{"id":3776,"date":"2017-02-13T11:13:28","date_gmt":"2017-02-13T09:13:28","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=3776"},"modified":"2017-02-13T11:13:28","modified_gmt":"2017-02-13T09:13:28","slug":"umenie-februar-2017","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-februar-2017\/","title":{"rendered":"Umenie febru\u00e1r 2017"},"content":{"rendered":"

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U.F.O.-naut vo Viedni<\/strong><\/p>\n

J\u00falius Koller (1939 – 2007) nepotreboval ve\u013ea prostriedkov na to, aby rozpovedal ve\u013ea o mnoh\u00fdch probl\u00e9moch \u010dloveka a\u00a0sveta. Niekedy iba ot\u00e1znik ako znak pochybnosti, inokedy pingpongov\u00e9 lopti\u010dky ako zosobnenie hry, kde hr\u00e1 ka\u017ed\u00fd s\u00e1m za seba a bez faulov. A\u00a0tak si predstavoval aj kult\u00farnu komunik\u00e1ciu – ako f\u00e9rov\u00fa hru. Di\u0161tancoval sa od ofici\u00e1lneho umenia aj od neofici\u00e1lnej kult\u00fary. Chcel vytvori\u0165 nie\u010do, \u010do by odolalo sk\u00fa\u0161ke \u010dasu. Pojem umenie chcel nahradi\u0165 kult\u00farou \u017eivota. Zaoberal sa U.F.O.-m ako nie\u010d\u00edm neuchopite\u013en\u00fdm a tvoril svojr\u00e1zne Univerz\u00e1lne Futurologick\u00e9 Oper\u00e1cie. J\u00falius Koller u\u017e d\u00e1vnej\u0161ie prekro\u010dil hranice Slovenska a svojimi umeleck\u00fdmi akciami sa stal re\u0161pektovan\u00fdm konceptu\u00e1lnym umelcom, ktor\u00fd vystavoval v najprest\u00ed\u017enej\u0161\u00edch gal\u00e9ri\u00e1ch v Par\u00ed\u017ei, Lond\u00fdne \u010di Ben\u00e1tkach. Teraz pri\u0161iel do viedensk\u00e9ho M\u00fazea modern\u00e9ho umenia (MUMOK), kde a\u017e do 17. apr\u00edla prezentuj\u00fa jeho rozsiahlu retrospekt\u00edvu s n\u00e1zvom One Man Anti Show. Ide o prv\u00fa v\u00fdstavu slovensk\u00e9ho umelca v\u00a0tomto m\u00fazeu, pri\u010dom na retrospekt\u00edvnej prehliadke v MUMOK-u je Slovensk\u00e1 n\u00e1rodn\u00e1 gal\u00e9ria hlavn\u00fdm spolupracuj\u00facim partnerom, ako aj najd\u00f4le\u017eitej\u0161\u00edm vypo\u017ei\u010diavate\u013eom diel na v\u00fdstave. Na fotografii je J\u00falius Koller: U.F.O.-naut J.K. (U.F.O). Z cyklu UFO-nauti. 1970. SNG, Bratislava.<\/p>\n

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\u00a0<\/a><\/strong>Od 3 centimetrov do 3 metrov<\/strong><\/p>\n

Tatransk\u00e1 gal\u00e9ria v Poprade sa v t\u00fdchto t\u00fd\u017ed\u0148och premenila na miesto, kde m\u00f4\u017eete n\u00e1js\u0165 umenie od troch centimetrov do troch metrov. To je podtitul v\u00fdstavy Julky a\u00a0Igora Pia\u010dkovcov, ktor\u00ed sa predstavuj\u00fa v celej \u0161\u00edrke v\u00fdtvarn\u00e9ho z\u00e1ujmu: od zn\u00e1mkovej tvorby cez exlibris, grafick\u00e9 listy, kni\u017en\u00fa ilustr\u00e1ciu a\u017e po ve\u013ekoform\u00e1tov\u00fa ma\u013ebu. Vo v\u0161etk\u00fdch m\u00e9di\u00e1ch c\u00edti\u0165 ich origin\u00e1lny rukopis, v ka\u017edom detaile ich v\u00fdtvarn\u00fd n\u00e1zor a\u00a0v celku je to ve\u013ekolep\u00e1 pastva pre o\u010di. Ak Igor je oh\u0148om rozpa\u013euj\u00facim na\u0161e v\u00e1\u0161ne, Julka zasa vodou, ktor\u00e1 d\u00e1va v\u00e1\u0161\u0148am poetick\u00fd rozmer. Dva \u017eivly, ktor\u00e9 sa stret\u00e1vaj\u00fa, dop\u013a\u0148aj\u00fa, ale aj polemizuj\u00fa. Franc\u00fazsky filozof Fr\u00e9d\u00e9ric Shiffter vo svojej knihe Kr\u00e1sa p\u00ed\u0161e, \u017ee stretnutia s kr\u00e1sou s\u00fa prchav\u00e9 a\u00a0n\u00e1dhern\u00e9. Dokonca tvrd\u00ed, \u017ee umenie vznik\u00e1 v p\u00f4vabnom flirtovan\u00ed medzi umelcov\u00fdmi predstavami a skuto\u010dnos\u0165ou. \u00c1no, stretnutia s umen\u00edm Julky a Igora Pia\u010dkovcov s\u00fa skuto\u010dne n\u00e1dhern\u00e9 a flirt stoj\u00ed za to, preto\u017ee je ob\u010das poriadne iskriv\u00fd. V\u00fdstava s n\u00e1zvom Umenie – \u00dazemie m\u00e1 aj \u010fal\u0161\u00ed rozmer, ke\u010f v spolupr\u00e1ci so Slovensk\u00fdm paralympijsk\u00fdm v\u00fdborom (SPV) prep\u00e1ja \u0161port a umenie oboch umelcov ako aj aktiv\u00edt SPV. Publikujeme ma\u013ebu Igora Pia\u010dku s n\u00e1zvom Jazda na tigrovi (olej, akryl na pl\u00e1tne, 200 x 150 cm).<\/p>\n

