{"id":4137,"date":"2017-05-12T08:57:34","date_gmt":"2017-05-12T06:57:34","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=4137"},"modified":"2017-05-12T08:57:34","modified_gmt":"2017-05-12T06:57:34","slug":"umenie-maj-2017","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-maj-2017\/","title":{"rendered":"Umenie m\u00e1j 2017"},"content":{"rendered":"

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Ty a ja<\/strong><\/p>\n

Bratislavsk\u00e1 K. Gallery sa v\u00a0m\u00e1ji zmen\u00ed na v\u00fdtvarn\u00fd svet \u013duby Suchalovej Harichovej, ktor\u00e1 predstavuje svoje kni\u017en\u00e9 ilustr\u00e1cie pre najmen\u0161\u00edch, ale aj najnov\u0161iu tvorbu tapis\u00e9ri\u00ed a\u00a0komorn\u00fdch obrazov, vytvoren\u00fdch origin\u00e1lnou slovenskou technol\u00f3giou Arttex. V\u00fdstava m\u00e1 jednoduch\u00fd, ale ve\u013emi kontaktn\u00fd n\u00e1zov Ty a\u00a0ja a\u00a0celkom prirodzene mapuje l\u00e1sku, jej podoby, zmeny a prekvapenia. Autorka v\u0161ak nezost\u00e1va len pri tom, ale\u00a0sk\u00fama aj naliehav\u00e9 spolo\u010densk\u00e9 t\u00e9my: vojna, dikt\u00e1torstvo, d\u00f4sledky \u00fatlaku a poni\u017eovania v spolo\u010dnosti. \u013duba Suchalov\u00e1 Harichov\u00e1 v\u017edy prekvap\u00ed, pote\u0161\u00ed a v\u00e1\u017ene filozofick\u00e9 ot\u00e1zky prin\u00e1\u0161a s humorom jej vlastn\u00fdm. Pri jej obrazoch a\u00a0obr\u00e1zkoch nikdy nie je nuda, u\u017e pri prvom v\u00e1s vtiahne do svojho sveta a\u00a0pust\u00ed a\u017e pri poslednom – ako po pre\u010d\u00edtan\u00ed dobrej knihy. Samozrejme, ka\u017ed\u00e1 dobr\u00e1 kniha sa d\u00e1 pre\u010d\u00edta\u0165 aj viackr\u00e1t… Publikujeme arttex autorky s\u00a0n\u00e1zvom Pr\u00fady.<\/p>\n

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\u00a0<\/strong><\/em><\/p>\n

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Ke\u010f sa povie Manet<\/strong><\/p>\n

\u010co si predstav\u00edte pri mene \u00c9douard Manet? Ra\u0148ajky v\u00a0tr\u00e1ve? Olympiu? Dobre, a\u00a0\u010do \u010falej? Sl\u00e1vne meno z\u00a0encyklop\u00e9die svetov\u00e9ho maliarstva, krstn\u00fd otec impresionizmu (hoci sa tomuto ozna\u010deniu br\u00e1nil), realistick\u00fd pozorovate\u013e \u017eivota a\u00a0\u013eud\u00ed par excellence, maliar – provok\u00e1ter, ktor\u00fd konzervat\u00edvnych div\u00e1kov dost\u00e1val do v\u00fdvrtky, maliar – revolucion\u00e1r, ktor\u00fd sn\u00edval o\u00a0spolo\u010denskom uznan\u00ed a\u00a0do\u010dkal sa zhnit\u00fdch vajec a\u00a0pomaran\u010dov… Do Mil\u00e1na to nie je a\u017e tak \u010faleko, navy\u0161e z\u00a0Bratislavy tam lieta pravideln\u00fd spoj. A\u00a0ke\u010f u\u017e budete na n\u00e1kupoch, zastavte sa v\u00a0Palazzo Reale ved\u013ea sl\u00e1vneho D\u00f3mu, kde je a\u017e do 2. j\u00fala par\u00e1dna Manetova expoz\u00edcia. Pripravili ju v\u00a0spolupr\u00e1ci so sl\u00e1vnou par\u00ed\u017eskou Mus\u00e9e\u00a0d’Orsay a\u00a0okrem Manetov\u00fdch majstrovsk\u00fdch diel pon\u00faka aj obrazy jeho nemenej hviezdnych kolegov: Renoir, Monet, C\u00e9zanne a,\u00a0samozrejme, Berthe Morisot, ktor\u00e1 bola Manetovou ve\u013ekou m\u00fazou. N\u00e1dherne sa to v\u0161etko dop\u013a\u0148a, prep\u00e1ja a\u00a0div\u00e1ka un\u00e1\u0161a. Manet mal len 51 rokov, ke\u010f v\u00a0roku 1883 odi\u0161iel do umeleckej ve\u010dnosti, ale niektor\u00ed u\u017e vtedy zaznamenali, kto odi\u0161iel: \u201ePod\u013ea toho, ak\u00fd hluk sp\u00f4sob\u00ed \u010dlovek, ke\u010f padne, d\u00e1 sa presne zisti\u0165, ak\u00e9 miesto zaberal, ke\u010f st\u00e1l.\u201c (La Vie moderne). Na fotografii publikujeme Manetov obraz Pi\u0161tec (1866), ktor\u00fd sa stal leitmot\u00edvom Manetovej v\u00fdstavy v\u00a0Mil\u00e1ne. <\/em><\/p>\n

