{"id":4915,"date":"2017-11-07T16:07:23","date_gmt":"2017-11-07T14:07:23","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=4915"},"modified":"2017-11-07T16:07:23","modified_gmt":"2017-11-07T14:07:23","slug":"umenie-november-2017","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-november-2017\/","title":{"rendered":"Umenie november 2017"},"content":{"rendered":"

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Fotografia, sam\u00e1 fotografia<\/strong><\/p>\n

Bolo a\u00a0je ve\u013ea fotografov, ktor\u00ed zobrazovali \u201eamerican way of life\u201c, ale iba niektor\u00ed ju vedeli prenies\u0165 do \u010diernobielej fotografie s\u00a0takou prirodzenos\u0165ou, autentickos\u0165ou a\u00a0n\u00e1stoj\u010divos\u0165ou ako Robert Frank (1924). Ke\u010f tento roden\u00fd \u0160vaj\u010diar, \u017eij\u00faci v\u00a0Spojen\u00fdch \u0161t\u00e1toch, vydal v\u00a060. rokoch minul\u00e9ho storo\u010dia svoj cyklus The Americans, sp\u00f4sobil senz\u00e1ciu na umeleckej sc\u00e9ne. A\u00a0nezostalo len pri umen\u00ed, svojimi fotografiami zaujal aj \u013eud\u00ed, ktor\u00ed si o\u00a0fotografi\u00e1ch mysleli, \u017ee s\u00fa dobr\u00e9 len ako obr\u00e1zky do ob\u010dianskych preukazov a\u00a0pasov. Dlhovek\u00fd Robert Frank st\u00e1le \u017eije a\u00a0prostredn\u00edctvom charizmatick\u00fdch fotografi\u00ed Americans bude ve\u013emi bl\u00edzko: a\u017e do 21. 1. 2018 vystavuje vo viedenskej Albertine. Fotografie v\u0161ak mo\u017eno obdivova\u0165 aj v\u00a0Bratislave, ve\u010f je november, a\u00a0ten sa u\u017e po 27. raz nesie v\u00a0znamen\u00ed Mesiaca fotografie. \u010co vybra\u0165? Z\u00a0bohat\u00e9ho zast\u00fapenia pon\u00fakame aspo\u0148 3 tipy: V Dome umenia vystavuje majster pouli\u010dnej fotografie Ameri\u010dan Bruce Gilden z\u00a0agent\u00fary Magnum, v Stredoeur\u00f3pskom dome fotografie m\u00f4\u017eete nav\u0161t\u00edvi\u0165 kolekt\u00edvnu v\u00fdstavu f\u00ednskych autorov s\u00a0n\u00e1zvom Surre\u00e1lny iluzionizmus, a\u00a0potom je tu novinka festivalu Open Call, v\u00a0r\u00e1mci ktorej mohli predklada\u0165 svoje foto s\u00e9rie zn\u00e1me men\u00e1 i\u00a0za\u010d\u00ednaj\u00faci autori. Na obr\u00e1zku reprodukujme fotografiu Roberta Franka s\u00a0n\u00e1zvom 4th Street WhiteTower, NewYork, 1948 (\u00a9 Robert Frank, Fotostiftung Schweiz).<\/p>\n

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Je tu Rubens, hviezda baroka!<\/strong><\/p>\n

Bol superstar u\u017e po\u010das svojho \u017eivota. Cel\u00fa jeho kari\u00e9ru sprev\u00e1dzala s\u00e9ria \u00faspechov. Obracali sa na neho mnoh\u00e9 eur\u00f3pske panovn\u00edcke rody. Bol extr\u00e9mne produkt\u00edvny a\u00a0dok\u00e1zal pracova\u0165 na viacer\u00fdch obrazoch naraz. Samozrejme, enormn\u00fd po\u010det objedn\u00e1vok predpokladal zriadenie ve\u013ekej dielne. Zamestn\u00e1val v\u00a0nej mno\u017estvo spolupracovn\u00edkov, z\u00a0ktor\u00fdch sa nesk\u00f4r stali sl\u00e1vni umelci \u2013 Anthony van Dyck, Jacob Jordaens \u010di Jan Breughel st. Ale nie v\u0161etky diela nes\u00fa rovnak\u00fd z\u00e1sah majstra. Ten z\u00e1visel od d\u00f4le\u017eitosti objedn\u00e1vky, a\u00a0t\u00e1 zasa ur\u010dovala v\u00fdsledn\u00fa cenu diela. Rubens zvy\u010dajne nama\u013eoval skicu, pomocn\u00edci ju preniesli na dosku alebo pl\u00e1tno a\u00a0on pokra\u010doval, ak to pova\u017eoval za vhodn\u00e9. Nech je, ako chce, Peter Paul Rubens (1577 – 1640) bol najv\u00e4\u010d\u0161\u00edm fl\u00e1mskym umelcom 17. storo\u010dia, ktor\u00fd teraz prich\u00e1dza do Kunsthistorisches museum vo Viedni, a\u00a0to vo ve\u013ekolepej ed\u00edcii. A\u017e do 21. 1. 2018 si tu pod n\u00e1zvom Sila premeny mo\u017eno prezrie\u0165 120 majstrov\u00fdch diel, z\u00a0toho 40 obrazov. Toto sa ned\u00e1 ob\u00eds\u0165, toto mus\u00edte vidie\u0165! Reprodukujeme Rubensov obraz, na ktorom je on s\u00e1m so svojou prvou\u00a0man\u017eelkou Isabelle Brantovou (1609).<\/p>\n

