{"id":3348,"date":"2016-10-11T09:07:20","date_gmt":"2016-10-11T07:07:20","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=3348"},"modified":"2016-10-11T09:07:20","modified_gmt":"2016-10-11T07:07:20","slug":"umenie-oktober-2016","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-oktober-2016\/","title":{"rendered":"Umenie okt\u00f3ber 2016"},"content":{"rendered":"

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O\u00a0l\u00e1ske, \u0161\u0165ast\u00ed a\u00a0in\u00fdch mali\u010dkostiach<\/strong><\/p>\n

Ma\u013eby Petra Poll\u00e1ga s\u00fa o pr\u00edbehoch. Nikdy nekon\u010diacich, ale z\u00e1rove\u0148 v\u00fdsostne osobn\u00fdch. V\u0161etky maj\u00fa origin\u00e1lne farby a s\u00fa\u010dasne chc\u00fa oslovi\u0165 ka\u017ed\u00e9ho, kto si za\u010dne listova\u0165 v ich kapitol\u00e1ch. Maliar vie ka\u017ed\u00fa v\u0161ednos\u0165 pov\u00fd\u0161i\u0165 na priestor imagin\u00e1cie a z\u00e1rove\u0148 ju pr\u00ed\u0165a\u017elivo pon\u00faknu\u0165 div\u00e1kovi. Na pl\u00e1tne sa nech\u00e1va un\u00e1\u0161a\u0165 farbami, model\u00e1ciou svetla, rafinovanou kompoz\u00edciou, budovan\u00edm priestoru, rozpr\u00e1van\u00edm deja, ale aj siln\u00fdm maliarskym gestom. Vie sa pozrie\u0165 na r\u00f4zne odtiene \u013eudsk\u00e9ho vn\u00fatra, pri\u010dom jeho ponor je skuto\u010dne hlbok\u00fd a chirurgicky presn\u00fd. V\u00fdstava v\u00a0dolnokub\u00ednskej Oravskej gal\u00e9rii predstavuje a\u017e do 6. novembra v kur\u00e1torskej koncepcii Evy \u013dupt\u00e1kovej autorovu tvorbu z\u00a0posledn\u00fdch rokov, ve\u013ekorozmern\u00e9 pl\u00e1tna, komorn\u00fa tvorbu, ilustr\u00e1ciu, frot\u00e1\u017ee a\u00a0objekty. Jej n\u00e1zov \u013dubovn\u00edk bodkovan\u00fd odvodil od rovnomenn\u00e9ho obrazu, na ktorom tematizuje rodinu. L\u00e1sku a vz\u00e1jomn\u00e9 rodinn\u00e9 v\u00e4zby si Poll\u00e1g stoto\u017e\u0148uje pr\u00e1ve s rastlinkou \u013eubovn\u00edka bodkovan\u00e9ho, ktor\u00e1 pre neho symbolizuje rodinn\u00e9 \u0161\u0165astie a sp\u00e1ja sa so spomienkami na obdobie detstva. V\u00fdstavu sprev\u00e1dza reprezentat\u00edvna monografia o umelcovi. Na fotografii publikujeme autorovu ma\u013ebu Prit\u00falenie (2014).<\/p>\n

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\"umenie3\"<\/a><\/p>\n

Straten\u00fd raj Coln\u00edka Rousseaua<\/strong><\/p>\n

\u017diadny maliar 20. storo\u010dia nezosob\u0148uje nato\u013eko naivn\u00e9 umenie ako Henri Rousseau (1844 – 1910), samouk a p\u00f4vodn\u00fdm zamestnan\u00edm coln\u00edk, \u010do bola z\u00e1rove\u0148 aj jeho prez\u00fdvka. Jeho umenie bolo nato\u013eko presved\u010div\u00e9 a magick\u00e9, \u017ee Coln\u00edka Rousseaua si e\u0161te za jeho \u017eivota v\u00e1\u017eili Lautrec, Picasso a\u00a0Matisse \u010di z b\u00e1snikov Guillaume Apollinaire. A\u017e do 6. janu\u00e1ra 2017 sa jeho ikonick\u00e9 obrazy predstavuj\u00fa na v\u00fdstave v\u00a0pra\u017eskom pal\u00e1ci Kinsk\u00fdch, ktor\u00fa N\u00e1rodn\u00e1 gal\u00e9ria v Prahe pripravila v spolupr\u00e1ci s par\u00ed\u017eskym Mus\u00e9e d’Orsay. Na v\u00fdstave nech\u00fdbaj\u00fa ani \u010fal\u0161ie ve\u013ek\u00e9 men\u00e1 svetov\u00e9ho i \u010desk\u00e9ho umenia: Paul C\u00e9zanne, Pablo Picasso, Max Ernst, Toyen, Emil Filla, Josef \u0160\u00edma, Ji\u0159\u00ed Kol\u00e1\u0159 \u010di Josef \u010capek. V\u00fdstava predstavuje cel\u00fa paletu Coln\u00edkovho diela v kontexte tvorby t\u00fdch, ktor\u00ed rozpoznali jeho talent, obdivovali ho, stali sa mu priate\u013emi alebo sa n\u00edm in\u0161pirovali. Za pozornos\u0165 bude rozhodne st\u00e1\u0165 napr\u00edklad portr\u00e9t Fridy Kahlo alebo krajiny Paula Signaca a Georga Seurata. Aj preto m\u00e1 t\u00e1to v\u00fdstava v\u0161etky predpoklady sta\u0165 sa div\u00e1ckym magnetom roka. V\u00edtajte v magickom svete, kde sa m\u00f4\u017ee sta\u0165 v\u0161etko! Na fotografii olejoma\u013eba Henri Rousseaua s n\u00e1zvom Ja, portr\u00e9t-krajina (1889 – 1890).<\/p>\n

