{"id":3225,"date":"2016-09-09T10:40:22","date_gmt":"2016-09-09T08:40:22","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=3225"},"modified":"2016-09-09T10:40:22","modified_gmt":"2016-09-09T08:40:22","slug":"umenie-september-2016","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-september-2016\/","title":{"rendered":"Umenie september 2016"},"content":{"rendered":"

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\"umenie2\"<\/a><\/p>\n

Eur\u00f3pske hviezdy v\u00a0Danubiane<\/strong><\/p>\n

Danubiana – Meulensteen Art Musem – potvrdzuje svoju medzin\u00e1rodn\u00fa \u00farove\u0148. Eur\u00f3pske hviezdy svietia na jej nov\u00e9 priestory intenzitou, ktor\u00e1 sa vyrovn\u00e1 prest\u00ed\u017enym v\u00fdstavn\u00fdm sie\u0148am v Kodani, Bruseli \u010di Amsterdame. Eur\u00f3pske hviezdy – \u010di\u017ee Joan Mir\u00f3 a\u00a0umelci zo skupiny CoBrA (Koda\u0148, Brusel, Amsterdam). Detsk\u00e1 hravos\u0165, ba a\u017e primitivizmus, expres\u00edvna \u013eahkos\u0165, v\u00fdtvarn\u00fd experiment, symbolickos\u0165 tvarov, tajupln\u00e1 mystika, ale aj in\u0161pirat\u00edvna provok\u00e1cia. \u201eK\u013e\u00fa\u010dom k\u00a0v\u00fdberu bolo n\u00e1js\u0165 spolo\u010dn\u00e9 momenty z\u00a0tvorby m\u00f4jho star\u00e9ho otca a\u00a0skupiny CoBrA,\u201c vysvetlil na otvoren\u00ed v\u00fdstavy vnuk sl\u00e1vneho \u0161panielskeho maliara Joan Punyet Mir\u00f3. \u00c1no, t\u00fdch momentov je mnoho a skvele sa prel\u00ednaj\u00fa. Dakedy sa zd\u00e1, \u017ee niektor\u00e9 Mir\u00f3ove obrazy boli nama\u013eovan\u00e9 za nieko\u013eko min\u00fat. \u201eAj boli,\u201c komentuje Mir\u00f3ov vnuk, \u201eale ich pr\u00edprava trvala aj nieko\u013eko rokov…\u201c Minul\u00fd rok mala v\u00fdstava premi\u00e9ru v\u00a0CoBrA Museum v\u00a0holandskom Amstelveene a\u00a0a\u017e do 13. novembra \u201erados\u0165 z\u00a0experimentovania\u201c opakuj\u00fa v\u00a0Danubiane. Kto neuvid\u00ed, t\u00fato nekone\u010dn\u00fa rados\u0165 neza\u017eije. Na fotografii publikujeme obraz \u017deny a\u00a0vt\u00e1ky II (1969) od Joana Mir\u00f3a.<\/p>\n

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\"umenie3\"<\/a><\/p>\n

Seurat, Van Gogh a\u00a0dobrodru\u017estvo bodiek <\/strong><\/p>\n

Viedensk\u00e1 Albertina u\u017e tradi\u010dne aspo\u0148 raz do roka pripravuje v\u00fdstavu, ktor\u00e1 vyr\u00e1\u017ea dych a spo\u013eahlivo zap\u013a\u0148a jej v\u00fdstavn\u00e9 siene. \u00c1no, je to overen\u00fd \u0165ah na istotu, ale v\u017edy s takou noblesou, \u017ee \u010dlovek jej r\u00e1d pod\u013eahne. A bez mu\u010denia. Georges Seurat, Paul Signac, Vincent van Gogh, Henri Matisse, Paul Klee \u010di Pablo Picasso… \u010co t\u00fdchto majstrov sp\u00e1ja? Pointilizmus \u010di\u017ee bodkovanie. Niektor\u00ed boli bodkami doslova posadnut\u00ed, in\u00fdch fascinovali iba v \u010dasti tvorby. Ale bodky, \u010di aspo\u0148 pr\u00fa\u017eky, v\u017edy pri\u0165ahovali. O \u010do Seuratovi v jeho racion\u00e1lnej met\u00f3de kedysi i\u0161lo? Nemie\u0161a\u0165 farby na palete, ale nan\u00e1\u0161a\u0165 bodky na pl\u00e1tno tak\u00e9 \u010dist\u00e9, ak\u00e9 s\u00fa v\u00a0tube – ve\u010f oni sa u\u017e potom v div\u00e1kovom oku premie\u0161aj\u00fa do \u017eelan\u00e9ho tvaru. Nu\u017e, tak\u00fd van Gogh sa s t\u00fdm \u201enebabral\u201c tak dlho ako zakladate\u013e tohto smeru a svoje bodky divoko naskladal na pl\u00e1tno za nieko\u013eko hod\u00edn, a nie ako Seurat, ktor\u00fd ich nan\u00e1\u0161al s\u00a0r\u00fdchlos\u0165ou dvoch bodiek za de\u0148. V\u00fdsledok? Pod\u013ea vkusu: rozum a cit. Vyberte si. T\u00e1to par\u00e1dna v\u00fdstava za\u010d\u00edna 16. septembra a\u00a0potrv\u00e1 do 8. janu\u00e1ra 2017. Reprodukujeme olejoma\u013ebu Rozsieva\u010d (1888, Collection Kr\u00f6ller-M\u00fcller Museum, Otterlo) od Vincenta van Gogha.<\/p>\n

