{"id":2471,"date":"2016-04-13T11:12:34","date_gmt":"2016-04-13T09:12:34","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=2471"},"modified":"2016-04-13T11:12:34","modified_gmt":"2016-04-13T09:12:34","slug":"umenie-april-2016","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-april-2016\/","title":{"rendered":"Umenie apr\u00edl 2016"},"content":{"rendered":"

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\u010cist\u00e1 myse\u013e<\/strong><\/p>\n

Kr\u00e1\u013e a\u00a0kr\u00e1\u013eovn\u00e1. Sedia ved\u013ea seba na pomyslen\u00fdch tr\u00f3noch a\u017e v\u00a0archaickom v\u00fdraze staroegyptsk\u00fdch skulpt\u00far. On s hlavou mierne zdvihnutou, vedom\u00fd si svojho \u201ebo\u017esk\u00e9ho\u201c poslania i\u00a0zodpovednosti, ona zasa pozer\u00e1 priamo pred seba, viac komunikuje so svetom okolo nej – vie, \u017ee pozemsk\u00fd svet sa sklad\u00e1 z\u00a0konkr\u00e9tnych \u013eudsk\u00fdch tv\u00e1r\u00ed. To podstatn\u00e9 sa v\u0161ak deje vo\u00a0chven\u00ed medzi ich dla\u0148ami. Jej prav\u00e1 ruka je vystret\u00e1 hore dla\u0148ou, jeho \u013eav\u00e1 ruka ju chce zhora prikry\u0165. K\u00a0dotyku neprich\u00e1dza, je medzi nimi nieko\u013ekomilimetrov\u00e1 medzierka, v\u00a0ktorej sa skr\u00fdva tajomstvo okamihu aj t\u00fa\u017eba ve\u010dnosti. Z\u00a0tohto bronzov\u00e9ho nap\u00e4tia by sa dala vystava\u0165 antick\u00e1 dr\u00e1ma. J\u00e1n \u0164ap\u00e1k z\u00a0nej vytvoril skvel\u00fa sochu o\u00a0vz\u0165ahu – medzi \u013eudsk\u00fdmi dla\u0148ami, mu\u017eom a\u00a0\u017eenou, dvomi rozli\u010dn\u00fdmi svetmi, ale aj silami, ktor\u00e9 sa usiluj\u00fa o\u00a0harm\u00f3niu. Aj t\u00fato \u0164ap\u00e1kovu m\u00f4\u017eete obdivova\u0165 na v\u00fdstave \u010cist\u00e1 myse\u013e, ktor\u00e1 sa pre n\u00e1v\u0161tevn\u00edkov otv\u00e1ra v dolnokub\u00ednskej\u00a0Oravskej gal\u00e9rii do 1. m\u00e1ja. Reprezentat\u00edvnu panor\u00e1mu soch\u00e1rskeho sveta umelca so suver\u00e9nnou znalos\u0165ou remesla (ale aj umenia, ktor\u00e9 povzn\u00e1\u0161a) dop\u013a\u0148aj\u00fa kresby dotv\u00e1raj\u00face pr\u00ed\u0165a\u017eliv\u00fd svet \u010cistej mysle.<\/p>\n

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\u00a0\"umenie\"<\/a><\/strong>Zverokruh ako politick\u00e9 gesto<\/strong><\/p>\n

Aj Wej-wej (58) je hviezdou svetov\u00e9ho v\u00fdznamu a diela tohto \u010d\u00ednskeho umelca a\u00a0disidenta \u010dasto z\u00e1rove\u0148 predstavuj\u00fa politick\u00e9 gesto. Ani jeho \u00fa\u010das\u0165 na febru\u00e1rovej vernis\u00e1\u017ei v\u00fdstavy v\u00a0pra\u017eskej N\u00e1rodnej gal\u00e9rii vo Ve\u013etr\u017enom pal\u00e1ci nebola v\u00fdnimkou. Svoj zn\u00e1my zverokruh, ktor\u00fd do Prahy priviezol, obalil do zlatej termof\u00f3lie, ktor\u00fa dost\u00e1vaj\u00fa ute\u010denci ako prv\u00fa pomoc po vy\u010derp\u00e1vaj\u00facej ceste po mori. Samozrejme, nezabudol skritizova\u0165 pr\u00edstup \u010cechov k\u00a0ute\u010deneckej kr\u00edze, ale po\u010fakoval vedeniu N\u00e1rodnej gal\u00e9rie, \u017ee mu umo\u017enila v\u00fdstavu. Okrem politick\u00fdch t\u00e9m sa stal zn\u00e1my aj \u201eSlne\u010dnicov\u00fdmi semienkami\u201c z porcel\u00e1nu, ktor\u00e9 auk\u010dn\u00e1 spolo\u010dnos\u0165 Sotheby’s pred \u010dasom vydra\u017eila za 604.000 eur. Bola ich jedna tona… \u010eal\u0161iu \u010das\u0165 Aj Wej-wejov\u00fdch Slne\u010dnicov\u00fdch semienok vlastn\u00ed napr\u00edklad lond\u00fdnska gal\u00e9ria Tate. T\u00e1 k\u00fapila\u00a0osem mili\u00f3nov drobn\u00fdch dielikov, vyroben\u00fdch \u010d\u00ednskymi skl\u00e1rmi, ktor\u00fdmi v roku 2010 pokryl podlahu obrej Turb\u00ednovej haly Tate Modern. V\u00fdstava v\u00a0Prahe potrv\u00e1 do 28. augusta.<\/p>\n

