{"id":1805,"date":"2015-10-14T11:43:09","date_gmt":"2015-10-14T09:43:09","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=1805"},"modified":"2015-10-14T11:44:07","modified_gmt":"2015-10-14T09:44:07","slug":"umenie-oktober-2015","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-oktober-2015\/","title":{"rendered":"Umenie okt\u00f3ber 2015"},"content":{"rendered":"

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Krajina otca, javisko syna<\/strong><\/p>\n

Vo Ve\u013ekej sieni Oravskej gal\u00e9rie v\u00a0Dolnom Kub\u00edne sa do 8. novembra predstavuje v\u00fdnimo\u010dn\u00fd multimedi\u00e1lny projekt, venovan\u00fd nieko\u013ek\u00fdm \u017e\u00e1nrom umenia. Stret\u00e1vaj\u00fa sa tu v\u00fdtvarn\u00e9 umenie, sc\u00e9nografia, hudba, divadlo, film aj fotografia. Ako zjednocuj\u00face osobnosti projektu tu vystupuj\u00fa otec J\u00e1n (1948) a\u00a0syn Boris (1972) Kudli\u010dkovci. Expoz\u00edcia dvoch gener\u00e1ci\u00ed autorov prezentuje ich poh\u013ead na priestor vytvoren\u00fd dvomi rozdielnymi formami: ma\u013ebou a\u00a0sc\u00e9nografiou. J\u00e1novu poetick\u00fa s\u00e9mantiku, meditat\u00edvny podt\u00f3n a\u00a0esenci\u00e1lnu citlivos\u0165 krajiny dop\u013a\u0148a Borisova ve\u013ekolep\u00e1 jednoduchos\u0165 divadeln\u00fdch sc\u00e9n. V\u00fdstavu ned\u00e1vno premi\u00e9rovo uviedli v\u00a0Tatranskej gal\u00e9rii v\u00a0Poprade (kur\u00e1torka A. Ondru\u0161ekov\u00e1), v\u00a0Oravskej gal\u00e9rii je kur\u00e1torkou E. \u013dupt\u00e1kov\u00e1. Publikujeme n\u00e1vrh sc\u00e9ny Borisa Kudli\u010dku pre \u010cajkovsk\u00e9ho romantick\u00fa rozpr\u00e1vku Jolanta a\u00a0Bart\u00f3kov Modrof\u00fazov z\u00e1mok.<\/p>\n

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\"umenie2\"<\/a><\/p>\n

Sila harm\u00f3nie<\/strong><\/p>\n

Kr\u00e1\u013e a\u00a0kr\u00e1\u013eovn\u00e1 v\u00a0archaickej p\u00f3ze z\u00a0\u010dias star\u00e9ho Egypta, hrd\u00fd b\u00fdk \u010dakaj\u00faci na svoj osud v\u00a0koride, d\u00e1ma so znakom nekone\u010dnosti, mal\u00fd \u0161tastn\u00fd Bhut\u00e1n\u010dan, antick\u00ed bojovn\u00edci aj japonsk\u00ed samuraji – to je \u010das\u0165 panor\u00e1my soch\u00e1rskeho sveta J\u00e1na \u0164ap\u00e1ka, ktor\u00e1 sa po\u010das okt\u00f3bra predstavuje na z\u00e1padnej terase Bratislavsk\u00e9ho hradu. Sveta, ktor\u00fd div\u00e1kom prin\u00e1\u0161a z\u00e1\u017eitok z\u00a0chv\u00edle i\u00a0pam\u00e4\u0165 dlhej cesty v\u00fdtvarnej kontinuity. Je to z\u00e1rove\u0148 bronzov\u00fd svet so suver\u00e9nnou znalos\u0165ou remesla, ale aj nadn\u00e1\u0161aj\u00faceho umenia, pri ktorom sme nad zemou t\u00fdch povestn\u00fdch p\u00e4\u0165 centimetrov. Bronz je materi\u00e1l, ktor\u00fd odhal\u00ed ka\u017ed\u00fd z\u00e1chvev umelcovej ruky a\u00a0mysle. V\u00a0podan\u00ed J\u00e1na \u0164ap\u00e1ka aj materi\u00e1l, v\u00a0ktorom sa jej autor nepom\u00fdli. Ur\u010dite aj preto, \u017ee s\u00a0istotou vie, \u010do tam bude. V\u00fdstava Sila harm\u00f3nie potvrdzuje, \u017ee harm\u00f3nia m\u00e1 silu iba vtedy, ke\u010f je \u00faprimn\u00e1 a bez falo\u0161n\u00fdch t\u00f3nov. Publikujeme sochu s\u00a0n\u00e1zvom Infinity Lady.<\/p>\n

