{"id":3888,"date":"2017-03-15T10:56:01","date_gmt":"2017-03-15T08:56:01","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=3888"},"modified":"2017-03-15T10:56:01","modified_gmt":"2017-03-15T08:56:01","slug":"umenie-marec-2017","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-marec-2017\/","title":{"rendered":"Umenie marec 2017"},"content":{"rendered":"

 <\/p>\n

 <\/p>\n

Rebel Egon Schiele <\/strong><\/p>\n

Egon Schiele, Gustav Klimt, Oskar Kokoschka – sv\u00e4t\u00e1 trojica rak\u00faskeho umenia, ktor\u00e1 pravidelne zap\u013a\u0148a v\u00fdstavn\u00e9 siene u\u00a0na\u0161ich z\u00e1padn\u00fdch susedov a\u00a0st\u00e1le patr\u00ed k\u00a0najv\u00e4\u010d\u0161\u00edm div\u00e1ckym magnetom. Ak sa navy\u0161e k\u00a0tomu prid\u00e1 v\u00fdro\u010die jednej zo spomenut\u00fdch hviezd, Rak\u00fasko a \u0161peci\u00e1lne Viede\u0148 sa postav\u00ed do pozoru. Egonovi Schielemu (1890 – 1918) sa bl\u00ed\u017ei storo\u010dnica a to je d\u00f4vod, aby oslavy od\u0161tartovala prv\u00e1 v\u00fdtvarn\u00e1 sc\u00e9na: Albertina. Kto bol Egon Schiele? Mlad\u00fd rebel, ktor\u00fd \u010doskoro opustil secesiu, aby si vytvoril vlastn\u00fd \u0161t\u00fdl bl\u00ed\u017eiaci sa k\u00a0expresionizmu. Bol \u017eiakom Gustava Klimta, ktor\u00fd ho pova\u017eoval za svojho legit\u00edmneho n\u00e1stupcu. Obvinili ho z pornografie, lebo jeho akty boli viac ne\u017e odv\u00e1\u017ene. So svojimi modelmi zaobch\u00e1dzal vskutku ne\u0161etrne a\u00a0\u010dasto ich n\u00fatil do neobvykl\u00fdch p\u00f3z. Bol nen\u00e1sytn\u00fdm pozorovate\u013eom nah\u00e9ho tela, u\u00a0ktor\u00e9ho sa prejavovali a\u017e pedofiln\u00e9 \u00fachylky, ale bol aj mu\u017eom s\u00a0obrovskou charizmou a v\u00fdtvarn\u00fdm talentom. Zomrel mlad\u00fd na n\u00e1sledky \u0161panielskej chr\u00edpky, ktorou sa nakazil od svojej man\u017eelky Edith. Ktovie, kam by sa jeho umenie uberalo, keby zostal na\u017eive? Reprezentat\u00edvna v\u00fdstava v Albertine potrv\u00e1 do 18. J\u00fana. (Na fotografii publikujeme Schieleho Le\u017eiaci akt z\u00a0roku 1917, poch\u00e1dzaj\u00faci zo zbierok v\u00a0Albertine.)<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

Logika em\u00f3cie<\/strong><\/p>\n

Olgoj Chorchoj, za t\u00fdmto trochu obsk\u00farnym n\u00e1zvom \u0161t\u00fadia sa skr\u00fdvaj\u00fa dvaja \u010desk\u00ed dizajn\u00e9ri Michal Fron\u011bk (1966) a Jan N\u011bme\u010dek (1963), ktor\u00fd ho v\u00a0roku 1990 zalo\u017eili. Ich v\u00fdstava v\u00a0Umelecko-priemyselnom m\u00fazeu Moravskej gal\u00e9rie v\u00a0Brne (potrv\u00e1 do 16. apr\u00edla) predstavuje v\u0161etko podstatn\u00e9, \u010d\u00edm sa dizajn a architekt\u00fara \u0161t\u00fadia Olgoj Chorchoj presadili. Technicky prec\u00edzny a esteticky pr\u00ed\u0165a\u017eliv\u00fd \u0161t\u00fdl, vedom\u00e9 spojenie kr\u00e1sy a \u00fa\u010delu, in\u017einierskej kon\u0161trukcie a v\u00fdtvarn\u00e9ho tvarovania, modern\u00fdch robotizovan\u00fdch technol\u00f3gi\u00ed a tradi\u010dn\u00fdch rukodielnych remesiel, racionality a elegancie. Aj preto m\u00e1 leitmot\u00edv expoz\u00edcie Olgoj Chorchoj pr\u00edzna\u010dn\u00fd n\u00e1zov Logika em\u00f3cie, kde c\u00edti\u0165 siln\u00fd prejav nov\u00e1torstva, ale aj trad\u00edcie a genera\u010dnej kontinuity. V\u00fdstava je preh\u013eadne \u010dlenen\u00e1 do \u0161iestich samostatn\u00fdch celkov, v\u00a0nich n\u00e1jdete v\u0161etko, aj v\u00fdznam slova Olgoj Chorchoj. Na fotografii publikujeme z\u00e1ber z\u00a0expoz\u00edcie v\u00a0Moravskej gal\u00e9rii.<\/p>\n

