{"id":4266,"date":"2017-06-08T21:24:21","date_gmt":"2017-06-08T19:24:21","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=4266"},"modified":"2017-06-08T21:24:21","modified_gmt":"2017-06-08T19:24:21","slug":"umenie-jun-2017","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-jun-2017\/","title":{"rendered":"Umenie j\u00fan 2017"},"content":{"rendered":"

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Fotografia ako ma\u013eba<\/strong><\/p>\n

Fotografia je jeden z\u00a0najsilnej\u0161\u00edch fenom\u00e9nov s\u00fa\u010dasnosti. Nech hod\u00ed kame\u0148om, kto svoj mobil nepou\u017eil ako fotoapar\u00e1t. Farebn\u00e9 zachytenie okamihu obsiahlo siete naprie\u010d rovnobe\u017ekami a poludn\u00edkmi. Takmer ka\u017ed\u00fd z\u00a0n\u00e1s chce \u010dosi \u201ezdeli\u0165\u201c fotografiou. Z\u00e1\u017eitky a\u00a0pocity, banalitky i\u00a0komorn\u00e9 v\u00fdpovede. T\u00fdch dobr\u00fdch fotografov je v\u0161ak u\u017e ove\u013ea menej a\u00a0e\u0161te menej t\u00fdch, ktor\u00ed vedia, kedy stla\u010di\u0165 sp\u00fa\u0161\u0165 a\u00a0\u010do zo zachyt\u00e1vanej situ\u00e1cie pred objekt\u00edvom vy\u0165a\u017ei\u0165. Ameri\u010dan James Welling (1951) vie, ako na to. Dokonca tak, \u017ee New York Times ho v\u00a0roku 2014 zaradil medzi najvplyvnej\u0161\u00edch fotografov sveta a\u00a0v\u00a0tom istom roku z\u00edskal aj prest\u00ed\u017enu Infinity Award od Medzin\u00e1rodn\u00e9ho centra fotografie v New Yorku. Nie, Welling nefot\u00ed, ke\u010f okolo neho svi\u0161tia gu\u013eky, ale svojimi fotografiami je tak\u00fd presved\u010div\u00fd a\u00a0kreat\u00edvny, \u017ee sa zd\u00e1, akoby ma\u013eoval obrazy. Striedal \u0161t\u00fdly tak r\u00fdchlo, \u017ee sa stal nezaradite\u013en\u00fd a\u00a0svojimi experimentmi vo fotografii sa\u00a0dot\u00fdkal architekt\u00fary, filmu, maliarstva, soch\u00e1rstva i\u00a0tanca. Pri Wellingovi m\u00e1te jednoducho pocit, \u017ee to\u00a0u\u017e nie je ani fotografia, ale m\u00e9dium pohybuj\u00face sa nad svetom \u013eudsk\u00e9ho umu. Presved\u010di\u0165 sa o\u00a0tom m\u00f4\u017eete ve\u013emi jednoducho,\u00a0navy\u0161e s\u00a0pr\u00edjemnou cestou – sta\u010d\u00ed z\u00e1js\u0165 do viedenskej v\u00fdstavnej siene Kunstforum, kde do 16. j\u00fala prezentuj\u00fa Wellingovu par\u00e1dnu retrospekt\u00edvu. Publikujeme Wellingovu fotografiu zo s\u00e9rie Choreografie (2014 \u2013 2017) – \u00a9 James Welling, courtesy David Zwirner, New York\/London.<\/p>\n

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Poku\u0161enia v\u00a0Danubiane<\/strong><\/p>\n

