{"id":2022,"date":"2015-12-09T11:27:16","date_gmt":"2015-12-09T09:27:16","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=2022"},"modified":"2015-12-09T11:27:16","modified_gmt":"2015-12-09T09:27:16","slug":"umenie-zima-2015","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-zima-2015\/","title":{"rendered":"Umenie zima 2015"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2023 size-medium\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie1-255x300.jpg\" alt=\"umenie1\" width=\"255\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie1-255x300.jpg 255w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie1.jpg 838w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/a><\/p>\n<p><strong>Rezervovan\u00e9 pre bud\u00facnos\u0165<\/strong><\/p>\n<p>Oravsk\u00e1 gal\u00e9ria v\u00a0Dolnom Kub\u00edne pri pr\u00edle\u017eitosti 50. v\u00fdro\u010dia svojho vzniku pripravila v priebehu roka 2015 nieko\u013eko kult\u00farnych podujat\u00ed, ktor\u00e9 vrcholia tromi v\u00fdstavami z\u00a0vlastn\u00fdch zbierok, uveden\u00fdmi pod spolo\u010dn\u00fdm n\u00e1zvom Rezervovan\u00e9 pre bud\u00facnos\u0165 (potrvaj\u00fa do 10. 1. 2016) a uveden\u00edm publik\u00e1cie 50 rokov Oravskej gal\u00e9rie. V\u00fdstava mapuje akvizi\u010dn\u00fa \u010dinnos\u0165 Oravskej gal\u00e9rie posledn\u00fdch dvoch desa\u0165ro\u010d\u00ed a\u00a0nov\u00e9 zbierkov\u00e9 predmety predstavuje v\u00a0nieko\u013ek\u00fdch kontextoch. V\u00a0prvom rade ako kon\u0161tanty, ktor\u00e9 tvoria na\u0161e kult\u00farne dedi\u010dstvo. \u201ePrirodzenou snahou ka\u017edej gal\u00e9rie je v r\u00e1mci svojej \u0161pecializ\u00e1cie nadob\u00fada\u0165 tak\u00e9 zbierkov\u00e9 predmety, ktor\u00fdch cena bude r\u00e1s\u0165 a\u00a0stan\u00fa sa overen\u00fdmi umeleck\u00fdmi hodnotami aj pre nasleduj\u00face gener\u00e1cie,\u201c uv\u00e1dzaj\u00fa autorky koncepcie E. \u013dupt\u00e1kov\u00e1, D. Adamusov\u00e1. \u201ePreto sa na\u0161e zberate\u013esk\u00e9 \u00fasilie s\u00fastre\u010fuje na v\u00fdtvarn\u00e9 diela, ktor\u00e9 reprezentuj\u00fa na\u0161u kult\u00farnu identitu a\u00a0maj\u00fa perspekt\u00edvu by\u0165 rovnako posudzovan\u00e9 aj v\u00a0bud\u00facnosti.\u201d \u010eal\u0161ia v\u00fdstava pon\u00faka kolekciu diel slovensk\u00e9ho surrealistick\u00e9ho maliara Karola Barona (1939 &#8211; 2004) s n\u00e1zvom Kabala, ktorej diela poch\u00e1dzaj\u00fa zo zbierok Oravskej gal\u00e9rie. Samostatn\u00fd priestor bude venovan\u00fd v\u00fdstave re\u0161taurovania sakr\u00e1lnych maliarskych a\u00a0soch\u00e1rskych zbierkov\u00fdch predmetov, ako d\u00f4le\u017eitej s\u00fa\u010dasti ochrany kult\u00farneho dedi\u010dstva. Publikujeme obraz Po da\u017edi (olej, 1964) Imricha Weinera-Kr\u00e1\u013ea, ktor\u00fd sa nach\u00e1dza v\u00a0zbierkach Oravskej gal\u00e9rie.<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00a0<a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2025 size-medium\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie3-200x300.jpg\" alt=\"umenie3\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie3-200x300.jpg 200w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie3.jpg 656w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/em><strong>Pr\u00edbehy s \u013eudsk\u00fdmi tv\u00e1rami<\/strong><\/p>\n<p>Sochy dreven\u00fdch hl\u00e1v s\u00a0prienikom kovov\u00fdch predmetov, cit pre materi\u00e1l, \u010distota tvarov, z\u00e1ujem o\u00a0soch\u00e1rske tvary a pr\u00edbehy, kresby s\u00a0tajomn\u00fdmi a\u00a0melancholick\u00fdmi tv\u00e1rami \u017eien &#8211; to je nieko\u013eko fragmentov z\u00a0v\u00fdtvarnej re\u010di slovensk\u00e9ho soch\u00e1ra Igora Mosn\u00e9ho (1959), ktor\u00fd do 13. 12. 