\u00a0<\/strong><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

Slovensk\u00e1 renesancia<\/strong><\/p>\n

Slovensk\u00fd folkl\u00f3r je op\u00e4\u0165 \u201ein\u201c. Viacer\u00e9 umeleck\u00e9 m\u00e9di\u00e1 mapuj\u00fa kr\u00e1su za\u0161l\u00fdch vekov, ktor\u00e1 je skuto\u010dne na\u0161a. K\u00a0najorigin\u00e1lnej\u0161\u00edm patr\u00ed kolekcia fotografi\u00ed od umeleckej fotografky Petry Lajdovej, ktor\u00e1 kr\u00e1su slovensk\u00e9ho \u013eudov\u00e9ho kroja sn\u00edma najm\u00e4 cez vrchn\u00e9 \u010dasti odevu – svadobn\u00e9 party a \u010depce. Ako hovor\u00ed autorka, \u201ecie\u013eom tohto diela je prezentova\u0165 estetiku, kr\u00e1su a umeleck\u00fa hodnotu \u013eudov\u00e9ho umenia prostredn\u00edctvom umeleckej fotografie a pouk\u00e1za\u0165 na jej prepojenie so svetom moderne, origin\u00e1lne a s\u00a0\u00factou.\u201c Do 26. marca sa jej kolekcia ve\u013ekoform\u00e1tov\u00fdch fotografi\u00ed zastavila v tren\u010dianskej Gal\u00e9rii M. A. Bazovsk\u00e9ho pod n\u00e1zvom Slovensk\u00e1 renesancia… ke\u010f kr\u00e1sa vych\u00e1dza na svetlo. Je to renesancia \u013eudov\u00e9ho umenia, ale aj oslava kr\u00e1sy mlad\u00fdch \u017eien, renesancia minulosti bez p\u00e1tosu a falo\u0161nej romantiky, ale s\u00a0pokorou, v\u00fdtvarnou invenciou a prec\u00edznou optikou, ktor\u00e1 sa sna\u017e\u00ed poodhali\u0165 vn\u00fatro portr\u00e9tovanej \u017eeny. Na fotografii publikujeme svadobn\u00fa partu Detva Podpo\u013eanie z diela Slovensk\u00e1 renesancia.<\/p>\n

 <\/p>\n

 <\/p>\n

\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

    Rebel Egon Schiele Egon Schiele, Gustav Klimt, Oskar Kokoschka – sv\u00e4t\u00e1 trojica rak\u00faskeho umenia, ktor\u00e1 pravidelne zap\u013a\u0148a v\u00fdstavn\u00e9 siene u\u00a0na\u0161ich z\u00e1padn\u00fdch susedov a\u00a0st\u00e1le patr\u00ed k\u00a0najv\u00e4\u010d\u0161\u00edm div\u00e1ckym magnetom. Ak sa navy\u0161e k\u00a0tomu prid\u00e1 v\u00fdro\u010die jednej zo spomenut\u00fdch hviezd, Rak\u00fasko a \u0161peci\u00e1lne Viede\u0148 sa postav\u00ed do pozoru. Egonovi Schielemu (1890 – 1918) sa bl\u00ed\u017ei storo\u010dnica […]<\/p>\n","protected":false},"author":3,"featured_media":3889,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,50],"tags":[],"class_list":["post-3888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-marec-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=3888"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3888\/revisions"}],"predecessor-version":[{"id":3894,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/3888\/revisions\/3894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/3889"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=3888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=3888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=3888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}