Alex Mlyn\u00e1r\u010dik (1934) patr\u00ed k\u00a0neve\u013ekej skupine slovensk\u00fdch umelcov, ktor\u00fdch kreativita nekon\u010dila pri slovensk\u00fdch hraniciach. Naopak, akt\u00edvne zasiahol do v\u00fdvoja eur\u00f3pskeho umenia a\u00a0v 60. rokoch minul\u00e9ho storo\u010dia sa stal protagonistom slovenskej l\u00ednie Nov\u00e9ho realizmu. Umeleck\u00e9ho hnutia, ktor\u00e9 chcelo umenie vr\u00e1ti\u0165 do reality a\u00a0vyjs\u0165 na ulicu medzi div\u00e1kov. V Par\u00ed\u017ei sa Mlyn\u00e1r\u010dik stretol s vplyvn\u00fdm franc\u00fazskym teoretikom tohto hnutia Pierrom Restanym, ktor\u00fd tam mlad\u00e9mu Slov\u00e1kovi usporiadal \u00a0v\u00fdstavu (1967). Volala sa Poku\u0161enie a\u00a0predstavovala 40 figur\u00edn s\u00a0make-upom a\u00a0paroch\u0148ami. \u013dudia mali na nich zanecha\u0165 svoju stopu – p\u00edsomn\u00fd, \u010di kreslen\u00fd odkaz – \u010do sa stretlo s ve\u013ekou odozvou. M\u00fazeum modern\u00e9ho umenia Danubiana v\u00a0\u010cunove prevzalo repr\u00edzu tejto v\u00fdstavy od gal\u00e9rie Lara Vincy v\u00a0Par\u00ed\u017ei, ktor\u00e1 sa uskuto\u010dnila v marci 2017 – po p\u00e4\u0165desiatich rokoch od prv\u00e9ho uvedenia. Alexa Mlyn\u00e1r\u010dika na prvom uveden\u00ed sprev\u00e1dzal v\u00fdtvarn\u00edk Milo\u0161 Urb\u00e1sek, teraz si na \u0148u pozval \u017eilinsk\u00e9ho fotografa Richarda K\u00f6hlera. V\u00fdstava v\u00a0Danubiane potrv\u00e1 do 25. j\u00fana.<\/p>\n

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V\u00fdlety za umen\u00edm po Orave<\/strong><\/p>\n

S bl\u00ed\u017eiaci sa letom m\u00e1me skvel\u00fd tip na umeleck\u00fd v\u00fdlet po Orave. Prv\u00e9 zastavenie m\u00f4\u017eete ma\u0165 v\u00a0Oravskej gal\u00e9rii v\u00a0Dolnom Kub\u00edne, ktor\u00e1 od 15. j\u00fana do 29. augusta poz\u00fdva na dve v\u00fdstavy: J\u00e1n Hlavat\u00fd – Moje druh\u00e9 ja (Ve\u013ek\u00e1 v\u00fdstavn\u00e1 sie\u0148) a\u00a0Pocta grafick\u00e9mu priate\u013estvu – Alb\u00edn Brunovsk\u00fd, grafick\u00e9 dielo zo zbierky Ivana Panenku. Oravsk\u00e1 gal\u00e9ria m\u00e1 aj \u010fal\u0161ie vysunut\u00e9 expoz\u00edcie a\u00a0pod jej kuratelou je v Tvrdo\u0161\u00edne u\u017e od roku 1979 spr\u00edstupnen\u00e1 Gal\u00e9ria M\u00e1rie Medveckej s 266 olejoma\u013ebami a\u00a0kresbami. V podkrovn\u00fdch priestoroch gal\u00e9rie \u201eAteli\u00e9r\u201c s\u00fa po\u010das 38. sez\u00f3ny (potrv\u00e1 do 1. okt\u00f3bra), prezentovan\u00e9 diela \u010desk\u00e9ho maliara Franti\u0161ka Jiroudka. A\u00a0nakoniec po vyhliadkovej plavbe po Oravskej priehrade lo\u010fou OG – Slanica sa m\u00f4\u017eete zastavi\u0165 na Slanickom ostrove umenia, kde v prekr\u00e1snej pr\u00edrodnej scen\u00e9rii s\u00fa uprostred Oravskej priehrady lokalizovan\u00e9 st\u00e1le expoz\u00edcie \u013eudov\u00e9ho umenia zo zbierok Oravskej gal\u00e9rie (na fotografii).<\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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    Fotografia ako ma\u013eba Fotografia je jeden z\u00a0najsilnej\u0161\u00edch fenom\u00e9nov s\u00fa\u010dasnosti. Nech hod\u00ed kame\u0148om, kto svoj mobil nepou\u017eil ako fotoapar\u00e1t. Farebn\u00e9 zachytenie okamihu obsiahlo siete naprie\u010d rovnobe\u017ekami a poludn\u00edkmi. Takmer ka\u017ed\u00fd z\u00a0n\u00e1s chce \u010dosi \u201ezdeli\u0165\u201c fotografiou. Z\u00e1\u017eitky a\u00a0pocity, banalitky i\u00a0komorn\u00e9 v\u00fdpovede. T\u00fdch dobr\u00fdch fotografov je v\u0161ak u\u017e ove\u013ea menej a\u00a0e\u0161te menej t\u00fdch, ktor\u00ed vedia, kedy […]<\/p>\n","protected":false},"author":3,"featured_media":4271,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,55],"tags":[],"class_list":["post-4266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-jun-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=4266"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4266\/revisions"}],"predecessor-version":[{"id":4273,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4266\/revisions\/4273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/4271"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=4266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=4266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=4266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}