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\"umenie1a\"<\/a><\/p>\n

Medzi nebom a \u017eenou<\/strong><\/p>\n

\u201eExistuj\u00fa dve veci, ktor\u00e9 ma udivuj\u00fa a nap\u013a\u0148aj\u00fa \u00fa\u017easom: hviezdna obloha nad nami a mravn\u00fd z\u00e1kon v n\u00e1s. T\u00fa\u017eba lieta\u0165 medzi vzdialen\u00fdmi svetmi v \u0161irokom vesm\u00edre. Predstava kozmick\u00e9ho letu ako hlbok\u00e9ho duchovn\u00e9ho dobrodru\u017estva, nesp\u00fatan\u00e9ho hmotn\u00fdm priestorom. A potom za\u017ei\u0165 pozemsk\u00fd z\u00e1\u017eitok, korunovan\u00fd poznan\u00edm duchovn\u00e9ho h\u013eadania. Vyznanie Immanuela Kanta sa mi p\u00e1\u010dilo ako motto v\u00fdstavy Medzi nebom a \u017eenou, ktor\u00e1 predstavuje dielo Bo\u017eeny August\u00ednovej a jej synov Andreja a Martina. Vz\u00e1cna uk\u00e1\u017eka symbi\u00f3zy a \u00facty synov k svojej mame, ktor\u00ed ne\u00fanavne propaguj\u00fa jej dielo a svoj\u00edm vkladom, osobnou tvorbou, dop\u013a\u0148aj\u00fa projekt na v\u00fdstav\u00e1ch v dom\u00e1com a medzin\u00e1rodnom prostred\u00ed.\u201c To s\u00fa \u00favodn\u00e9 slov\u00e1 v katal\u00f3gu od kur\u00e1torky Eleny \u013dupt\u00e1kovej, ktor\u00e1 v\u00a0popradskej Tatranskej gal\u00e9rii pripravila v\u00fdstavu Bo\u017eeny August\u00ednovej a jej synov Andreja a\u00a0Martina (trv\u00e1 a\u017e do 27. novembra). Obrazy, tapis\u00e9rie, kresby, ilustr\u00e1cie, grafiky v\u0161etk\u00fdch troch umelcov maj\u00fa svoju intenz\u00edvnu v\u00fdtvarn\u00fa chu\u0165, ale aj pokoru. Nech\u00fdbaj\u00fa im siln\u00e9 t\u00e9my, ale ani poetick\u00fd humor. Nadn\u00e1\u0161a ich fant\u00e1zia, ktor\u00e1 ma\u013euje svet medzi nebom a \u017eenou… Publikujeme obraz Andreja August\u00edna s n\u00e1zvom Cesta z lesa (2014).<\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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    O\u00a0l\u00e1ske, \u0161\u0165ast\u00ed a\u00a0in\u00fdch mali\u010dkostiach Ma\u013eby Petra Poll\u00e1ga s\u00fa o pr\u00edbehoch. Nikdy nekon\u010diacich, ale z\u00e1rove\u0148 v\u00fdsostne osobn\u00fdch. V\u0161etky maj\u00fa origin\u00e1lne farby a s\u00fa\u010dasne chc\u00fa oslovi\u0165 ka\u017ed\u00e9ho, kto si za\u010dne listova\u0165 v ich kapitol\u00e1ch. Maliar vie ka\u017ed\u00fa v\u0161ednos\u0165 pov\u00fd\u0161i\u0165 na priestor imagin\u00e1cie a z\u00e1rove\u0148 ju pr\u00ed\u0165a\u017elivo pon\u00faknu\u0165 div\u00e1kovi. Na pl\u00e1tne sa nech\u00e1va un\u00e1\u0161a\u0165 farbami, model\u00e1ciou […]<\/p>\n","protected":false},"author":3,"featured_media":3349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,45],"tags":[],"class_list":["post-3348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-oktober-2016"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=3348"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3348\/revisions"}],"predecessor-version":[{"id":3355,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3348\/revisions\/3355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/3349"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=3348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=3348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=3348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}