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M\u00e1te ob\u013e\u00faben\u00e9 p\u00edsmenk\u00e1?\u00a0<\/strong>
\nM\u00e1m ob\u013e\u00faben\u00e9 i neob\u013e\u00faben\u00e9, teda tak\u00e9, \u010do sa zle kombinuj\u00fa s in\u00fdmi p\u00edsmenami. Napr\u00edklad \u00e1\u010dko, ktor\u00e9 smerom nadol predstavuje trojuholn\u00edk, nem\u00e1m pr\u00edli\u0161 v l\u00e1ske. Milujem v\u0161ak g\u00e9\u010dko a moja \u017eena sa mi smeje, \u017ee chcem p\u00edsa\u0165 st\u00e1le erk\u00e1, asi preto, \u017ee som Rudo. Ale nie je to t\u00fdm, bav\u00ed ma analyzova\u0165 p\u00edsmov\u00e9 \u0165ahy v ich najmen\u0161\u00edch a najskrytej\u0161\u00edch detailoch. Uvedomil som si, \u017ee som sa v \u0161kole vlastne len klamal, ke\u010f som sa na p\u00edsanie pr\u00edli\u0161 nes\u00fastredil, lebo zo v\u0161etk\u00e9ho najviac treba ma\u0165 chu\u0165. Existuje toti\u017e mno\u017estvo pr\u00edpadov, \u017ee \u013eudia mali pre ist\u00fa \u010dinnos\u0165 len minim\u00e1lne fyziologick\u00e9 predpoklady, no v\u010faka tomu, \u017ee nestratili chu\u0165 pracova\u0165, dok\u00e1zali ve\u013emi ve\u013ea. Za pr\u00edklad v\u017edy d\u00e1vam ist\u00e9ho krasopisca, ktor\u00fd nemal prsty…<\/p>\n <\/p>\n
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Prv\u00e9 z\u00e1klady umeleck\u00e9ho krasopisectva ste z\u00edskali u\u017e na strednej \u0161kole, hoci ste vlastne \u0161tudovali dizajn skla…<\/strong>
\nChodil som na \u0161kolu \u00fa\u017eitkov\u00e9ho v\u00fdtvarn\u00edctva, kde som \u0161tudoval odbor hutne spracovan\u00e9ho skla, s\u00fa\u010das\u0165ou \u0161t\u00fadia bolo aj p\u00edsmo. V z\u00e1vere \u0161t\u00fadia sme mali vytvori\u0165 vlastn\u00fa abecedu, na papier sme obkres\u013eovali p\u00edsmenk\u00e1, tie sme vystrihovali a napokon z nich skladali nadpisov\u00fd plag\u00e1t. Potom som ale na p\u00edsmen\u00e1 celkom zabudol, spomenul som si na ne a\u017e po rokoch pri ak\u00fdchsi dizajnov\u00fdch pr\u00e1cach. Vtedy za\u010dal na facebooku a youtube kaligrafick\u00fd boom, preto som sa rozhodol, \u017ee ke\u010f\u017ee sa mi ru\u010dn\u00e9 p\u00edsanie p\u00e1\u010di a celkom dobre ho ovl\u00e1dam, za\u010dnem ho s\u00e1m pou\u017e\u00edva\u0165.<\/p>\n <\/p>\n
Od koho ste sa u\u010dili, m\u00e1te v tomto odbore nejak\u00e9 vzory?\u00a0<\/strong>
\n\u00c1no, kaligrafia m\u00e1 aj svojich uzn\u00e1van\u00fdch u\u010dite\u013eov, ale, \u017eia\u013e, nie u n\u00e1s, dokonca ani na na\u0161om kontinente ich mnoho nen\u00e1jdeme. U\u010d\u00edm sa s\u00e1m, na vlastn\u00fdch chyb\u00e1ch a nezdaroch, ve\u013ekou \u0161kolou je pre m\u0148a \u0161\u00edrenie mojej pr\u00e1ce a reakcia na \u0148u, z\u00e1rove\u0148 h\u013ead\u00e1m in\u0161pir\u00e1ciu u autor\u00edt, ktor\u00e9 pova\u017eujem na poli kaligrafie za vrchol. Ned\u00e1vno som bol na viacd\u0148ovom kurze celosvetovo uzn\u00e1van\u00e9ho modern\u00e9ho kaligrafa z Mil\u00e1na, Lucu Barcellonu, ktor\u00fd ho organizoval v malom talianskom meste\u010dku pri Bologni, v historick\u00fdch priestoroch, \u010do popri stretnut\u00ed s n\u00edm pova\u017eujem za mimoriadny z\u00e1\u017eitok, ktor\u00fd ma nakopol minim\u00e1lne na najbli\u017e\u0161\u00edch desa\u0165 rokov…<\/p>\n <\/p>\n
V \u010dom je tak\u00fd v\u00fdnimo\u010dn\u00fd?<\/strong>
