{"id":2414,"date":"2016-03-15T16:11:50","date_gmt":"2016-03-15T14:11:50","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=2414"},"modified":"2016-03-15T16:11:50","modified_gmt":"2016-03-15T14:11:50","slug":"divadlo-marec-2016","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/divadlo-marec-2016\/","title":{"rendered":"Divadlo marec 2016"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Kto sa boj\u00ed Virginie Woolfovej<\/strong><strong>?<\/strong><\/p>\n<p>Psychologick\u00e1 dr\u00e1ma, zn\u00e1ma\u00a0i ako Oscarov\u00e1 filmov\u00e1 adapt\u00e1cia, z\u00a0pera americk\u00e9ho dramatika Edwarda Albeeho svoj\u00edm absurdn\u00fdm po\u0148at\u00edm dokonale spl\u00fdva s\u00a0\u010diernou kom\u00e9diou. Inscen\u00e1cia vykres\u013euje zdanlivo bohat\u00fd man\u017eelsk\u00fd \u017eivot Juraja (I. Kr\u00fapa) a\u00a0Marty (D. Ko\u0161ick\u00e1), ktor\u00ed si na n\u00e1v\u0161tevu pozvali mladoman\u017eelov Mikiho (J. Zety\u00e1k, I. Pa\u013eko) a Zlatku (T. Pol\u00e1kov\u00e1, K. Hor\u0148\u00e1kov\u00e1). Sen o rodinnej pohode, zalo\u017een\u00fd na perfektnom vz\u0165ahu dom\u00e1cej \u017eienky a\u00a0\u00faspe\u0161n\u00e9ho mu\u017ea, ktor\u00ed vychov\u00e1vaj\u00fa zdrav\u00fdch americk\u00fdch potomkov, zlyh\u00e1va na bezdetnosti a\u00a0nesplnen\u00fdch ide\u00e1loch a vy\u010derpan\u00fd vz\u0165ah Marty a\u00a0Juraja posl\u00fa\u017eil autorovi hry ako metafora zvr\u00e1ten\u00e9ho soci\u00e1lneho statusu americkej rodiny, popul\u00e1rneho v\u00a060. rokoch minul\u00e9ho storo\u010dia. V preklade Samuela Trnku ide v\u00f4bec o prv\u00fa slovensk\u00fa premi\u00e9ru tejto hry a od 12. febru\u00e1ra ju uv\u00e1dza \u010cinohra SDKE v\u00a0Ko\u0161iciach. Re\u017e\u00edruje J. R\u00e1zusov\u00e1.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-2418 size-medium\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo1-300x235.jpg\" alt=\"divadlo1\" width=\"300\" height=\"235\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo1-300x235.jpg 300w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo1-1024x803.jpg 1024w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo1.jpg 1083w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><strong>Slovensk\u00e9 tance<\/strong><\/p>\n<p>Balet SND v\u00a0Bratislave uviedol 19. febru\u00e1ra op\u00e4\u0165 netradi\u010dn\u00fd projekt, tentokr\u00e1t v\u00a0spolupr\u00e1ci s\u00a0renomovanou mladou choreografkou Nat\u00e1liou Hore\u010dnou a\u00a0skladate\u013eom Petrom Breinerom. Oboch umelcov sp\u00e1ja spolo\u010dn\u00e1 amb\u00edcia interpretova\u0165 r\u00fddzi slovensk\u00fd naturel re\u010dou s\u00fa\u010dasnosti. Prostredn\u00edctvom klasick\u00e9ho baletu s prvkami s\u00fa\u010dasnej moderny autorka tlmo\u010d\u00ed pr\u00edbeh o h\u013eadan\u00ed svetla v\u00a0\u010doraz odcudzenej\u0161om svete, kde \u013eudskos\u0165 stratila svoju hodnotu.\u00a0 V\u00a0kost\u00fdmoch slovenskej n\u00e1vrh\u00e1rky Ley Fekete sa predstavili R. Kolodziej, D. \u0160imko, P. Dedinsk\u00fd, A. Beshia, A. Ducin, V. Mariner a\u00a0mnoh\u00ed \u010fal\u0161\u00ed v\u00a0r\u00e9\u017eii N. Hore\u010dnej. Baletn\u00fa suitu na mot\u00edvy slovensk\u00fdch \u013eudov\u00fdch piesn\u00ed hudobne na\u0161tudoval P. Breiner.