Zuzana Bos\u00e1<\/p>\n
<\/p>\n
Rodin <\/strong><\/p>\n Len g\u00e9nius, ak\u00fdm bol franc\u00fazsky soch\u00e1r Auguste Rodin, dok\u00e1zal aj najhlb\u0161ie du\u0161evn\u00e9 stavy \u010dloveka autenticky vytesa\u0165 do mramoru. Plastickos\u0165, v\u00e1\u0161e\u0148, pohyb… mo\u017eno pr\u00e1ve pre tieto kvality si Boris Eifman, \u0161pi\u010dka rusk\u00e9ho modern\u00e9ho baletu, vybral za n\u00e1met soch\u00e1rov \u017eivotn\u00fd pr\u00edbeh. Auguste Rodin napriek rodinn\u00fdm z\u00e1v\u00e4zkom pre\u017e\u00edva milostn\u00fd vz\u0165ah s\u00a0osemn\u00e1s\u0165ro\u010dnou talentovanou soch\u00e1rkou Camille Claudel. B\u00farka nesp\u00fatan\u00fdch citov medzi umelcom a\u00a0m\u00fazou v\u0161ak po sebe zanech\u00e1va iba tragick\u00fa sp\u00fa\u0161\u0165. Fenomen\u00e1lny tane\u010dn\u00fd s\u00fabor Borisa Eifmana zav\u00edta do Bratislavy 21. a\u00a022. okt\u00f3bra a svoj\u00edm impulz\u00edvnym tancom rozv\u00edri prach baletnej sc\u00e9ny SND.<\/p>\n <\/p>\n Priate\u013e Fritz<\/strong><\/p>\n \u0160t\u00e1tna opera v\u00a0Banskej Bystrici prichystala milovn\u00edkom opery mal\u00e9 talianske prekvapenie. 17. a\u00a018. okt\u00f3bra uvedie premi\u00e9ru opery Priate\u013e Fritz, skomponovan\u00fa tosk\u00e1nskym skladate\u013eom Pietrom Mascagnim. Taliansky rod\u00e1k, presl\u00e1ven\u00fd opernou senz\u00e1ciou Cavaleria Rusticana, sa in\u0161piroval franc\u00fazskou predlohou – lyrick\u00e1 kom\u00e9dia v\u00a0troch dejstv\u00e1ch rozpr\u00e1va pr\u00edbeh star\u00e9ho ml\u00e1denca Fritza, ktor\u00fd odsudzuje pochabos\u0165 svadby a vernej\u00a0l\u00e1sky. D\u00e1vid, pobaven\u00fd kamar\u00e1tov\u00fdm odporom, s\u00a0n\u00edm uzavrie st\u00e1vku. Ak sa Fritz do roka o\u017een\u00ed, D\u00e1vid ako v\u00fdhru z\u00edska jeho vinice. No aj mrzut\u00e9mu samot\u00e1rovi sa nakoniec rozochvej\u00fa kolen\u00e1, a\u00a0to v\u00a0momente, ke\u010f stret\u00e1va pr\u00edvetiv\u00fa Suzel. Kantabiln\u00e9 lyrick\u00e9 mel\u00f3die \u010di popul\u00e1rny \u201eCherry duet\u201c\u00a0 pol\u00e1skaj\u00fa publiku sluch i\u00a0hudobn\u00fd vkus. Operu hudobne na\u0161tudoval Mari\u00e1n Vach a re\u017e\u00edruje Dana Dinkov\u00e1.<\/p>\n \u00a0<\/strong><\/p>\n Polno\u010dn\u00e1 om\u0161a <\/strong><\/p>\n P\u00ed\u0161e sa rok 1945 a\u00a0rodina Kubi\u0161ovcov sl\u00e1vi mo\u017eno svoj posledn\u00fd \u0161tedr\u00fd ve\u010der. Ku stolu zasadli otec Valent\u00edn, mama Vilma, syn Mari\u00e1n, oddan\u00fd gardista a\u00a0prisluhova\u010d gestapa, dc\u00e9ra Angela s\u00a0komunisticky zm\u00fd\u0161\u013eaj\u00facim man\u017eelom a\u00a0nev\u00edtan\u00fd hos\u0165, nemeck\u00fd