Petr\u00e1nsky \u00a0 V\u00edzie Vincenta Hlo\u017en\u00edka Posolstv\u00e1 a\u00a0v\u00edzie. Pon\u00ed\u017een\u00ed a urazen\u00ed. \u010carovno smutn\u00fd svet klaunov a\u00a0artistov, ale aj utrpenie Je\u017ei\u0161a na Golgote. \u017d\u00e1nrov\u00e9 obrazy zo slovensk\u00e9ho vidieka, ale aj civiln\u00e9 mot\u00edvy z\u00a0mesta. V\u00fdtvarn\u00fd svet Vincenta Hlo\u017en\u00edka (1919 – 1997) je obsahovo i\u00a0v\u00fdrazovo pestr\u00fd. Ani dnes jeho obrazy nenech\u00e1vaj\u00fa \u010dloveka \u013eahostajn\u00fdm. Nemilosrdne id\u00fa pod ko\u017eu a\u00a0testuj\u00fa […]<\/p>\n","protected":false},"author":3,"featured_media":451,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,17],"tags":[],"class_list":["post-159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-september-2014"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/159","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=159"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/159\/revisions"}],"predecessor-version":[{"id":454,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/159\/revisions\/454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/451"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=159"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=159"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=159"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}