Zuzana Bos\u00e1<\/p>\n
<\/p>\n
Najstar\u0161ie remeslo<\/strong><\/p>\n Hlavn\u00e9 hrdinky Mae, Ursula, Lillian, Vera a Edna sa stret\u00e1vaj\u00fa na lavi\u010dke v\u00a0parku, ktor\u00e1 sa postupne men\u00ed na ak\u00fasi b\u00fat\u013eav\u00fa v\u0155bu. \u010co sp\u00e1ja tie podivuhodn\u00e9 star\u00e9 d\u00e1my? Najstar\u0161ie remeslo sveta… Siln\u00e9 \u017eeny a odkvitaj\u00face ru\u017ee rozpr\u00e1vaj\u00fa svoje \u017eivotn\u00e9 pr\u00edbehy, pln\u00e9 nemalej d\u00e1vky radost\u00ed a\u00a0starost\u00ed. \u0160tekliv\u00e9 spovede na t\u00e9mu prostit\u00facie i nostalgiu za r\u00fdchlo plyn\u00facim \u010dasom bohato osladzuj\u00fa humorom,\u00a0spevom i tancom. Autorka Paula Vogel zobrazuje krik\u013eav\u00fd pouli\u010dn\u00fd svet s\u00a0ve\u013ek\u00fdm citom, nadh\u013eadom i\u00a0pochopen\u00edm. Zrejme aj preto sa t\u00e1to americk\u00e1 dramati\u010dka (a tie\u017e\u00a0v\u00e1\u017een\u00e1 univerzitn\u00e1 profesorka) dnes rad\u00ed do elitnej desiatky \u017eien sveta, ocenen\u00fdch Pulitzerovou cenou v\u00a0kateg\u00f3rii dr\u00e1ma. Vo svojich dielach venuje pozornos\u0165 predov\u0161etk\u00fdm soci\u00e1lnym t\u00e9mam, ktor\u00e9 mnoh\u00ed pova\u017euj\u00fa za tabu – pr\u00e1ve hru o probl\u00e9me pedof\u00edlie \u201eHow I\u00a0learn to drive\u201d v\u00a0roku 1998 ocenili Pulitzerovou cenou. Otvorenos\u0165 a\u00a0\u00faprimnos\u0165, ak\u00fa prejavuje k \u013eu\u010fom z perif\u00e9rie spolo\u010dnosti, v\u00a0jej pr\u00edpade rozhodne nie s\u00fa p\u00f3za, \u010do potvrdzuje i v osobnom \u017eivote – svoj partnersk\u00fd vz\u0165ah spe\u010datila man\u017eelstvom s Anne Fausto-Sterling, univerzitnou profesorkou na poli biol\u00f3gie a\u00a0sexuol\u00f3gie.<\/p>\n <\/p>\n Salome<\/strong><\/p>\n Bratislavsk\u00e1 Opera SND v novembri uvedie premi\u00e9ru svetozn\u00e1mej opery Salome na po\u010des\u0165 nemeck\u00e9ho neskororomantick\u00e9ho skladate\u013ea Richarda Straussa, ktor\u00fd by tento rok osl\u00e1vil 155 rokov od svojho narodenia. Syn kr\u00e1\u013ea val\u010d\u00edkov nadviazal na otcovu hudobn\u00fa profesiu, no paradoxne vst\u00fapil do sveta hudby ve\u013emi progres\u00edvnym krokom. Majster in\u0161trument\u00e1cie a\u00a0ve\u013ekolep\u00fdch orchestr\u00e1lnych efektov sa in\u0161piroval hrou Oscara Wilda, ktor\u00e1 mu posl\u00fa\u017eila ako n\u00e1met pre jednodejstvov\u00fa operu. Biblick\u00fd pr\u00edbeh o\u00a0Salome, ktor\u00e1 zvodn\u00fdm tancom pobl\u00e1znila krut\u00e9ho \u017eidovsk\u00e9ho kr\u00e1\u013ea Herodesa, si na popud svojej matky (a\u00a0z\u00e1rove\u0148 Herodesovej milenky i\u00a0\u0161vagrinej) pop\u00fdta hlavu J\u00e1na Krstite\u013ea, ostro kritizuj\u00faceho pokriven\u00fa mor\u00e1lku kr\u00e1\u013eovsk\u00e9ho dvora. Richard Strauss n\u00e1met nevybral n\u00e1hodne, zrkadl\u00ed toti\u017e dekadenciu a\u00a0\u00fapadok spolo\u010dnosti na prelome minul\u00fdch storo\u010d\u00ed. Pestrofarebn\u00e1 hudba monument\u00e1lnych rozmerov, dramatick\u00e9 \u00e1rie \u010di zn\u00e1my \u201etanec siedmich z\u00e1vojov\u201c rozhodne ch\u00fdba\u0165 nebud\u00fa. Vrcholn\u00e9 dielo progres\u00edvneho skladate\u013ea hudobne na\u0161tudoval riadite\u013e Opery SND Friedrich Heider, re\u017e\u00edruje Hans-J\u00fcrgen Ruckh\u00e4berl a\u00a0v\u00a0hlavn\u00fdch \u00faloh\u00e1ch za\u017eiaria J. Foga\u0161ov\u00e1, J. Vac\u00edk, T. Kru\u017eliakov\u00e1, A. Keremeditchiev, T. Juh\u00e1s, D. Hammarov\u00e1 a\u00a0\u010fal\u0161\u00ed.