<\/p>\n
<\/p>\n
Lyrik na pl\u00e1tne, prozaik na papieri <\/strong><\/p>\n Tak znie n\u00e1zov v\u00fdstavy maliara a\u00a0spisovate\u013ea Janka Alexyho (1894 – 1970), ktor\u00e1 v\u00a0Gal\u00e9rii P. M. Boh\u00fa\u0148a v\u00a0Liptovskom Mikul\u00e1\u0161i potrv\u00e1 a\u017e do 3. 1. 2015 a\u00a0v\u00a0kur\u00e1torskej koncepcii V. Repovej je usporiadan\u00e1 na po\u010des\u0165 120. v\u00fdro\u010dia narodenia umelca. U\u017e n\u00e1zov nazna\u010duje\u00a0dva r\u00f4zne smery umelcovej tvorby – lyrick\u00fd v\u00fdtvarn\u00fd prejav a\u00a0jeho spisovate\u013esk\u00e9 sklony, ktor\u00e9 sa ako dva pr\u00fady s\u00fastavne zlievali do jednej pers\u00f3ny. V\u00fdstava pon\u00faka prierez rozmanitej tvorby osobnosti slovenskej v\u00fdtvarnej moderny, a\u00a0to najm\u00e4 ma\u013eby a\u00a0kresby. V\u00a0ma\u013ebe je Janko Alexy baladick\u00fd, lyrick\u00fd, s impresionistick\u00fdmi mot\u00edvmi, zatia\u013e \u010do v textoch o\u00a0v\u00fdtvarnej te\u00f3rii a spolo\u010denskom \u017eivote je ve\u013ek\u00fd realista… Umeleck\u00e9 diela poch\u00e1dzaj\u00fa zo zbierok Liptovskej Gal\u00e9rie P. M. Boh\u00fa\u0148a v\u00a0Liptovskom Mikul\u00e1\u0161i a Oravskej gal\u00e9rie v\u00a0Dolnom Kub\u00edne.<\/p>\n <\/p>\n Do Danubiany treba \u00eds\u0165<\/strong><\/p>\n M\u00fazeum modern\u00e9ho umenia Danubiana odhalilo svoju nov\u00fa tv\u00e1r. Pribudli tis\u00edcky metrov \u0161tvorcov\u00fdch v\u00fdstavnej plochy a are\u00e1l z\u00edskal e\u0161te atrakt\u00edvnej\u0161\u00ed vzh\u013ead. Danubiana je najv\u00e4\u010d\u0161\u00edm m\u00fazeom modern\u00e9ho umenia na Slovensku a polostrov v\u00a0Hru\u0161ovskej zdr\u017ei zdob\u00ed u\u017e od roku 2000. In\u00fdmi slovami, Danubiana – fenom\u00e9n, ktor\u00fd sa ned\u00e1 ob\u00eds\u0165 – je tak\u00e1 v\u00fdrazn\u00e1, \u017ee ju treba nav\u0161t\u00edvi\u0165, aj ke\u010f pr\u00e1ve nepatr\u00edte k\u00a0nad\u0161en\u00fdm fan\u00fa\u0161ikom v\u00fdtvarn\u00e9ho umenia. Podobne ako v pr\u00edpade d\u00e1nskej Louisiany ne\u010faleko Kodane, aj do Danubiany si treba napl\u00e1nova\u0165 dlh\u0161\u00ed v\u00fdlet. Hoci aj pold\u0148ov\u00fd. Odmenou bude z\u00e1\u017eitok z ucelenej koncepcie architekt\u00fary a\u00a0v\u00fdstavnej in\u0161tal\u00e1cie, prech\u00e1dzky po soch\u00e1rskom parku a\u00a0jeho spojenie s\u00a0okolitou pr\u00edrodou. A\u00a0t\u00e1 sa nesie najm\u00e4 v\u00a0znamen\u00ed vody. A\u017e do 16. novembra si v\u00a0Danubiane m\u00f4\u017eete pozrie\u0165 v\u00fdstavu Galandovci.<\/p>\n <\/p>\n November, \u010di\u017ee fotografia<\/strong><\/p>\n A\u00a0u\u017e je tu op\u00e4\u0165! Kam sa pozriete, sam\u00e1 fotografia. November v\u00a0Bratislave plynie v\u00a0znamen\u00ed v\u00edchrice fotografi\u00ed, ktorej sa ned\u00e1 unikn\u00fa\u0165. V\u00a0mnoh\u00fdch podob\u00e1ch, obdobiach i\u00a0v\u00fdsledkoch. Klasick\u00e1, priekopn\u00edcka, intermedi\u00e1lna, dokument\u00e1rna, reklamn\u00e1, inscenovan\u00e1… Te\u0161i\u0165 sa m\u00f4\u017eete aj na Slovensk\u00fa nov\u00fa vlnu 80. rokov v\u00a0bratislavskej Hale umenia na N\u00e1mest\u00ed SNP \u010di\u00a0na Rudolfa Koppitza v\u00a0Gal\u00e9rii mesta