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\"umenie3\"<\/a><\/p>\n

L\u00e1ska v\u00a0\u010dasoch revol\u00facie<\/strong><\/p>\n

Nat\u00e1lia Gon\u010darovov\u00e1 a\u00a0Michail Larionov, Varvara Stepanovov\u00e1 a\u00a0Alexander Rod\u010denko, \u013djubov Popovov\u00e1 a\u00a0Alexander Vesnin, O\u013ega Rozanovov\u00e1 a\u00a0Alexej Kru\u010donych, Valent\u00edna Kulaginov\u00e1 a\u00a0Gustav Klutsis. \u010co sp\u00e1ja tieto dvojice? Rusk\u00e1 revolu\u010dn\u00e1 avantgarda a\u00a0l\u00e1ska! Kunstforum der bank Austria vo Viedni pripravilo od 14. okt\u00f3bra do 31. janu\u00e1ra 2016 origin\u00e1lnu v\u00fdstavu, ktor\u00e1 hviezdy ruskej avantgardy ukazuje v\u00a0novom svetle. Ani z\u010faleka to neboli len odv\u00e1\u017ene my\u0161lienky v\u00a0architekt\u00fare, v\u00fdtvarnom umen\u00ed, fotografii, divadle \u010di literat\u00fare z\u00a0medzivojnov\u00e9ho obdobia, ale aj n\u00e1stoj\u010div\u00fd pocit s\u00fadr\u017enosti, ktor\u00fd vy\u00fastil do dlhotrvaj\u00facich vz\u0165ahov medzi umeleck\u00fdmi dvojicami. In\u00fdmi slovami, ani po\u010das turbulentn\u00fdch obdob\u00ed l\u00e1ska neml\u010d\u00ed. Pom\u00e1ha v\u0161ade tam, kde to vl\u00e1dnuca ideol\u00f3gia zakazuje. Zbierky Tre\u0165jakovskej gal\u00e9rie a\u00a0\u0160\u010dusevovho \u0161t\u00e1tneho m\u00fazea architekt\u00fary v\u00a0Moskve dop\u013a\u0148aj\u00fa \u010fal\u0161ie popredn\u00e9 eur\u00f3pske gal\u00e9rie ako aj s\u00fakromn\u00ed zberatelia, ktor\u00ed vytvorili par\u00e1dnu l\u00e1sku medzi kvapkami revol\u00facie. Publikujeme fotografiu Varvary Stepanovovej a\u00a0Alexandra Rod\u010denka z\u00a0roku 1921.<\/p>\n

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To mus\u00edte vidie\u0165<\/strong><\/p>\n

* V\u00a0Malej v\u00fdstavnej sieni\u00a0dolnokub\u00ednskej Oravskej gal\u00e9rie je do 8. 11. spr\u00edstupnen\u00e1 v\u00fdstava fotografi\u00ed Petra G\u00e1lla s\u00a0n\u00e1zvom Na skok. Ako dop\u013a\u0148a autor: \u201eNa skok domov, k\u00a0priate\u013eom, do krajiny…\u201c<\/p>\n

* V\u00a0M\u00fazeu modern\u00e9ho umenia Danubiana v\u00a0\u010cunove sa do 25. 10. prezentuje medzin\u00e1rodn\u00e1 v\u00fdstava III. Dunajsk\u00e9 bien\u00e1le a predstavuje 22 v\u00fdtvarn\u00edkov mladej a\u00a0strednej gener\u00e1cie z\u00a0desiatich kraj\u00edn, ktor\u00fdmi pretek\u00e1 rieka Dunaj.<\/p>\n

* Do 18. 10. m\u00f4\u017eete v\u00a0Tur\u010dianskej gal\u00e9rii v\u00a0Martine nav\u0161t\u00edvi\u0165 dve v\u00fdstavy: v\u00fdstava fotografi\u00ed Karola K\u00e1llaya \u201eS\u00favislosti\u201c a\u00a0expoz\u00edcia Andreja August\u00edna \u201eFeng Shui Very Much\u201c.<\/p>\n

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\u013dudov\u00edt Petransk\u00fd<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  Krajina otca, javisko syna Vo Ve\u013ekej sieni Oravskej gal\u00e9rie v\u00a0Dolnom Kub\u00edne sa do 8. novembra predstavuje v\u00fdnimo\u010dn\u00fd multimedi\u00e1lny projekt, venovan\u00fd nieko\u013ek\u00fdm \u017e\u00e1nrom umenia. Stret\u00e1vaj\u00fa sa tu v\u00fdtvarn\u00e9 umenie, sc\u00e9nografia, hudba, divadlo, film aj fotografia. Ako zjednocuj\u00face osobnosti projektu tu vystupuj\u00fa otec J\u00e1n (1948) a\u00a0syn Boris (1972) Kudli\u010dkovci. Expoz\u00edcia dvoch gener\u00e1ci\u00ed autorov prezentuje ich poh\u013ead […]<\/p>\n","protected":false},"author":3,"featured_media":1806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,34],"tags":[],"class_list":["post-1805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-oktober-2015"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/1805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=1805"}],"version-history":[{"count":10,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/1805\/revisions"}],"predecessor-version":[{"id":1818,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/1805\/revisions\/1818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/1806"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=1805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=1805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=1805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}