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Ak\u00e1 matka, tak\u00e1 Katka<\/strong><\/p>\n

Erna Masarovi\u010dov\u00e1 a Katar\u00edna Kissoczy. Matka a dc\u00e9ra. Dve v\u00fdrazn\u00e9 osobnosti, dva poh\u013eady na umenie. Ak\u00e1 matka, tak\u00e1 Katka. N\u00e1zov v\u00fdstavy v Oravskej gal\u00e9rii v Dolnom Kub\u00edne parafr\u00e1zuje a vtipne odha\u013euje rodinn\u00e9 v\u00e4zby i tvoriv\u00e9 smerovanie oboch autoriek v\u00a0kontexte s\u00fa\u010dasn\u00e9ho soch\u00e1rstva. Spolo\u010dn\u00e1 v\u00fdstava Erny Masarovi\u010dovej (1926 – 2008) a Katar\u00edny Kissoczy m\u00e1 amb\u00edciu sta\u0165 sa vz\u00e1jomn\u00fdm dial\u00f3gom s priestorom a kovovou hmotou na pozad\u00ed vz\u0165ahu matky a dc\u00e9ry. V kur\u00e1torskej koncepcii E. Porub\u00e4novej chce hravo a bez p\u00e1tosu predstavi\u0165 vz\u00e1jomn\u00fa zviazanos\u0165 tvorby oboch autoriek: nad\u010dasovos\u0165 a v\u00fdnimo\u010dnos\u0165 soch\u00e1rskeho prejavu matky a re\u0161pekt a in\u0161pir\u00e1ciu dc\u00e9ry, sc\u00e9nografky a soch\u00e1rky. S\u00fa\u010das\u0165ou spolo\u010dn\u00e9ho konceptu v\u00fdstavy bud\u00fa premi\u00e9rovo prezentovan\u00e9 aj ve\u013ekoform\u00e1tov\u00e9 fotografie bratislavsk\u00e9ho umeleck\u00e9ho fotografa Antona Sl\u00e1deka, zaznamen\u00e1vaj\u00face autentick\u00fa nostalgiu a \u0161pecifick\u00fa n\u00e1ladu soch\u00e1rskeho ateli\u00e9ru Erny Masarovi\u010dovej, tak ako ho dodnes kontinu\u00e1lne uchov\u00e1va dc\u00e9ra Katar\u00edna. V\u00fdstava potrv\u00e1 do 26. marca a je pripraven\u00e1 v spolupr\u00e1ci s Gal\u00e9riou M. A. Bazovsk\u00e9ho v\u00a0Tren\u010d\u00edne. Na fotografii je objekt s\u00a0n\u00e1zvom Premenliv\u00e1 (1992) od Erny Masarovi\u010dovej.<\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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    U.F.O.-naut vo Viedni J\u00falius Koller (1939 – 2007) nepotreboval ve\u013ea prostriedkov na to, aby rozpovedal ve\u013ea o mnoh\u00fdch probl\u00e9moch \u010dloveka a\u00a0sveta. Niekedy iba ot\u00e1znik ako znak pochybnosti, inokedy pingpongov\u00e9 lopti\u010dky ako zosobnenie hry, kde hr\u00e1 ka\u017ed\u00fd s\u00e1m za seba a bez faulov. A\u00a0tak si predstavoval aj kult\u00farnu komunik\u00e1ciu – ako f\u00e9rov\u00fa hru. Di\u0161tancoval […]<\/p>\n","protected":false},"author":3,"featured_media":3783,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,7],"tags":[],"class_list":["post-3776","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-februar-2017","category-hudba-kino-umenie"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=3776"}],"version-history":[{"count":5,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3776\/revisions"}],"predecessor-version":[{"id":3786,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3776\/revisions\/3786"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/3783"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=3776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=3776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=3776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}