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Pocta Rudolfovi Krivo\u0161ovi<\/strong><\/p>\n

Pr\u00edbeh modern\u00e9ho slovensk\u00e9ho v\u00fdtvarn\u00e9ho umenia by bol bez Rudolfa Krivo\u0161a (1933) ne\u00fapln\u00fd a\u00a0v\u00fdrazne ochudobnen\u00fd. Kur\u00e1tor Juraj Moj\u017ei\u0161 pripom\u00edna spisovate\u013ea J\u00e1na Johanidesa, ktor\u00fd na\u0161iel (ur\u010dite \u0161\u0165astn\u00fdm riaden\u00edm osudu) interpreta\u010dn\u00fd k\u013e\u00fa\u010d ku Krivo\u0161ovmu maliarskemu dielu. Predov\u0161etk\u00fdm k t\u00e9me obrazu \u010dloveka, zvl\u00e1\u0161tneho, na prasknutie nap\u00e4t\u00e9ho, ku ktor\u00e9mu sa obr\u00e1til \u201ehlasom volaj\u00facej intu\u00edcie\u201c. Najm\u00e4 obrazy z tematick\u00e9ho okruhu Hmyz\u00edch tvarov \u010di Lisov, obrazy \u0165a\u017eiace zo sv\u00e1ru expres\u00edvne zaznamenan\u00fdch farebn\u00fdch \u0161trukt\u00far a hladkou ma\u013ebou pojednan\u00fdch predmetov \u010di ich detailov in\u0161pirovali spisovate\u013ea Johanidesa k ozna\u010deniu Krivo\u0161a za maliara organizmov, z ktor\u00fdch stiahli ko\u017eu. Jeho obrazy vskutku mo\u017eno \u010d\u00edta\u0165 ako existenci\u00e1lne symboly fig\u00far, ale aj ako pr\u00edbeh maliara, ktor\u00fd priniesol rados\u0165 a\u00a0ve\u013ea siln\u00fdch poh\u013eadov do vlastn\u00e9ho vn\u00fatra. Reprezentat\u00edvna v\u00fdstava Rudolfa Krivo\u0161a potrv\u00e1 v\u00a0Gal\u00e9rii mesta Bratislavy v\u00a0Mirbachovom pal\u00e1ci do 8. 1. 2018. Publikujeme maliarov obraz s\u00a0n\u00e1zvom Striptease z\u00a0roku 1975.<\/p>\n

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\u013dudov\u00edt Petr\u00e1nsky<\/p>\n

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  Fotografia, sam\u00e1 fotografia Bolo a\u00a0je ve\u013ea fotografov, ktor\u00ed zobrazovali \u201eamerican way of life\u201c, ale iba niektor\u00ed ju vedeli prenies\u0165 do \u010diernobielej fotografie s\u00a0takou prirodzenos\u0165ou, autentickos\u0165ou a\u00a0n\u00e1stoj\u010divos\u0165ou ako Robert Frank (1924). Ke\u010f tento roden\u00fd \u0160vaj\u010diar, \u017eij\u00faci v\u00a0Spojen\u00fdch \u0161t\u00e1toch, vydal v\u00a060. rokoch minul\u00e9ho storo\u010dia svoj cyklus The Americans, sp\u00f4sobil senz\u00e1ciu na umeleckej sc\u00e9ne. A\u00a0nezostalo len pri […]<\/p>\n","protected":false},"author":3,"featured_media":4916,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,59],"tags":[],"class_list":["post-4915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-november-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=4915"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4915\/revisions"}],"predecessor-version":[{"id":4921,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/4915\/revisions\/4921"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/4916"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=4915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=4915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=4915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}