{"id":4899,"date":"2017-11-07T15:58:00","date_gmt":"2017-11-07T13:58:00","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=4899"},"modified":"2017-11-07T15:58:00","modified_gmt":"2017-11-07T13:58:00","slug":"divadlo-november-2017","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/divadlo-november-2017\/","title":{"rendered":"Divadlo november 2017"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Dimitrij Samozvanec<\/strong><\/p>\n<p>Trnavsk\u00e9 DJP si uctilo 195. v\u00fdro\u010die narodenia svojho patr\u00f3na &#8211; slovensk\u00e9ho dramatika, reform\u00e1tora a k\u0148aza J\u00e1na Pal\u00e1rika hne\u010f nieko\u013ek\u00fdmi inscen\u00e1ciami z autorovho \u0161upl\u00edka. Medzi ne patr\u00ed i obnoven\u00e1 premi\u00e9ra smutnohry Dimitrij Samozvanec, in\u0161pirovan\u00e1 ruskou historickou legendou o\u00a0L\u017eidimitrijovi, tzv. falo\u0161nom c\u00e1rovi. \u00dadajn\u00fd Dimitrij Ivanovi\u010d presved\u010dil po\u013esk\u00e9 mocnosti o svojej identite straten\u00e9ho rusk\u00e9ho n\u00e1sledn\u00edka tr\u00f3nu, ktor\u00fd \u00fadajne skonal v \u00fatlom veku (pod\u013ea ch\u00fdrov na \u017eiados\u0165 bud\u00faceho c\u00e1ra Borisa Godunova). Dimitrij za podpory po\u013eskej i ruskej \u0161\u013eachty vyvol\u00e1 vzburu a zvrhne s\u00fa\u010dasn\u00e9ho c\u00e1ra Fjodora &#8211; syna Borisa Godunova. Kr\u00e1tko po korunov\u00e1cii a svadbe s kr\u00e1snou po\u013eskou \u0161\u013eachti\u010dnou Mar\u00ednou prich\u00e1dza o \u0165a\u017eko nadobudnut\u00e9 postavenie i moc. V hlavn\u00fdch \u00faloh\u00e1ch sa predstavia M. Be\u0148u\u0161, T. Vokoun, P. Bles\u00e1kov\u00e1, J. Bujd\u00e1k a \u010fal\u0161\u00ed v r\u00e9\u017eii Viktora Koll\u00e1ra v sprievode hudby z pera Vladislava \u201eSlnko\u201c \u0160ari\u0161sk\u00e9ho.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-4902\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div2-300x247.jpg\" alt=\"\" width=\"300\" height=\"247\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div2-300x247.jpg 300w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div2-768x632.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div2-1024x842.jpg 1024w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div2.jpg 1476w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Hamlet<\/strong><\/p>\n<p>Na dosk\u00e1ch ko\u0161ick\u00e9ho SDKE o\u017eil fenom\u00e9n medzi trag\u00e9diami, no tentokr\u00e1t v podobe tane\u010dnej dr\u00e1my. Svetozn\u00e1my pr\u00edbeh d\u00e1nskeho princa Hamleta z dielne Williama Shakespeara svoj\u00edm hlbok\u00fdm filozofick\u00fdm odkazom podnietil re\u017eis\u00e9ra Ondreja \u0160otha k tane\u010dn\u00e9mu spracovaniu v spolupr\u00e1ci so Zuzanou Mistr\u00edkovou a choreografmi Maksymom Sklyarom a Nelsonom Reguerom Perezom. Poryvy \u013eudskej du\u0161e, intrigy a ne\u0161\u0165astn\u00fa l\u00e1sku v multi\u017e\u00e1nrovom po\u0148at\u00ed stv\u00e1rnia s\u00f3listi ko\u0161ick\u00e9ho baletn\u00e9ho s\u00faboru (S. Iegorov, V. Sevastyanov, G. Sorbino, J. Mar\u010dinsk\u00fd, E. Chetvernya, E. Sklyarov\u00e1 a mnoh\u00ed \u010fal\u0161\u00ed) s n\u00e1dychom renesancie. Ich skvel\u00e9 v\u00fdkony dop\u013a\u0148a efektn\u00e1 sc\u00e9na a cit\u00e1cie nahovoren\u00e9 T. Ma\u0161tal\u00edrom a T. Pauhofovou.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-4903\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div3-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div3-300x214.jpg 300w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div3-768x548.