{"id":2634,"date":"2016-05-09T10:16:52","date_gmt":"2016-05-09T08:16:52","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=2634"},"modified":"2016-05-09T10:16:52","modified_gmt":"2016-05-09T08:16:52","slug":"umenie-maj-2016","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-maj-2016\/","title":{"rendered":"Umenie m\u00e1j 2016"},"content":{"rendered":"

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Farba ako v\u00a0rozma\u013eovanom raji<\/strong><\/p>\n

Ma\u013eba, ma\u013eba a\u00a0e\u0161te raz ma\u013eba. J\u00e1n Berger (1944) je bytostn\u00fd maliar, ktor\u00fd mysl\u00ed aj sn\u00edva farebne a\u00a0d\u00e1va to patri\u010dne najavo. Sebavedome, ale nie arogantne. V\u00fdsostne maliarsky a origin\u00e1lne, ale dostato\u010dne zrozumite\u013ene a\u00a0pr\u00ed\u0165a\u017elivo. J\u00e1n Berger vie, odkia\u013e prich\u00e1dza a\u00a0kam p\u00f4jde – aj preto svoju v\u00fdstavu v\u00a0Gal\u00e9rii mesta Bratislavy v\u00a0Mirbachovom pal\u00e1ci nazval Kontinuum. Je tu vytrval\u00e1 snaha po kontinuite, ktor\u00fa nezvr\u00e1tili ani m\u00f3dne trendy o \u201ekonci z\u00e1vesn\u00e9ho obrazu\u201c. Bez zav\u00e1hania pokra\u010doval a\u00a0z\u00e1rove\u0148 v\u00a0duchu vlastn\u00fdch presved\u010den\u00ed viedol aj jeden z\u00a0maliarskych ateli\u00e9rov na V\u0160VU v\u00a0Bratislave. S\u00fa\u010dasn\u00e1 v\u00fdstava, ktor\u00e1 potrv\u00e1 do 19. j\u00fana, predstavuje s\u00fabor obrazov, ktor\u00e9 vznikli po roku 2000 a\u00a0ktor\u00e9 e\u0161te neboli vystavovan\u00e9. Kolekcia sa nesie v\u00a0atmosf\u00e9re m\u00fdtick\u00fdch obsahov, m\u00e1 svoje dominanty i\u00a0kontrapunkty. Niektor\u00e9 diela poch\u00e1dzaj\u00fa zo star\u0161ieho obdobia. X\u00e9nia Lettrichov\u00e1, autorka textu v\u00a0Bergerovej monografii (2014), okrem in\u00e9ho nap\u00edsala: \u201eFarba m\u00e1 v\u00a0jeho maliarskom programe \u0165a\u017eiskov\u00e9 postavenie, \u010faleko v\u00fdznamnej\u0161ie, ne\u017e ako je v\u00a0s\u00fa\u010dasnom maliarstve be\u017en\u00e9, kde sa povedan\u00e9 s\u00a0istou zov\u0161eobec\u0148uj\u00facou licenciou, ch\u00e1pe ako vizu\u00e1lna l\u00e1tka… Bergerove c\u00edtenie a\u00a0pr\u00e1ca s\u00a0\u0148ou, sp\u00f4sob ako obsiahne bohatstvo a\u00a0kr\u00e1su jej jazyka, s\u00fa osobn\u00e9, jedine\u010dn\u00e9 ako odtla\u010dok prsta…\u201c Na fotografii publikujeme Bergerov obraz Raj (2005).<\/p>\n

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\"umenie2a\"<\/a><\/p>\n

Osamel\u00fd vlk zvan\u00fd Balthus<\/strong><\/p>\n

Balthasar Klossowski de Rola<\/strong>(1908 – 2001), zvan\u00fd tie\u017e Balthus. T\u00e1to zna\u010dka prvej ve\u013ekosti sa a\u017e do 19. j\u00fana predstavuje vo viedenskom Kunstfore. Ak ste si mysleli, \u017ee o\u00a0modernom umen\u00ed 20. storo\u010dia viete u\u017e v\u0161etko, tak bez umenia tohto franc\u00fazskeho maliara s\u00a0po\u013esk\u00fdmi kore\u0148mi by to bolo ne\u00fapln\u00e9. Z\u00a0aktu\u00e1lneho diania v umeleckom svete si vyberal len po k\u00faskoch, ale vedel by\u0165 tak\u00fd origin\u00e1lny ako ten najavantgardnej\u0161\u00ed maliar. In\u0161piroval sa renesanciou rovnako ako surrealizmom, zauj\u00edmala ho nemeck\u00e1 nov\u00e1 vecnos\u0165 rovnako ako v\u00fdchodo\u00e1zijsk\u00e9 umenie. Bol osamel\u00fdm vlkom, ktor\u00fd divoko, ale systematicky nas\u00e1val umenie v\u0161etk\u00fdch \u010dias a zemepisn\u00fdch \u0161\u00edrok. Neb\u00e1l sa odv\u00e1\u017enych t\u00e9m s\u00a0erotick\u00fdm n\u00e1dychom, ale vy\u017e\u00edval sa aj v\u00a0\u017e\u00e1nroch starej dobrej klasiky. Nadch\u00fdnali ho B\u00farliv\u00e9 v\u00fd\u0161iny Emily Bront\u00ebovej aj Alica v\u00a0krajine z\u00e1zrakov Lewisa Carrola.<\/strong>B\u00e1snik Rainer Maria Rilke bol mentorom v\u00a0jeho umeleck\u00fdch za\u010diatkoch, nesk\u00f4r sa jeho priate\u013emi stali dramatik Antonin Artaud,\u00a0soch\u00e1r Alberto Giacometti aj muzikanti David Bowie a\u00a0Bono. Balthus dychtivo vyh\u013ead\u00e1val rozmanit\u00e9 oblasti a\u00a0vplyvy, lebo nechcel zosta\u0165 v\u00a0nude. A\u00a0to pri jeho obrazoch vidie\u0165! Na fotografii publikujeme obrazKatina toaleta, 1933, ktor\u00e1 sa nach\u00e1dza v\u00a0zbierkach Centre Georges Pompidou v\u00a0Par\u00ed\u017ei. (foto Mondadori Portfolio\/AKG).<\/p>\n

