{"id":2863,"date":"2016-06-10T10:48:56","date_gmt":"2016-06-10T08:48:56","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=2863"},"modified":"2016-06-10T10:48:56","modified_gmt":"2016-06-10T08:48:56","slug":"umenie-jun-2016","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-jun-2016\/","title":{"rendered":"Umenie j\u00fan 2016"},"content":{"rendered":"

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\"umenie2\"<\/a><\/p>\n

Beh \u010dasu\u00a0Karola K\u00e1llaya<\/strong><\/p>\n

M\u00f3du na Slovensku fotil v\u00a0\u010dase, ke\u010f e\u0161te nebola ani v\u00a0plienkach. Vniesol do nej pohyb a\u00a0ako prv\u00fd vytiahol modelky do exteri\u00e9ru. Jeho report\u00e1\u017ene fotografie boli a\u017e kruto pravdiv\u00e9, preto\u017ee sa riadil mottom Roberta Capu: \u201eAk nie s\u00fa va\u0161e fotografie dobr\u00e9, neboli ste dostato\u010dne bl\u00edzko.\u201c \u00c1no, Karol K\u00e1llay (1926 – 2012) bol pri svojej t\u00e9me a\u017e neskuto\u010dne bl\u00edzko. Trpezlivo \u010dakal na ten spr\u00e1vny okamih, kedy stl\u00e1\u010dal sp\u00fa\u0161\u0165, ale to nebolo v\u0161etko. V\u017edy tvrdil, \u017ee situ\u00e1cia sa vyv\u00edja, a\u00a0preto ju treba dosledova\u0165. Aj preto maj\u00fa jeho fotografie v\u00fdrazne rozpr\u00e1va\u010dsk\u00fd charakter. Fotil bohom zabudnut\u00e9 dediny s\u00a0rovnak\u00fdm nasaden\u00edm ako svetov\u00e9 metropoly. Gal\u00e9ria mesta Bratislavy vzd\u00e1va hold klasikovi slovenskej modernej fotografie a\u00a0a\u017e do 14. augusta pripravila v\u00a0priestoroch Mirbachovho pal\u00e1ca s\u00faborn\u00fa v\u00fdstavu na po\u010des\u0165 jeho nedo\u017eit\u00fdch 90. naroden\u00edn. Kolekciu 90 fotografi\u00ed s\u00a0podtitulom Ve\u010dn\u00fd beh \u010dasu vo fotografi\u00e1ch autora pripravil kur\u00e1tor Mari\u00e1n Pauer, pri\u010dom najpo\u010detnej\u0161ie s\u00fa zast\u00fapen\u00e9 autorove sn\u00edmky z\u00a0report\u00e1\u017e\u00ed publikovan\u00fdch v\u00a041 obrazov\u00fdch publik\u00e1ci\u00e1ch. Na fotografii je sn\u00edmka Karola K\u00e1llaya s\u00a0n\u00e1zvom Jasov (50. roky 20. storo\u010dia).<\/p>\n

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\"umenie\"<\/a>Klimt, Kupka, Picasso a\u00a0ostatn\u00ed<\/strong><\/p>\n

V\u00fdstavn\u00e1 Viede\u0148 v\u017edy pon\u00faka mnoho prekvapen\u00ed. Bezv\u00fdhradne garantuje, \u017ee ak ju hocikedy nav\u0161t\u00edvite, st\u00e1le tam n\u00e1jdete da\u010do zauj\u00edmav\u00e9, \u010do m\u00e1 \u010dasto eur\u00f3psky rozmer. Takou je aj v\u00fdstava Klimt, Kupka, Picasso a\u00a0ostatn\u00ed, ktor\u00e1 v\u00a0Dolnom Belvederi potrv\u00e1 do 19. j\u00fana. Expoz\u00edcia nevystavuje len obrazy, ale d\u00f4sledne a\u00a0pritom zrozumite\u013ene pribli\u017euje dobu okolo roku 1900 v strednej Eur\u00f3pe. Habsbursk\u00e1 monarchia bola u\u017e s\u00edce za zenitom svojej sl\u00e1vy, ale e\u0161te v\u017edy dos\u0165 siln\u00e1 na to, aby generovala siln\u00e9 intelektu\u00e1lne prostredie. T\u00e1to nepredstavuje len\u00a0umenie sl\u00e1vnych tvorcov, ale aj\u00a0vedu a filozofiu, ktor\u00e1 vpl\u00fdvala na formovanie ve\u013ek\u00e9ho kvasu v\u00a0umen\u00ed na prelome storo\u010d\u00ed. Monarchia sa stala priese\u010dn\u00edkom ve\u013ek\u00fdch pohybov, ktor\u00e9 rozp\u00fatali sl\u00e1vne men\u00e1 a\u00a0vpl\u00fdvali aj na tak\u00e9 par\u00e1dne v\u00fdtvarn\u00e9 prejavy ako viedensk\u00e1 secesia \u010di \u010desk\u00fd kubizmus. V\u00fdstavu mo\u017eno \u010d\u00edta\u0165 aj ako pr\u00ed\u0165a\u017eliv\u00fa detekt\u00edvku s\u00a0vynikaj\u00facim obsaden\u00edm a\u00a0z\u00e1pletkou, ktor\u00fa si mus\u00ed rozplies\u0165 ka\u017ed\u00fd z\u00a0n\u00e1s. V\u0161ak aj o\u00a0tom je dobr\u00e9 umenie… Na fotografii publikujeme olejoma\u013ebu Portr\u00e9t Fernanda Oliviera (1909) od Pabla Picassa (foto \u00a9 St\u00e4del Museum – Artothek).<\/p>\n