<\/p>\n<p>&nbsp;<\/p>\n<p>Zuzana Bos\u00e1<\/p>\n<p>foto J\u00e1n \u0160tovka, Peter Brenkus<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-2419 size-medium\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo3-282x300.jpg\" alt=\"nevina\" width=\"282\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo3-282x300.jpg 282w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2016\/03\/divadlo3.jpg 787w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/a><strong>Nevina<\/strong><\/p>\n<p><strong>Kde s\u00fa limity s\u00facitu?<\/strong><\/p>\n<p><em>\u201eSom jednoduch\u00fd \u010dlovek. Nerozumiem ni\u010domu z politiky. Alebo z\u00a0vedy. Ale mal som odvahu na \u00fatek. To, \u010domu som d\u00f4veroval, som nechal za sebou.\u201c (Dea Loher: Nevina)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Eur\u00f3pska pl\u00e1\u017e. Dvaja ileg\u00e1lni imigranti. V\u00a0dia\u013eke \u017eena. \u017dena sa pomaly pribli\u017euje k\u00a0vln\u00e1m, akoby v\u00a0\u00fastrety vyt\u00fa\u017eenej smrti. Chce v\u0161ak skuto\u010dne zomrie\u0165? Mu\u017ei sa prizeraj\u00fa, ale maj\u00fa strach zachr\u00e1ni\u0165 ju. Neuv\u00e1\u017eenou z\u00e1chranou nezn\u00e1mej cudzinky by toti\u017e\u00a0 ako ileg\u00e1lni ute\u010denci ohrozili sami seba&#8230; Preto v\u00e1haj\u00fa. V\u00e1haj\u00fa, a\u017e k\u00fdm je neskoro&#8230; Ale akur\u00e1t v\u010das, aby sa rozto\u010dil koloto\u010d v\u00fd\u010ditiek a\u00a0p\u00e1trania po identite \u017eeny,\u00a0 ktor\u00e1 sa dobrovo\u013ene stratila v\u00a0mori.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Dea Loher<\/strong><\/p>\n<p>Nemeck\u00fa dramati\u010dku Deu Loher, ktor\u00e1 za svoju tvorbu z\u00edskala mno\u017estvo v\u00fdznamn\u00fdch liter\u00e1rnych ocenen\u00ed, pova\u017euj\u00fa za jednu z\u00a0najv\u00fdznamnej\u0161\u00edch predstavite\u013eov s\u00fa\u010dasnej svetovej dr\u00e1my. Jej naoko abstraktn\u00e9 dr\u00e1my poukazuj\u00fa na konkr\u00e9tne probl\u00e9my doby, zaobalen\u00e9 do mozaiky individu\u00e1lnych pr\u00edbehov \u013eud\u00ed, ktor\u00fdch \u017eivoty vo\u0148aj\u00fa aj p\u00e1chnu. S\u00fa autentick\u00e9 aj poetick\u00e9 z\u00e1rove\u0148. Hry Dey Loher sa zameriavaj\u00fa na ot\u00e1zky osobn\u00e9ho \u0161\u0165astia, zlyhania kolekt\u00edvnych \u010di\u00a0individu\u00e1lnych snov. Ot\u00e1zky feminizmu \u010di politiky ne\u0161u\u0161tia papierom, ale m\u00e1giou slova, ktor\u00e9 m\u00e1 du\u0161u. Nevina &#8211; piata premi\u00e9rov\u00e1 novinka \u010cinohry SND &#8211; zaujme v\u00fdnimo\u010dnou kr\u00e1sou jazyka, obrazn\u00fdm intelektom aj\u00a0hlbok\u00fdmi em\u00f3ciami.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nastav\u00ed zrkadlo<\/strong><\/p>\n<p>Na\u0161e vedomie sa otvor\u00ed ot\u00e1zkam, ktor\u00e9 spolo\u010dnos\u0165 tabuizuje, preto\u017ee Nevina poukazuje na hodnoty, ktor\u00e9 s\u00fa s\u00fa\u010dasn\u00fdm svetom zabudnut\u00e9. Netradi\u010dne vybudovan\u00e9 charaktery post\u00e1v vytv\u00e1raj\u00fa ostr\u00e9 kontrasty pln\u00e9 absurdn\u00fdch dotykov. Pre\u010do sa diabeti\u010dka Zuckerov\u00e1 (Anna Javorkov\u00e1) vzd\u00e1va