<\/p>\n <\/p>\n Zlat\u00fd drak<\/strong><\/p>\n Predstavte si situ\u00e1ciu, \u017ee tr\u00e1vite v\u00fddatn\u00fd obed v ob\u013e\u00fabenej \u00e1zijskej re\u0161taur\u00e1cii Zlat\u00fd drak.\u00a0A medzi ladne pl\u00e1vaj\u00facimi rezancami\u00a0chutnej polievky objav\u00edte zub, ktor\u00fd z\u00a0\u00fast mlad\u00e9ho \u010c\u00ed\u0148ana ned\u00e1vno elegantne prist\u00e1l v\u00a0kuchynskom z\u00e1kulis\u00ed. Tak\u00e1to bizarn\u00e1 sc\u00e9na otv\u00e1ra pr\u00edbeh soci\u00e1lnej dr\u00e1my od moment\u00e1lne najhranej\u0161ieho a\u00a0nieko\u013ek\u00fdmi cenami oven\u010den\u00e9ho nemeck\u00e9ho dramatika Rolanda Schimmelpfenniga, ktor\u00fd reflektuje ne\u013eahk\u00e9 osudy \u00e1zijsk\u00fdch pris\u0165ahovalcov. V\u00a0tomto pr\u00edpade mlad\u00e9ho \u010c\u00ed\u0148ana bez povolenia na pobyt, kv\u00f4li \u010domu nem\u00f4\u017ee nav\u0161t\u00edvi\u0165 lek\u00e1ra a\u00a0mladej Aziatky, z\u00fafalo unikaj\u00facej z\u00a0osamelej tmy svojej izby do paz\u00farov chlipn\u00e9ho majite\u013ea bl\u00edzkeho obchodu. Autor sa \u00e1zijskou kuchy\u0148ou in\u0161piroval dokonca i\u00a0v\u00a0dramaturgii, ke\u010f\u017ee hru rozk\u00faskoval na nieko\u013eko kr\u00e1tkych trpko komick\u00fdch epiz\u00f3d s pr\u00edchu\u0165ou silnej ostro kyslej polievky. Nitrianske Divadlo Andreja Bagara sa do tejto nanajv\u00fd\u0161 interesantnej hry s chu\u0165ou zahryzlo a\u00a0jej premi\u00e9ru div\u00e1kom naserv\u00edruje u\u017e za\u010diatkom tohto mesiaca. V\u00a0r\u00e9\u017eii Svetoz\u00e1ra Spru\u0161ansk\u00e9ho sa\u00a0v hlavn\u00fdch \u00faloh\u00e1ch predstavia J. \u010euri\u0161, L. Baril\u00edkov\u00e1, J. Koval\u010d\u00edkov\u00e1, M. Ochr\u00e1nek, M. Fratri\u010d a\u00a0M. \u0160alacha.<\/p>\n <\/p>\n Sl\u00e1va<\/strong><\/p>\n Stanislav \u0160tepka pre div\u00e1kov Rado\u0161insk\u00e9ho naivn\u00e9ho divadla tentokr\u00e1t nap\u00edsal nov\u00fa \u201enerado\u0161insk\u00fa\u201d hru. Za n\u00e1met si vzal p\u00fatav\u00fd \u017eivot hrdinu nem\u00fdch filmov, americk\u00e9ho komika, herca a re\u017eis\u00e9ra Bustera Keatona. Mu\u017e ocenen\u00fd prest\u00ed\u017enym Oscarom u\u017e ako trojro\u010dn\u00fd \u00fa\u010dinkoval v akrobatick\u00fdch sc\u00e9nach v predstaveniach svojich rodi\u010dov, vaudevillov\u00fdch hercov. S kamenn\u00fdm v\u00fdrazom zasnen\u00e9ho pierota sa stal po boku Charlieho Chaplina priekopn\u00edkom nem\u00e9ho filmu. V\u0161etky kaskad\u00e9rske sc\u00e9ny zvl\u00e1dal s\u00e1m, ba dokonca nato\u010dil najdrah\u0161iu sc\u00e9nu v dejin\u00e1ch nem\u00e9ho filmu – v sn\u00edmke Frigo na ma\u0161ine, kde \u00fa\u010dinkoval s\u00fa\u010dasne ako re\u017eis\u00e9r i hlavn\u00e1 postava. Busterov \u017eivot v\u0161ak nepretk\u00e1vala len zlatist\u00e1 sl\u00e1va, ale i dezil\u00fazia a trpk\u00e9 sklamania. Napriek tomu v\u0161etky p\u00e1dy zvl\u00e1dol s akrobatickou brav\u00farou. Inscen\u00e1cia Sl\u00e1va pon\u00faka div\u00e1kom jedine\u010dn\u00fd umeleck\u00fd z\u00e1\u017eitok, doplnen\u00fd o dobov\u00fa hudbu, kost\u00fdmy, tanec a, samozrejme, humor, ktor\u00fd si m\u00f4\u017eete vychutna\u0165 u\u017e po\u010das premi\u00e9ry na konci novembra v bratislavskom RND. Hru re\u017e\u00edruje Ondrej Spi\u0161\u00e1k, sc\u00e9nu pripravil Peter \u010caneck\u00fd a hudbu skomponoval skladate\u013e Juraj Ha\u0161ko.