Bratislavy v\u00a0P\u00e1lffyho pal\u00e1ci. Nov\u00e1 vlna (zast\u00fapen\u00e1 menami ako Tono Stano, Rudo Prekop, Miro \u0160vol\u00edk, Peter \u017dupn\u00edk, Vasil Stanko, Kamil Varga) priniesla jeden z\u00a0prv\u00fdch prejavov fotografickej postmoderny. T\u00ed, ktor\u00ed ju reprezentovali, vyu\u017e\u00edvali d\u00f4sledn\u00fa inscen\u00e1ciu reality, jazyk metafory a\u00a0imagin\u00e1cie, pr\u00edbehovos\u0165 obrazov, multimedi\u00e1lne z\u00e1sahy, ale aj skryt\u00fa melanch\u00f3liu a\u00a0otvoren\u00fd nepokoj.<\/p>\n Rudolf\u00a0 Koppitz (1884 – 1936) bol zasa v\u00fdznamn\u00fd fotograf viedenskej secesie s\u00a0\u010desk\u00fdm p\u00f4vodom. In\u0161piroval sa maliarstvom, hudbou i divadlom a\u00a0ur\u010dite v\u00e1s in\u0161piruje skvel\u00fdm z\u00e1\u017eitkom.<\/p>\n <\/p>\n To mus\u00edte vidie\u0165<\/strong><\/p>\n * <\/strong>Bratislavsk\u00e1 gal\u00e9ria Nedbalka pokra\u010duje v\u00a0prezent\u00e1cii s\u00fa\u010dasnej ma\u013eby a\u00a0od polovice novembra do polovice decembra pripravila vo svojich priestoroch v\u00fdstavu Ma\u013eba 2014 – Cena Nad\u00e1cie V\u00daB za maliarske dielo pre mlad\u00fdch umelcov, na ktorej sa predstav\u00ed 20 finalistov.<\/p>\n * V\u00a0Slovenskej n\u00e1rodnej gal\u00e9rii v\u00a0Bratislave a\u017e do 15. 2. 2015 m\u00f4\u017eete nav\u0161t\u00edvi\u0165 v\u00fdstavu Svetlo na hrane. Moderna a neskor\u00e1 moderna. Architekt\u00fara vo fotografii.<\/p>\n * V\u00a0tvrdo\u0161\u00ednskej Art Gal\u00e9rii Sch\u00fcrger sa do 11. novembra kon\u00e1 v\u00fdstava M\u00e1rie Medveckej, v\u00a0r\u00e1mci ktorej vy\u0161li publik\u00e1cie Pr\u00edbehy – kore\u0161pondencia a\u00a0spomienky priate\u013eov (k 100. v\u00fdro\u010diu narodenia maliarky) a\u00a0M\u00e1ria Medveck\u00e1 – kresby (text \u013d. Feldek). Expoz\u00edcia je pripraven\u00e1 v\u00a0spolupr\u00e1ci s\u00a0Oravskou gal\u00e9riou v\u00a0Dolnom Kub\u00edne.<\/p>\n <\/p>\n \u013dudov\u00edt Petr\u00e1nsky<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Lyrik na pl\u00e1tne, prozaik na papieri Tak znie n\u00e1zov v\u00fdstavy maliara a\u00a0spisovate\u013ea Janka Alexyho (1894 – 1970), ktor\u00e1 v\u00a0Gal\u00e9rii P. M. Boh\u00fa\u0148a v\u00a0Liptovskom Mikul\u00e1\u0161i potrv\u00e1 a\u017e do 3. 1. 2015 a\u00a0v\u00a0kur\u00e1torskej koncepcii V. Repovej je usporiadan\u00e1 na po\u010des\u0165 120. v\u00fdro\u010dia narodenia umelca. U\u017e n\u00e1zov nazna\u010duje\u00a0dva r\u00f4zne smery umelcovej tvorby – lyrick\u00fd v\u00fdtvarn\u00fd prejav […]<\/p>\n","protected":false},"author":3,"featured_media":451,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,21],"tags":[],"class_list":["post-488","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-november-2014"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/488","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=488"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/488\/revisions"}],"predecessor-version":[{"id":3407,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/488\/revisions\/3407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/451"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}