2015 vystavuje v\u00a0Gal\u00e9rii M. A. Bazovsk\u00e9ho v\u00a0Tren\u010d\u00edne. \u201eJeho v\u00fdrazovo prekvapuj\u00faco \u010dist\u00e9 soch\u00e1rske diela n\u00e1s intenz\u00edvne\u00a0oslovuj\u00fa m\u00e1giou a naliehavos\u0165ou posolstiev, ktor\u00e9 s\u00fa do nich zak\u00f3dovan\u00e9,\u201c p\u00ed\u0161e kur\u00e1torka v\u00fdstavy D. Lovi\u0161kov\u00e1. Za soch\u00e1rovou m\u00e1giou v\u0161ak v\u017edy stoj\u00ed \u010dlovek, \u013eudia v\u00a0atmosf\u00e9re ka\u017edodennosti \u010di s odkazom trad\u00edci\u00ed. Je to nikdy nekon\u010diaci pr\u00edbeh o\u00a0umelcovi a\u00a0jeho t\u00e9me, ktor\u00e1 si v\u00a0priebehu rokov \u017eije vlastn\u00fd \u017eivot. To len umelcova imagin\u00e1cia ju z\u00a0\u010dasu na \u010das uchop\u00ed a\u00a0vymodeluje umenie, pri ktorom je n\u00e1m fajn. Sta\u010d\u00ed sa pozrie\u0165 na Mosn\u00e9ho p\u00f4sobiv\u00fa v\u00fdtvarn\u00fa panor\u00e1mu&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2026 size-medium\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie2-212x300.jpg\" alt=\"umenie2\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie2-212x300.jpg 212w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie2-724x1024.jpg 724w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2015\/12\/umenie2.jpg 766w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><strong>Munchove l\u00e1sky a samoty<\/strong><\/p>\n<p>L\u00e1ska, smr\u0165 a\u00a0samota &#8211; n\u00e1zov v\u00fdstavy, ktor\u00fd naplno m\u00f4\u017ee plati\u0165 iba pre jedn\u00e9ho umelca. Bol n\u00edm temn\u00fd N\u00f3r Edvard Munch (1863 &#8211; 1944), ktor\u00fd sa raz vyjadril, \u017ee \u201echoroba, \u0161ialenstvo a smr\u0165 boli anjelmi, ktor\u00ed obklopovali moju kol\u00edsku a nasledovali ma po cel\u00fd \u017eivot.\u201c Spracovanie \u00fazkosti na jeho obrazoch bolo tak\u00e9 intenz\u00edvne, \u017ee nielen silne ovplyvnilo nemeck\u00fd expresionizmus 20. storo\u010dia, ale ho uviedlo na piedest\u00e1l krstn\u00fdch otcov modern\u00e9ho umenia. Dnes sa Munchovo naliehav\u00e9 umenie v\u00a0podobe graf\u00edk pribl\u00ed\u017eilo k\u00a0Bratislave a\u00a0a\u017e do 24. 1. 2016 sa predstavuje vo viedenskej Albertine. To, \u010do pre renesanciu znamenal D\u00fcrer a\u00a0pre baroko Rembrandt, steles\u0148uje v\u00a0r\u00e1mci moderny Edvard Munch. Jeho litografie, lepty a\u00a0drevoryty predstavuj\u00fa absol\u00fatny <strong>vrchol tla\u010denej grafiky 20. storo\u010dia<\/strong><strong>.<\/strong> Na v\u00fdstave sa prezentuje okolo 100\u00a0najv\u00fdznamnej\u0161\u00edch diel Edvarda Muncha vr\u00e1tane <strong>litografi\u00ed<\/strong> V\u00fdkrik (1895, publikujeme na fotografii) a\u00a0\u00dazkos\u0165 (1896). Poch\u00e1dzaj\u00fa zo s\u00fakromn\u00fdch zbierok a\u00a0Albertine s\u00fa zapo\u017ei\u010dan\u00e9 na \u00fa\u010dely tejto jedine\u010dnej expoz\u00edcie.<\/p>\n<p>&nbsp;<\/p>\n<p>\u013dudov\u00edt Petr\u00e1nsky<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Rezervovan\u00e9 pre bud\u00facnos\u0165 Oravsk\u00e1 gal\u00e9ria v\u00a0Dolnom Kub\u00edne pri pr\u00edle\u017eitosti 50. v\u00fdro\u010dia svojho vzniku pripravila v priebehu roka 2015 nieko\u013eko kult\u00farnych podujat\u00ed, ktor\u00e9 vrcholia tromi v\u00fdstavami z\u00a0vlastn\u00fdch zbierok, uveden\u00fdmi pod spolo\u010dn\u00fdm n\u00e1zvom Rezervovan\u00e9 pre bud\u00facnos\u0165 (potrvaj\u00fa do 10. 1. 2016) a uveden\u00edm publik\u00e1cie 50 rokov Oravskej gal\u00e9rie. V\u00fdstava mapuje akvizi\u010dn\u00fa \u010dinnos\u0165 Oravskej gal\u00e9rie posledn\u00fdch dvoch [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2029,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,36],"tags":[],"class_list":["post-2022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-zima-2015"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=2022"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2022\/revisions"}],"predecessor-version":[{"id":2027,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2022\/revisions\/2027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/2029"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=2022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=2022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=2022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}