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\"umenie3\"<\/a>\u00a0Kinetick\u00fd \u0161perk<\/strong><\/p>\n

Aj ke\u010f ste v\u00a0\u017eivote videli u\u017e kade\u010do, \u0161perk v\u00a0takejto podobe v\u00e1m ur\u010dite vyraz\u00ed dych! Anton Cepka (1936) toti\u017e z\u00a0bro\u0161ne, n\u00e1hrdeln\u00edka \u010di pr\u00edvesku dok\u00e1\u017ee urobi\u0165 dielo, ktor\u00e9 vyst\u00fapi do priestoru a\u00a0obj\u00edme v\u00e1s i okolie. Je a\u017e neskuto\u010dn\u00e9 sledova\u0165, ko\u013eko pod\u00f4b a\u00a0pohybu m\u00f4\u017ee ma\u0165 \u0161perk. Raz ako meniaci sa reli\u00e9f, inokedy ako geometrick\u00fd dekor. V\u017edy v\u0161ak s\u00a0tak\u00fdm \u00fa\u017easn\u00fdm v\u00fdrazom, \u017ee autor sa pr\u00e1vom stal zakladate\u013eskou osobnos\u0165ou slovensk\u00e9ho, ale aj \u010desk\u00e9ho \u0161perk\u00e1rskeho umenia a\u00a0so svoj\u00edm dielom prenikol aj do najprest\u00ed\u017enej\u0161\u00edch svetov\u00fdch zbierok. Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria vzd\u00e1va v\u00a0priestoroch Esterh\u00e1zyho pal\u00e1ca poctu tomuto umelcovi a\u00a0a\u017e do 5. j\u00fana pripravila retrospekt\u00edvu, ktor\u00e1 je vo\u013en\u00fdm pokra\u010dovan\u00edm v\u00fdstavy z\u00a0roku 2015, pripravenou v mn\u00edchovskom Neue Sammlung – The Design Museum. Slovensk\u00e1 verzia v\u00fdstavy poved\u013ea Cepkov\u00fdch \u0161perkov predstavuje aj soch\u00e1rsku a\u00a0dizajn\u00e9rsku \u010das\u0165 jeho tvorby, spolu s\u00a0kresbou, ktor\u00e1 tvor\u00ed podstatn\u00fa zlo\u017eku jeho autorsk\u00e9ho profilu. Na fotografii publikujeme Z\u00e1ves Antona Cepku zo Zbierky Boelen (1975).<\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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  Farba ako v\u00a0rozma\u013eovanom raji Ma\u013eba, ma\u013eba a\u00a0e\u0161te raz ma\u013eba. J\u00e1n Berger (1944) je bytostn\u00fd maliar, ktor\u00fd mysl\u00ed aj sn\u00edva farebne a\u00a0d\u00e1va to patri\u010dne najavo. Sebavedome, ale nie arogantne. V\u00fdsostne maliarsky a origin\u00e1lne, ale dostato\u010dne zrozumite\u013ene a\u00a0pr\u00ed\u0165a\u017elivo. J\u00e1n Berger vie, odkia\u013e prich\u00e1dza a\u00a0kam p\u00f4jde – aj preto svoju v\u00fdstavu v\u00a0Gal\u00e9rii mesta Bratislavy v\u00a0Mirbachovom pal\u00e1ci nazval […]<\/p>\n","protected":false},"author":3,"featured_media":2635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,40],"tags":[],"class_list":["post-2634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-maj-2016"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=2634"}],"version-history":[{"count":4,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2634\/revisions"}],"predecessor-version":[{"id":2641,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2634\/revisions\/2641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/2635"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=2634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=2634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=2634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}