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\u00a0\"umenie1\"<\/a><\/strong>Posadnutosti Davida Cronenberga<\/strong><\/p>\n

Strach, hr\u00f4za, sex, vedomie, nadvedomie – to je len nieko\u013eko t\u00e9m, ktor\u00fdmi je David Cronenberg doslova posadnut\u00fd. Mucha, Crash, V\u00fdchodn\u00e9 pr\u00eds\u013euby, Dejiny n\u00e1silia – s\u00fa zasa najzn\u00e1mej\u0161ie filmy tohto kanadsk\u00e9ho re\u017eis\u00e9ra a scen\u00e1ristu, ktor\u00fd postupne presiahol hranice hororov\u00e9ho \u017e\u00e1nru. Ako jeho filmy vznikali, spolupr\u00e1cu s\u00a0re\u017eis\u00e9rmi aj\u00a0in\u0161pira\u010dn\u00e9 zdroje odkr\u00fdva retrospekt\u00edvna v\u00fdstava Evolution, ktor\u00e1 je a\u017e do 17. j\u00fala v\u00a0Dome U\u00a0kamenn\u00e9ho zvonu v\u00a0Prahe, patriaceho pod Gal\u00e9riu hlavn\u00e9ho mesta Prahy. S\u00fa\u010das\u0165ou chronologickej expoz\u00edcie s\u00fa aj dokument\u00e1cie k\u00a0jednotliv\u00fdm filmom (pracovn\u00e9 fotografie, filmy o\u00a0filme, uk\u00e1\u017eky z\u00a0technick\u00fdch a\u00a0kreslen\u00fdch scen\u00e1rov, pracovn\u00e9 denn\u00edky at\u010f.) nech\u00fdbaj\u00fa skice, kresby, objekty a\u00a0premietanie z\u00a0Cronenbergov\u00fdch filmov. U\u017e dnes t\u00fato v\u00fdstavu pova\u017euj\u00fa za jednu z\u00a0najlep\u0161\u00edch v \u201estove\u017eatej\u201c, a\u00a0preto ob\u00eds\u0165 ju, by bol ve\u013ek\u00fd hriech. Ak m\u00e1te tie\u017e svoje posadnutosti, pr\u00e1ve pri\u0161iel ich \u010das! Bud\u00fa v\u00e1s v\u00edta\u0165 v\u0161akovak\u00e9 mon\u0161tr\u00e1, podobn\u00e9 t\u00fdm na fotografii (foto\u00a0\u00a9\u00a0Galerie hlavn\u00edho m\u011bsta Prahy)<\/em>.<\/em><\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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    Beh \u010dasu\u00a0Karola K\u00e1llaya M\u00f3du na Slovensku fotil v\u00a0\u010dase, ke\u010f e\u0161te nebola ani v\u00a0plienkach. Vniesol do nej pohyb a\u00a0ako prv\u00fd vytiahol modelky do exteri\u00e9ru. Jeho report\u00e1\u017ene fotografie boli a\u017e kruto pravdiv\u00e9, preto\u017ee sa riadil mottom Roberta Capu: \u201eAk nie s\u00fa va\u0161e fotografie dobr\u00e9, neboli ste dostato\u010dne bl\u00edzko.\u201c \u00c1no, Karol K\u00e1llay (1926 – 2012) bol […]<\/p>\n","protected":false},"author":3,"featured_media":2873,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,41],"tags":[],"class_list":["post-2863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-jun-2016"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=2863"}],"version-history":[{"count":5,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2863\/revisions"}],"predecessor-version":[{"id":2875,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/2863\/revisions\/2875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/2873"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=2863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=2863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=2863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}