\u00a0<\/strong><\/em><\/p>\n

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Z<\/strong>\u00e1hrada snov<\/strong><\/p>\n

Mal fant\u00e1ziu na nieko\u013eko \u017eivotov a\u00a0m\u00f4\u017eeme by\u0165 len radi, \u017ee z\u00a0nej nie\u010do pre n\u00e1s zanechal\u00a0 v\u00a0podobe grafick\u00fdch listov, ilustr\u00e1ci\u00ed \u010di obrazov na dreve. Jeho diela mo\u017eno \u010d\u00edta\u0165 v\u017edy nanovo, lebo sa v nich d\u00e1 n\u00e1js\u0165 v\u017edy \u010dosi nov\u00e9. Ako jeden z\u00a0m\u00e1la prekro\u010dil svojou tvorbou hranice Slovenska a\u00a0stal sa zn\u00e1mym a\u00a0re\u0161pektovan\u00fdm umelcom aj v\u00a0zahrani\u010d\u00ed. Vedel o\u00a0v\u00fdzname svojho umenia a\u00a0r\u00e1d sa o\u00a0\u0148om aj rozpr\u00e1val. Vedel, ako sa lieta nad krajinou v\u0161edn\u00e9ho d\u0148a, ale nikdy neuletel za hranicu vn\u00fatornej pokory. \u00cds\u0165 na jeho v\u00fdstavu znamen\u00e1 zaspom\u00edna\u0165 si aj na vlastn\u00e9 detstvo, ke\u010f sme \u010d\u00edtali rozpr\u00e1vky s\u00a0jeho p\u00f4vabn\u00fdmi ilustr\u00e1ciami. Vidie\u0165 jeho v\u00fdstavu je ve\u013ekolepou pastvou pre o\u010di, ale aj pochopen\u00edm labyrintov \u017eivota. \u00c1no, hovor\u00edme o\u00a0Alb\u00ednovi Brunovskom (1935 \u2013 1997), ktor\u00fd m\u00e1 v\u00a0bratislavskej Gal\u00e9rii Nedbalka a\u017e do 25. j\u00fana v\u00fdstavu Z\u00e1hrada snov – mo\u017eno ju vn\u00edma\u0165 aj ako nekone\u010dn\u00e9 sn\u00edvanie o\u00a0realite \u017eivota. Kur\u00e1torsky ju pripravil \u013dubom\u00edr Podu\u0161el, ktor\u00fd je aj autorom sprievodnej publik\u00e1cie k v\u00fdstave. Kvalitn\u00fd v\u00fdber poch\u00e1dza zo zbierkov\u00fdch fondov samotnej gal\u00e9rie, doplnen\u00fd o\u00a0niektor\u00e9 diela z\u00a0umelcovej pozostalosti a\u00a0zo zbierok Oravskej gal\u00e9rie v\u00a0Dolnom Kub\u00edne. Publikujeme grafiku Alb\u00edna Brunovsk\u00e9ho D\u00e1mu v\u00a0klob\u00faku IX. (Dulcinea).<\/p>\n

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\u013dudov\u00edt\u00a0 Petr\u00e1nsky<\/p>\n

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    Ty a ja Bratislavsk\u00e1 K. Gallery sa v\u00a0m\u00e1ji zmen\u00ed na v\u00fdtvarn\u00fd svet \u013duby Suchalovej Harichovej, ktor\u00e1 predstavuje svoje kni\u017en\u00e9 ilustr\u00e1cie pre najmen\u0161\u00edch, ale aj najnov\u0161iu tvorbu tapis\u00e9ri\u00ed a\u00a0komorn\u00fdch obrazov, vytvoren\u00fdch origin\u00e1lnou slovenskou technol\u00f3giou Arttex. V\u00fdstava m\u00e1 jednoduch\u00fd, ale ve\u013emi kontaktn\u00fd n\u00e1zov Ty a\u00a0ja a\u00a0celkom prirodzene mapuje l\u00e1sku, jej podoby, zmeny a prekvapenia. Autorka […]<\/p>\n","protected":false},"author":3,"featured_media":4138,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,52],"tags":[],"class_list":["post-4137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-maj-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=4137"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4137\/revisions"}],"predecessor-version":[{"id":4143,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4137\/revisions\/4143"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/4138"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=4137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=4137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=4137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}