poru\u010d\u00edk Brecher. Najmlad\u0161\u00ed syn, partiz\u00e1n \u010eurko, ch\u00fdba a\u00a0nik v\u00a0jeho pr\u00edchod ani ned\u00fafa. Ne\u010dakan\u00e9 sa v\u0161ak stane skuto\u010dnos\u0165ou a\u00a0\u010eurka musia ukry\u0165 pred zrakom fa\u0161istick\u00e9ho Brechera. Polnoc sa bl\u00ed\u017ei a\u00a0s\u00a0\u0148ou i\u00a0\u010das spovede. Jeden z\u00a0rodiny zradil a\u00a0zdanlivo sporiadan\u00fd \u017eivot Kubi\u0161ovcov zakal\u00ed vypo\u010d\u00edtavos\u0165, pokrytectvo a\u00a0mor\u00e1lne zlyhanie. Ako s\u00a0nimi osud nalo\u017e\u00ed, dozviete\u00a0 sa v\u00a0trojdejstvovej divadelnej hre Polno\u010dn\u00e1 om\u0161a od slovensk\u00e9ho dramatika Petra Karva\u0161a v\u00a0bratislavskom SND (premi\u00e9ra: 25. okt\u00f3bra). V r\u00e9\u017eii Emila Spi\u0161\u00e1ka sa\u00a0v\u00a0hlavn\u00fdch \u00faloh\u00e1ch predstavia E. Horv\u00e1th, A. Javorkov\u00e1, R. Stanke, M. Ondr\u00edk, D. Kavaschov\u00e1 a\u00a0\u010fal\u0161\u00ed.<\/p>\n <\/p>\n Kamenn\u00fd chodn\u00ed\u010dek <\/strong><\/p>\n Kde bolo, tam bolo, v\u00a0jednej malebnej slovenskej dedinke \u017eili Adam a\u00a0Evu\u0161ka. Maj\u00fa sa radi, no ich l\u00e1ska pripom\u00edna sk\u00f4r zak\u00e1zan\u00e9 ovocie, ne\u017e naivn\u00fa rozpr\u00e1vku. Pre\u010do? Poriadne toti\u017e po\u0161teklia star\u00e9 rodinn\u00e9 hriechy, ktor\u00e9 op\u00e4\u0165 uzr\u00fa svetlo sveta. Iba oddan\u00fd cit a\u00a0um dok\u00e1\u017eu pre\u013esti\u0165 rodinn\u00e9 vrtochy a\u00a0da\u0165 l\u00e1ske kone\u010dne vo\u013en\u00fd priechod. Autor Ferko Urb\u00e1nek nech\u00e1va div\u00e1ka nazrie\u0165 do radost\u00ed a\u00a0starost\u00ed slovensk\u00e9ho vidieka na prelome 19. a\u00a020. storo\u010dia. Premi\u00e9ra \u00fadajne najhranej\u0161ej slovenskej veselohry vzd\u00e1va hold dramatikovi pri 80. v\u00fdro\u010d\u00ed jeho smrti. Kamenn\u00fd chodn\u00ed\u010dek, re\u017e\u00edrovan\u00fd Emilom Spi\u0161\u00e1kom, bude dl\u00e1\u017edi\u0165 cesti\u010dku do Divadla J. Pal\u00e1rika v\u00a0Trnave u\u017e v okt\u00f3bri.<\/p>\n \u00a0<\/strong><\/p>\n Gr\u00f3fka Marica<\/strong><\/p>\n Tento rok uplynie 90 rokov od prvej premi\u00e9ry svetozn\u00e1mej operety Gr\u00f3fka Marica. Opera \u0160t\u00e1tneho divadla v\u00a0Ko\u0161iciach vsadila na \u013e\u00fabiv\u00e9 \u010dard\u00e1\u0161ov\u00e9 mel\u00f3die a\u00a0\u013eahk\u00fd vtipn\u00fd \u017e\u00e1ner Emmericha K\u00e1lm\u00e1na, ma\u010farsk\u00e9ho hudobn\u00e9ho skladate\u013ea (prav\u00fdm menom Koppstein), ktor\u00fd patril medzi operetn\u00fdch kr\u00e1\u013eov svojej doby. Hoci s\u00e1m ner\u00e1d tancoval odvtedy, \u010do v\u00a0mladosti