Detstvo bez telev\u00edzie<\/strong><\/p>\nCl\u00e9mence \u0161tudovala na prest\u00ed\u017enej par\u00ed\u017eskej \u0161kole dramatick\u00fdch umen\u00ed (Conservatoire National Sup\u00e9rieur d’Art Dramatique), ale to u\u017e mala za sebou \u00fa\u010dinkovanie v\u00a0nieko\u013ek\u00fdch hr\u00e1ch svojho otca Etienna Guicharda, zn\u00e1meho franc\u00fazskeho herca a\u00a0divadeln\u00e9ho re\u017eis\u00e9ra. Po matke, u\u010dite\u013eke franc\u00faz\u0161tiny, zdedila l\u00e1sku ku knih\u00e1m a\u00a0literat\u00fare. Osvieten\u00ed rodi\u010dia sa rozhodli svoje dc\u00e9ry (Clemence m\u00e1 e\u0161te mlad\u0161iu sestru Ma\u00eblle) zap\u00edsa\u0165 na bilingv\u00e1lnu \u0161kolu La Source, a\u00a0tak diev\u010dat\u00e1 u\u017e od siedmich rokov drilovali anglick\u00e9 slov\u00ed\u010dka. V\u00a0p\u00e4tn\u00e1stich Cl\u00e9mence str\u00e1vila vy\u0161e roka na v\u00fdmennom jazykovom pobyte v\u00a0Toronte a okrem angli\u010dtiny dnes plynule hovor\u00ed tie\u017e po taliansky. Ke\u010f rodi\u010dia s\u00a0porozumen\u00edm prijali fakt, \u017ee ich dc\u00e9ry sa hodlaj\u00fa venova\u0165 herectvu, za\u010dali ich\u00a0v\u00a0kari\u00e9re plne podporova\u0165. \u201eNapokon, za to m\u00f4\u017eu obidvaja,\u201c smeje sa Cl\u00e9mence. \u201eV\u017edy sa s\u00a0nami delili o\u00a0svoje umeleck\u00e9 v\u00edzie a\u00a0liter\u00e1rny entuziazmus. U\u017e ako deti n\u00e1s \u010dasto brali do divadla a kina.\u201c Telev\u00edzor v\u0161ak bol tabu. Cl\u00e9mence nepoznala takmer \u017eiaden t\u00edned\u017eersk\u00fd seri\u00e1l, a t\u00fdch v\u00a090. rokoch be\u017ealo v\u00a0telev\u00edzii viac ne\u017e dos\u0165. Tvrd\u00ed, \u017ee dodnes nem\u00e1 doma telev\u00edziu a\u00a0v\u00f4bec jej nech\u00fdba.<\/p>\n
Paradoxne v\u0161ak pr\u00e1ve telev\u00edzna kamera zachyt\u00e1vala prv\u00e9 hereck\u00e9 kr\u00f4\u010diky mladej Cl\u00e9mence Po\u00e8sy. Od\u00a0\u0161trn\u00e1stich sa objavovala v\u00a0r\u00f4znych franc\u00fazskych telev\u00edznych filmoch a v\u00a0dev\u00e4tn\u00e1stich sa do\u010dkala aj hlavnej \u00falohy vo franc\u00fazsko-nemeckej citlivej road-movie O\u013egino leto. Stv\u00e1r\u0148uje v \u0148om \u0161estn\u00e1s\u0165ro\u010dn\u00fa O\u013egu, ktor\u00e1 sa napriek mlad\u00e9mu veku c\u00edti pripraven\u00e1: na \u017eivot, na l\u00e1sku, na ve\u013ek\u00e9 dobrodru\u017estvo. Berie v\u0161etko, lebo v\u0161etko je lep\u0161ie ako nudn\u00e1 rodina, v ktorej vyrast\u00e1. V \u017eivote sa riadi nieko\u013ek\u00fdmi radik\u00e1lnymi heslami, napr\u00edklad: \u201eIba divok\u00ed mu\u017ei s\u00fa hodn\u00ed milovania.\u201d \u010ci tomu tak naozaj je, m\u00e1 sa presved\u010di\u0165, ke\u010f raz v havarovanom aute na\u010fab\u00ed na mu\u017ea v bezvedom\u00ed, ktor\u00fd vraj v z\u00farivosti zabil svoju \u017eenu a nesk\u00f4r sa pok\u00fasil sp\u00e1cha\u0165 samovra\u017edu…<\/p>\n