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\"umenie1\"<\/a><\/p>\n

Praha v\u00a0znamen\u00ed Karla IV. <\/strong><\/p>\n

Od nepam\u00e4ti sa mu hovorilo Otec vlasti. Mo\u017eno aj preto sa pre v\u00e4\u010d\u0161inu \u010cechov stal ak\u00fdmsi nedotknute\u013en\u00fdm symbolom, obdivovan\u00fdm a\u00a0idealizovan\u00fdm panovn\u00edkom. Ale v skuto\u010dnosti bol \u010desk\u00fd kr\u00e1\u013e a cis\u00e1r Sv\u00e4tej r\u00ed\u0161e r\u00edmskej Karol IV. (1316 – 1378) \u010dlovek z\u00a0m\u00e4sa a\u00a0kost\u00ed, ktor\u00fd mal svoje prednosti aj slabiny. Tohto roku uplynulo 700 rokov od jeho narodenia a\u00a0Praha si na viacer\u00fdch miestach pripom\u00edna jeho panovanie, ale aj v\u00fdznam pre \u010cechy a Eur\u00f3pu. Za v\u0161etky spome\u0148me aspo\u0148 tri v\u00fdstavy: Koruna kr\u00e1\u013eovstva – Katedr\u00e1la Karla IV. (spr\u00edstupnen\u00e1 do 28. septembra v\u00a0jazdiarni Pra\u017esk\u00e9ho hradu), \u017dezlo a\u00a0koruna (v ne\u010falekej Cis\u00e1rskej koniarni – tie\u017e do 28. septembra) a ak chcete pozna\u0165 \u017eivot Karla IV. do najmen\u0161\u00edch podrobnost\u00ed, mus\u00edte z\u00e1js\u0165 do N\u00e1rodn\u00e9ho pedagogick\u00e9ho m\u00fazea a kni\u017enice J. A. Komensk\u00e9ho v\u00a0Prahe (t\u00e1to expoz\u00edcia je otvoren\u00e1 do konca roka). Reprodukujeme podobize\u0148 Karla IV. na vot\u00edvnom obraze Jana O\u010dka z\u00a0Vla\u0161imi<\/a>, ktor\u00fd vznikol okolo roku 1371.<\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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  Eur\u00f3pske hviezdy v\u00a0Danubiane Danubiana – Meulensteen Art Musem – potvrdzuje svoju medzin\u00e1rodn\u00fa \u00farove\u0148. Eur\u00f3pske hviezdy svietia na jej nov\u00e9 priestory intenzitou, ktor\u00e1 sa vyrovn\u00e1 prest\u00ed\u017enym v\u00fdstavn\u00fdm sie\u0148am v Kodani, Bruseli \u010di Amsterdame. Eur\u00f3pske hviezdy – \u010di\u017ee Joan Mir\u00f3 a\u00a0umelci zo skupiny CoBrA (Koda\u0148, Brusel, Amsterdam). Detsk\u00e1 hravos\u0165, ba a\u017e primitivizmus, expres\u00edvna \u013eahkos\u0165, v\u00fdtvarn\u00fd experiment, […]<\/p>\n","protected":false},"author":3,"featured_media":3227,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,44],"tags":[],"class_list":["post-3225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-september-2016"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=3225"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3225\/revisions"}],"predecessor-version":[{"id":3231,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3225\/revisions\/3231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/3227"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=3225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=3225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=3225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}