\n\u0164a\u017eko sa to vysvet\u013euje, alebo cel\u00e9 jeho majstrovstvo spo\u010d\u00edva v tom, ako s p\u00edsmom nar\u00e1ba. Luca Barcellona pre m\u0148a zosob\u0148uje modern\u00fa kaligrafiu, ktor\u00e1 v plnej miere re\u0161pektuje te\u00f3riu, ale aj hist\u00f3riu p\u00edsma. Jeho pr\u00e1ce mo\u017eno n\u00e1js\u0165 u zna\u010diek ako Nike, Redbull, Absolut, Dolce&Gabbana, Volvo a mnoh\u00fdch \u010fal\u0161\u00edch. V modernej kaligrafii u\u017e dlh\u0161ie rezonuje pr\u00fad, ktor\u00fd prep\u00e1ja graffiti a kaligrafiu, tzv. calligraffity. D\u00e1 sa charakterizova\u0165 ako kombin\u00e1cia star\u0161\u00edch kaligrafick\u00fdch smerov (v\u00e4\u010d\u0161inou z obdobia gotiky a renesancie) a techniky graffiti, \u010di\u017ee street artu. Calligraffity sa vyu\u017e\u00edva v mestskom priestore a umelec pracuje aj so sprejmi \u010di in\u00fdmi pre kaligrafiu netradi\u010dn\u00fdmi pom\u00f4ckami. Nejde s\u00edce u\u017e o ni\u010d nov\u00e9, prevratn\u00e9, ale sem-tam mi nejak\u00fd projekt vizu\u00e1lne udrie do o\u010d\u00ed.<\/p>\n <\/p>\n
Stretli ste sa s nejak\u00fdm textom, ktor\u00fd pre v\u00e1s predstavoval hieroglyf?<\/strong>
\nKa\u017ed\u00fd jeden m\u00f4j zo\u0161it zo \u0161kolsk\u00fdch \u010di \u0161tudijn\u00fdch \u010dias je jeden ve\u013ek\u00fd hieroglyf (smiech). Viackr\u00e1t sa mi stalo, \u017ee som si pozn\u00e1mky na dan\u00fa t\u00e9mu musel po\u017ei\u010da\u0165 od in\u00e9ho spolu\u017eiaka, nako\u013eko som ich po sebe nevedel rozl\u00fa\u0161ti\u0165.<\/p>\n <\/p>\n
\u013dudia u\u017e p\u00edsali na v\u0161eli\u010do: hlinen\u00e9 do\u0161ti\u010dky, kame\u0148, papyrus, pergamen, papier, sklo, ale treb\u00e1rs aj hodv\u00e1b \u010di in\u00e9 l\u00e1tky… Ktor\u00fd materi\u00e1l sa pre kaligrafiu hod\u00ed najviac?\u00a0<\/strong>
\nSvoju pr\u00e1cu v preva\u017enej miere smerujem ku klasick\u00e9mu kaligrafick\u00e9mu prejavu, teda p\u00edsaniu na papier. Najlep\u0161ie sa teda c\u00edtim pri pr\u00e1ci s papierom, m\u00e1 toti\u017e svoje \u0161pecifik\u00e1 a dovo\u013euje realizova\u0165 tie najjemnej\u0161ie detaily. Av\u0161ak aj v pr\u00edpade papiera existuje ve\u013ea materi\u00e1lov\u00fdch krit\u00e9ri\u00ed – napr\u00edklad drsnos\u0165, k\u013azavos\u0165, savos\u0165 \u010di \u0161trukt\u00fara.<\/p>\n <\/p>\n
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Gabina Weissov\u00e1<\/p>\n
foto Jozef Barinka<\/p>\n
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Cel\u00fd \u010dl\u00e1nok si pre\u010d\u00edtate v septembrovom \u010d\u00edsle MIAU (2017)<\/em><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
Zaznamena\u0165 si na papier kr\u00e1snu my\u0161lienku, nap\u00edsa\u0165 \u00faprimn\u00fd milostn\u00fd list \u010di hodi\u0165 niekomu do schr\u00e1nky rukou p\u00edsan\u00fd odkaz. Chyti\u0165 do r\u00fak pero a spravi\u0165 n\u00edm na papier zop\u00e1r zn\u00e1mych \u010diar, nap\u00edsa\u0165 p\u00edsmen\u00e1 a spoji\u0165 ich do slov, vytvori\u0165 vetu, to v\u0161etko je pod\u013ea kaligrafa, typografa a grafick\u00e9ho dizajn\u00e9ra Rudolfa Letka skuto\u010dn\u00e1 psychol\u00f3gia, ve\u010f aj […]<\/p>\n","protected":false},"author":3,"featured_media":4664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,57],"tags":[],"class_list":["post-4660","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-september-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=4660"}],"version-history":[{"count":5,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4660\/revisions"}],"predecessor-version":[{"id":4669,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4660\/revisions\/4669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/4664"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=4660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=4660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=4660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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