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V\u00a0stop\u00e1ch Juliette Binoche<\/strong><\/p>\nSvoje bilingv\u00e1lne vzdelanie vyu\u017eila v\u00a0roku 2004, ke\u010f sa ako 22-ro\u010dn\u00e1 objavila v\u00a0dvojdielnom telev\u00edznom filme BBC Spiknutie streln\u00e9ho prachu. Po boku Roberta Carlalyho si zahrala \u0161k\u00f3tsku kr\u00e1\u013eovn\u00fa M\u00e1riu Stuartov\u00fa. Britsk\u00fd re\u017eis\u00e9r Gillies MacKinnon sa domnieval, \u017ee ke\u010f do \u00falohy obsad\u00ed franc\u00fazsku here\u010dku, lep\u0161ie vyjadr\u00ed, pre\u010do sa Mary c\u00edtila tak\u00e1 opusten\u00e1, ke\u010f pri\u0161la do \u0160k\u00f3tska z\u00a0krajiny galsk\u00e9ho koh\u00fata. Film aj here\u010dkin v\u00fdkon prijala odborn\u00e1 kritika s\u00a0uznan\u00edm a\u00a0na medzin\u00e1rodnom festivale audiovizu\u00e1lnych programov Cl\u00e9mence za rolu M\u00e1rie z\u00edskala cenu Fipa ako najlep\u0161ia here\u010dka. Po tejto sn\u00edmke sa o\u00a0jemnej Franc\u00fazke za\u010dalo hovori\u0165 ako o\u00a0talentovanej bilingv\u00e1lnej here\u010dke, ktor\u00e1 m\u00e1 potenci\u00e1l uspie\u0165 aj mimo eur\u00f3pskeho filmu, podobne ako napr\u00edklad jej ve\u013ek\u00e1 predchodky\u0148a Juliette Binoche. \u201eAko here\u010dka by som ur\u010dite viedla \u00faplne in\u00fd \u017eivot, keby som nemala to \u0161\u0165astie, \u017ee od detstva rozpr\u00e1vam po anglicky. Ve\u010f takmer polovica filmov, ktor\u00e9 som doteraz nakr\u00fatila, je v\u00a0angli\u010dtine,\u201c poznamen\u00e1va a\u00a0dod\u00e1va, \u017ee vyjadrova\u0165 sa v\u00a0angli\u010dtine jej pripad\u00e1 ohromne oslobodzuj\u00face: \u201eFakt, \u017ee angli\u010dtina nie je m\u00f4j materinsk\u00fd jazyk, mi dovo\u013euje vyjadri\u0165 em\u00f3cie in\u00fdm sp\u00f4sobom. Tak, akoby som to norm\u00e1lne nikdy neurobila. Tie\u017e som sa nau\u010dila spolupracova\u0165 s\u00a0\u013eu\u010fmi z\u00a0in\u00fdch kraj\u00edn, ktor\u00ed inak pristupuj\u00fa ku\u00a0svojej pr\u00e1ci.\u201c Cl\u00e9mence to pova\u017euje za v\u00fdznamn\u00fd pr\u00ednos pre formovanie vlastnej osobnosti, lebo: \u201ea\u017e v\u00a0interakcii s\u00a0in\u00fdmi dok\u00e1\u017eete lep\u0161ie pochopi\u0165 seba\u201c.<\/p>\n
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Viac o Cl\u00e9mence sa do\u010d\u00edtate v okt\u00f3brovom vydan\u00ed MIAU<\/p>\n
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Simonetta Zalov\u00e1 foto Coty, Sita,\u00a0arch\u00edvy filmov\u00fdch spolo\u010dnost\u00ed Kto je to p\u00f4vabn\u00e9 diev\u010da s\u00a0plavn\u00fdm krokom, krehk\u00e9 ako v\u00edla, ktor\u00e9 sa spolu s\u00a0Harrym Potterom a\u00a0\u010fal\u0161\u00edmi dvoma \u0161ampi\u00f3nmi z\u00fa\u010dastn\u00ed medzin\u00e1rodn\u00e9ho Troj\u010darodejn\u00edckeho turnaja? Mademoiselle Fleur Delacour je \u0161tudentka diev\u010denskej \u0161koly z\u00a0Beauxbatosu a m\u00e1 \u010darodejn\u00edcky pr\u00fatik z ru\u017eov\u00e9ho dreva, ktor\u00fd obsahuje… Vlas v\u00edly, ktor\u00fd patril jej starej mame… […]<\/p>\n","protected":false},"author":3,"featured_media":203,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,20],"tags":[],"class_list":["post-201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-oktober-2014"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":5,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/201\/revisions"}],"predecessor-version":[{"id":411,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/201\/revisions\/411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/203"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Clemence](\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2014\/10\/Clemence-Po\u00e9sy.jpg\")
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