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\u00a0\"umenie1\"<\/a><\/strong>Nekone\u010dn\u00e9 mo\u017enosti<\/strong><\/p>\n

Bratislavsk\u00e1 re\u0161taur\u00e1cia Albrecht sa premenila na Endless Possibilities, \u010di\u017ee Nekone\u010dn\u00e9 mo\u017enosti. A pon\u00faka abstraktn\u00e9 n\u00e1mety, niektor\u00e9 expres\u00edvne, in\u00e9 zasa \u201eupokojuj\u00face\u201c z\u00a0eponymnej kolekcie mladej slovenskej v\u00fdtvarn\u00ed\u010dky Sarah I. Avni. \u201eT\u00e1to kolekcia vznikla ako zachytenie s\u00favislost\u00ed osudu \u010di okolnost\u00ed dan\u00fdch \u201ezhora\u201c a\u00a0toho, \u010do sami ovplyv\u0148ujeme,\u201c hovor\u00ed Sarah. \u201eP\u00f4sobia medita\u010dne, ale aj dekorat\u00edvne a pri ich stv\u00e1rnen\u00ed som sa in\u0161pirovala posv\u00e4tnou geometriou a\u00a0nefigurat\u00edvnym umen\u00edm Bl\u00edzkeho v\u00fdchodu.\u201c Sarah si z\u00e1rove\u0148 udr\u017eiava pre jej tvorbu typick\u00e9 stv\u00e1rnenie v\u00a03D, teda hrub\u00e9 n\u00e1nosy farieb, vystupuj\u00face z\u00a0obrazu do priestoru, \u010d\u00edm sa n\u00e1met st\u00e1va akoby \u201eskuto\u010dnej\u0161\u00ed\u201c. Publikujeme obraz Bratislava I. (120 x 120 cm, kombinovan\u00e1 technika) z\u00a0kolekcie Around the World. Sarah v\u00a0nej vytvorila mapy ma\u013eovan\u00e9 pod\u013ea google maps, s\u00fa\u010dasn\u00e9ho n\u00e1stroja dne\u0161n\u00e9ho \u010dloveka, ktor\u00e9 \u010falej v\u00fdtvarne spracovala – v snahe zachyti\u0165 ich \u201eskryt\u00fa\u201c tv\u00e1r a\u00a0atmosf\u00e9ru.<\/p>\n

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\u013dudov\u00edt Petransk\u00fd<\/p>\n

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  \u010cist\u00e1 myse\u013e Kr\u00e1\u013e a\u00a0kr\u00e1\u013eovn\u00e1. Sedia ved\u013ea seba na pomyslen\u00fdch tr\u00f3noch a\u017e v\u00a0archaickom v\u00fdraze staroegyptsk\u00fdch skulpt\u00far. On s hlavou mierne zdvihnutou, vedom\u00fd si svojho \u201ebo\u017esk\u00e9ho\u201c poslania i\u00a0zodpovednosti, ona zasa pozer\u00e1 priamo pred seba, viac komunikuje so svetom okolo nej – vie, \u017ee pozemsk\u00fd svet sa sklad\u00e1 z\u00a0konkr\u00e9tnych \u013eudsk\u00fdch tv\u00e1r\u00ed. To podstatn\u00e9 sa v\u0161ak deje vo\u00a0chven\u00ed […]<\/p>\n","protected":false},"author":3,"featured_media":2472,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,7],"tags":[],"class_list":["post-2471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-april-2016","category-hudba-kino-umenie"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2471","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=2471"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2471\/revisions"}],"predecessor-version":[{"id":2476,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2471\/revisions\/2476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/2472"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=2471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=2471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=2471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}