zodpovednosti za vlastn\u00fd \u017eivot a\u00a0egoisticky ju prenech\u00e1va svojej dc\u00e9re m\u00e1rne t\u00fa\u017eiacej po die\u0165ati (T\u00e1\u0148a Pauhofov\u00e1)? Pre\u010do bezdetn\u00e1 a\u00a0osamel\u00e1 Pani Habersattov\u00e1 (Em\u00edlia V\u00e1\u0161\u00e1ryov\u00e1) vyh\u013ead\u00e1va pozostal\u00fdch n\u00e1siln\u00fdch udalost\u00ed, vyhlasuje sa za matky p\u00e1chate\u013eov, a\u00a0to len preto, aby dosiahla spiritu\u00e1lne odpustenie v prisvojenej falo\u0161nej identite? A\u00a0\u010do o\u0161etrovate\u013e pohrebnej slu\u017eby (Dano Heriban), ktor\u00fd posadnut\u00fd smr\u0165ou zabudne na nov\u00fd \u017eivot? Alebo slep\u00e1 stript\u00e9rka Absolut (Zuzana Fialov\u00e1), ktor\u00e1 tancuje pri ty\u010di v\u00a0Modrej plan\u00e9te, k\u00fdm nestretne ileg\u00e1lneho ute\u010denca Fadoula? Vr\u00e1ti jej Boh z\u00a0igelitky plnej pe\u0148az\u00ed zrak?<\/p>\n<p>Nevina pon\u00faka modern\u00fa trag\u00e9diu s\u00a0prvkami grotesky a\u00a0ir\u00f3nie, pohr\u00e1va sa s\u00a0limitmi s\u00facitu spolo\u010dnosti, v ktorej sa \u010dlovek chtiac-nechtiac st\u00e1le vyrovn\u00e1va s\u00a0vinou. A\u00a0konfrontuje so snami, n\u00e1dejou a\u00a0t\u00fa\u017ebou po bezpe\u010d\u00ed domova. Vo svete, kde ka\u017ed\u00fd t\u00fa\u017ei po po\u010diato\u010dnej nevinnosti&#8230; V\u00a0podmanivej r\u00e9\u017eii Eduarda Kudl\u00e1\u010da, ktor\u00fd stoj\u00ed aj za mimoriadne \u00faspe\u0161nou inscen\u00e1ciou SND Madame Bovary, sa v hlavn\u00fdch \u00faloh\u00e1ch predstavia \u013dubo\u0161 Kosteln\u00fd, Tom\u00e1\u0161 Ma\u0161tal\u00edr, Zuzana Fialov\u00e1, Em\u00edlia V\u00e1\u0161\u00e1yrov\u00e1, T\u00e1\u0148a Pauhofov\u00e1, Anna Javorkov\u00e1 a\u00a0\u010fal\u0161\u00ed.<\/p>\n<p>&nbsp;<\/p>\n<p>Natalie Dongov\u00e1<\/p>\n<p>foto SND<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Kto sa boj\u00ed Virginie Woolfovej? Psychologick\u00e1 dr\u00e1ma, zn\u00e1ma\u00a0i ako Oscarov\u00e1 filmov\u00e1 adapt\u00e1cia, z\u00a0pera americk\u00e9ho dramatika Edwarda Albeeho svoj\u00edm absurdn\u00fdm po\u0148at\u00edm dokonale spl\u00fdva s\u00a0\u010diernou kom\u00e9diou. Inscen\u00e1cia vykres\u013euje zdanlivo bohat\u00fd man\u017eelsk\u00fd \u017eivot Juraja (I. Kr\u00fapa) a\u00a0Marty (D. Ko\u0161ick\u00e1), ktor\u00ed si na n\u00e1v\u0161tevu pozvali mladoman\u017eelov Mikiho (J. Zety\u00e1k, I. Pa\u013eko) a Zlatku (T. Pol\u00e1kov\u00e1, K. Hor\u0148\u00e1kov\u00e1). Sen [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,38],"tags":[],"class_list":["post-2414","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-marec-2016"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=2414"}],"version-history":[{"count":6,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2414\/revisions"}],"predecessor-version":[{"id":2424,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2414\/revisions\/2424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/2417"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=2414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=2414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=2414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}