<\/p>\n <\/p>\n Koc\u00farkovo<\/strong><\/p>\n Pri pr\u00edle\u017eitosti 90. v\u00fdro\u010dia otvorenia V\u00fdchodoslovensk\u00e9ho n\u00e1rodn\u00e9ho divadla sa 7. novembra rozhodlo \u0160t\u00e1tne divadlo v\u00a0Ko\u0161iciach premi\u00e9rova\u0165 fenom\u00e9n slovenskej veselohry: Koc\u00farkovo alebo len aby sme v\u00a0hanbe nezostali. Pred necel\u00fdmi troma storo\u010diami v\u00a0nej n\u00e1rodne uvedomel\u00fd dramatik Janko Chalupka vykreslil jedine\u010dn\u00e9 \u010drty slovensk\u00e9ho malomesta. Kombin\u00e1ciu obmedzenosti, ma\u010farsk\u00e9ho \u0161ovinizmu, p\u00e4tol\u00edza\u010dstva, konzervativizmu a\u00a0zbabelosti okorenil satirou a\u00a0tituloval Koc\u00farkovom. Autor uv\u00e1dza div\u00e1ka do volieb nov\u00e9ho rechtora v\u00a0Koc\u00farkove. \u010ci\u017em\u00e1r Tesno\u0161il, Koc\u00farkov\u010dan do \u0161piku kost\u00ed, podporuje susedovho syna, za ktor\u00e9ho pl\u00e1nuje vyda\u0165 rozmaznan\u00fa dc\u00e9ru Ani\u010dku. Karty v\u0161ak zamie\u0161a nezn\u00e1my Tur\u010dan Sloboda, ktor\u00fd sa ne\u010dakane stane v\u00ed\u0165azom volieb. Na nov\u00e9ho rechtora si, samozrejme, u\u017e br\u00fasia zuby nedo\u010dkav\u00e9 matky vydajachtiv\u00fdch dc\u00e9r. Janko Chalupka ne\u0161etril kritikou ani humorom. Nad\u010dasovos\u0165 pojmu Koc\u00farkovo sa napokon pohodlne udom\u00e1cnilo v\u00a0na\u0161om rodnom jazyku, akoby n\u00e1m bolo odnepam\u00e4ti vlastn\u00e9. Hru re\u017e\u00edruje Eduard G\u00fcrtler a\u00a0Juraj F\u00e1bry, o\u00a0hudbu sa postar\u00e1 No Name na \u010dele s\u00a0Igorom Timkom a\u00a0v\u00a0hlavn\u00fdch \u00faloh\u00e1ch sa predstavia M. Antol, D. Ko\u0161ick\u00e1, T. Pol\u00e1kov\u00e1, T. Diro, S. Pito\u0148\u00e1k, P. \u010ci\u017em\u00e1r a\u00a0\u010fal\u0161\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":" Zuzana Bos\u00e1 Najstar\u0161ie remeslo Hlavn\u00e9 hrdinky Mae, Ursula, Lillian, Vera a Edna sa stret\u00e1vaj\u00fa na lavi\u010dke v\u00a0parku, ktor\u00e1 sa postupne men\u00ed na ak\u00fasi b\u00fat\u013eav\u00fa v\u0155bu. \u010co sp\u00e1ja tie podivuhodn\u00e9 star\u00e9 d\u00e1my? Najstar\u0161ie remeslo sveta… Siln\u00e9 \u017eeny a odkvitaj\u00face ru\u017ee rozpr\u00e1vaj\u00fa svoje \u017eivotn\u00e9 pr\u00edbehy, pln\u00e9 nemalej d\u00e1vky radost\u00ed a\u00a0starost\u00ed. \u0160tekliv\u00e9 spovede na t\u00e9mu prostit\u00facie i […]<\/p>\n","protected":false},"author":3,"featured_media":209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,21],"tags":[],"class_list":["post-436","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-november-2014"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=436"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/436\/revisions"}],"predecessor-version":[{"id":438,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/436\/revisions\/438"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/209"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=436"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=436"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}