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div3-1024x731.jpg 1024w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div3.jpg 1476w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Kontajner Par\u00ed\u017e<\/strong><\/p>\n<p>\u0160\u00e9f logistickej firmy pover\u00ed svojho svedomit\u00e9ho zamestnanca J\u00e1na Smie\u0161neho nezvy\u010dajnou \u00falohou &#8211; n\u00e1js\u0165 straten\u00fd kontajner. Jeho slu\u017eobn\u00e1 cesta naprie\u010d eur\u00f3pskymi metropolami, ktor\u00fa mu skomplikuje man\u017eelka Linda i zvodn\u00e1 modelka Lynn, sa zvrtne na nebezpe\u010dn\u00fa akciu svetov\u00e9ho v\u00fdznamu. Popularita J\u00e1na Smie\u0161neho ne\u00famerne rastie a\u017e do momentu odhalenia &#8211; \u010do sa skr\u00fdva v tej ostro sledovanej \u201ekrabici\u201c? Kontajner Par\u00ed\u017e ako symbol stagnuj\u00faceho finan\u010dn\u00e9ho syst\u00e9mu, generuj\u00faceho naf\u00faknut\u00e9 bubliny, nap\u00edsal nemeck\u00fd dramatik David Gieselmann, povestn\u00fd svoj\u00edm humorom na hrane absurdna. Inscen\u00e1ciu ned\u00e1vno uviedlo Divadlo Astorka Korzo\u00b490 v s\u013eubnom obsaden\u00ed J. Kemka, L. Latin\u00e1k, M. Miezga, R. Pol\u00e1kov\u00e1, Z. Porubjakov\u00e1 a \u010fal\u0161\u00ed v r\u00e9\u017eii Mari\u00e1na Amslera.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-4904\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div1-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div1-300x200.jpg 300w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div1-768x512.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div1-1024x683.jpg 1024w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2017\/11\/div1.jpg 1476w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong>Vesel\u00e9 pani\u010dky windsorsk\u00e9<\/strong><\/p>\n<p>Na spr\u00edjemnenie melancholick\u00fdch jesenn\u00fdch ve\u010derov sa priam n\u00faka veselohra od majstra majstrov &#8211; Williama Shakespeara v podan\u00ed bratislavskej \u010cinohry SND. Ku kom\u00e9dii sa via\u017ee aj zauj\u00edmav\u00e1 hist\u00f3ria &#8211; samotn\u00e1 kr\u00e1\u013eovn\u00e1 Al\u017ebeta si od hru vy\u017eiadala menovite s hrdinom Falstaffom, tentokr\u00e1t v milostnej \u00falohe. Star\u00fd korpulentn\u00fd a ve\u010dne podnapit\u00fd rytier Falstaff m\u00e1 sebavedomia na rozd\u00e1vanie, a preto prich\u00e1dza s n\u00e1padom, ako znovu naplni\u0165 pr\u00e1zdne vreck\u00e1 i \u010da\u0161u. Zvedie z\u00e1mo\u017en\u00fa pani Fordov\u00fa i pani Pageov\u00fa, no triezve rozumy po\u010destn\u00fdch man\u017eeliek jeho pl\u00e1n ihne\u010f prekukn\u00fa a naivn\u00e9mu \u201eAdonisovi\u201c nastroja nieko\u013eko potupn\u00fdch n\u00e1strah. Inscen\u00e1ciu v hereckej zostave M. Gei\u0161berg, J. Vajda, G. Dz\u00farikov\u00e1, D. M\u00f3rov\u00e1, J. Gallovi\u010d, J. Kolen\u00edk, \u013d. Kosteln\u00fd, M. Noga a mnoh\u00ed \u010fal\u0161\u00ed re\u017e\u00edruje Peter Mikul\u00edk. Hudbu skomponoval Vladislav \u201eSlnko\u201c \u0160ari\u0161sk\u00fd.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Zuzana Bos\u00e1<\/p>\n<p>foto Joseph Mar\u010dinsk\u00fd, arch\u00edv DJP<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Dimitrij Samozvanec Trnavsk\u00e9 DJP si uctilo 195. v\u00fdro\u010die narodenia svojho patr\u00f3na &#8211; slovensk\u00e9ho dramatika, reform\u00e1tora a k\u0148aza J\u00e1na Pal\u00e1rika hne\u010f nieko\u013ek\u00fdmi inscen\u00e1ciami z autorovho \u0161upl\u00edka. Medzi ne patr\u00ed i obnoven\u00e1 premi\u00e9ra smutnohry Dimitrij Samozvanec, in\u0161pirovan\u00e1 ruskou historickou legendou o\u00a0L\u017eidimitrijovi, tzv. falo\u0161nom c\u00e1rovi. \u00dadajn\u00fd Dimitrij Ivanovi\u010d presved\u010dil po\u013esk\u00e9 mocnosti o svojej identite straten\u00e9ho rusk\u00e9ho n\u00e1sledn\u00edka [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4900,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,59],"tags":[],"class_list":["post-4899","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-november-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=4899"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4899\/revisions"}],"predecessor-version":[{"id":4906,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4899\/revisions\/4906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/4900"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=4899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=4899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=4899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}