spadol pri verejnom tanci, sa mu tane\u010dn\u00e9 rytmy stali osudn\u00fdmi. Odmali\u010dka rozv\u00edjal svoj ve\u013ek\u00fd hudobn\u00fd talent ako klavirista, nesk\u00f4r skladate\u013e. Ako chlapec sa vraj nau\u010dil spieva\u0165 cel\u00fa druh\u00fa Uhorsk\u00fa raps\u00f3diu Franza Liszta, a to naspam\u00e4\u0165. Jeho \u017eivot, pripom\u00ednaj\u00faci ve\u013ek\u00fa operetu, bol v\u00a0skutku pestr\u00fd. Od ne\u010dakane \u00faspe\u0161n\u00e9ho debutu prvej operety na neho \u010dakal svetov\u00fd \u00faspech\u010card\u00e1\u0161ovej princeznej, Gr\u00f3fky Marice \u010di Cirkusovej princeznej. \u00datek do USA kv\u00f4li \u017eidovsk\u00e9mu p\u00f4vodu \u010di stretnutie svojej neskor\u0161ej druhej man\u017eelky, chudobnej ruskej emigrantky a here\u010dky Very Nata\u0161i Makinskej, do ktorej sa \u0161ialene zamiloval tak, \u017ee dal ko\u0161om kr\u00e1snej gr\u00f3fke Agnese Esterh\u00e1zy, to s\u00fa len zlomky pestr\u00fdch udalost\u00ed jeho \u017eivota. 17. okt\u00f3bra si m\u00f4\u017eete vychutna\u0165 \u00faspe\u0161n\u00fa operetu s\u00a0pr\u00edbehom o bohatej gr\u00f3fke Marice a\u00a0schudobnenom gr\u00f3fovi Tasilovi, pretkan\u00fa milostn\u00fdmi z\u00e1pletkami, chyt\u013eav\u00fdmi \u00e1riami a\u00a0krokmi bujar\u00e9ho \u010dard\u00e1\u0161u. Inscen\u00e1ciu hudobne na\u0161tudoval Igor Dohovi\u010d, za r\u00e9\u017eiu zodpoved\u00e1 Dagmar Hlubkov\u00e1.<\/p>\n","protected":false},"excerpt":{"rendered":" Zuzana Bos\u00e1 Rodin Len g\u00e9nius, ak\u00fdm bol franc\u00fazsky soch\u00e1r Auguste Rodin, dok\u00e1zal aj najhlb\u0161ie du\u0161evn\u00e9 stavy \u010dloveka autenticky vytesa\u0165 do mramoru. Plastickos\u0165, v\u00e1\u0161e\u0148, pohyb… mo\u017eno pr\u00e1ve pre tieto kvality si Boris Eifman, \u0161pi\u010dka rusk\u00e9ho modern\u00e9ho baletu, vybral za n\u00e1met soch\u00e1rov \u017eivotn\u00fd pr\u00edbeh. Auguste Rodin napriek rodinn\u00fdm z\u00e1v\u00e4zkom pre\u017e\u00edva milostn\u00fd vz\u0165ah s\u00a0osemn\u00e1s\u0165ro\u010dnou talentovanou soch\u00e1rkou Camille […]<\/p>\n","protected":false},"author":3,"featured_media":209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,20],"tags":[],"class_list":["post-208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-oktober-2014"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=208"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/208\/revisions"}],"predecessor-version":[{"id":211,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/208\/revisions\/211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/209"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}