{"id":5118,"date":"2017-12-14T11:10:40","date_gmt":"2017-12-14T09:10:40","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=5118"},"modified":"2017-12-14T11:10:40","modified_gmt":"2017-12-14T09:10:40","slug":"wolfgang-beltracchi-velmajster-falsovania","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/wolfgang-beltracchi-velmajster-falsovania\/","title":{"rendered":"Wolfgang Beltracchi – Ve\u013emajster fal\u0161ovania"},"content":{"rendered":"

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Za ka\u017ed\u00fdm ve\u013ek\u00fdm majetkom sa skr\u00fdva zlo\u010din. Balzacov dvestoro\u010dn\u00fd v\u00fdrok je aktu\u00e1lny st\u00e1le a\u00a0\u013eudia s\u00fa viac a\u00a0viac vynach\u00e1dzavej\u0161\u00ed. Ak sa v\u00e1m nedar\u00ed by\u0165 sl\u00e1vnym maliarom, nie je ni\u010d jednoduch\u0161ie, ako sl\u00e1vnych maliarov imitova\u0165. A\u00a0verte-neverte, dok\u00e1\u017eete si t\u00fdm zarobi\u0165 mili\u00f3ny, ove\u013ea r\u00fdchlej\u0161ie a\u00a0viac, ako spom\u00ednan\u00ed sl\u00e1vni umelci. Wolfgang Beltracchi o\u00a0tom vie svoje. <\/em><\/p>\n

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Jablko nepad\u00e1 \u010faleko od stromu, a\u00a0plat\u00ed to aj v\u00a0pr\u00edpade chlap\u00edka, ktor\u00e9ho naz\u00fdvaj\u00fa najv\u00e4\u010d\u0161\u00edm fal\u0161ovate\u013eom v dejin\u00e1ch. Jeho otec ma\u013eoval aj fal\u0161oval… hoci vo v\u0161etkej po\u010destnosti. P\u00e1n maliar Wilhelm Fischer bol priemern\u00fd, slu\u0161n\u00fd pr\u00edslu\u0161n\u00edk strednej triedy, ktor\u00e9ho hlavnou n\u00e1pl\u0148ou pr\u00e1ce bolo re\u0161taurovanie cirkevn\u00fdch obrazov. Ke\u010f\u017ee sa jeho syn Wolfgang narodil v\u00a0\u0165a\u017ek\u00fdch povojnov\u00fdch \u010dasoch (4. febru\u00e1ra 1951), navy\u0161e ako posledn\u00fd z\u00a0piatich det\u00ed, star\u00fd p\u00e1n Fischer si po ve\u010deroch privyr\u00e1bal t\u00fdm, \u017ee imitoval sl\u00e1vne obrazy. P\u00e1\u010dia sa v\u00e1m Van Goghove Slne\u010dnice? Nama\u013eujem v\u00e1m rovnak\u00e9 do ob\u00fdva\u010dky, na cene sa dohodneme… Tak nejako to fungovalo a\u00a0Wolfgang od prv\u00fdch chv\u00ed\u013e \u017eivota fascinovane sledoval otcove \u0165ahy \u0161tetcom. V\u00a0kostoln\u00fdch chr\u00e1moch \u010di doma pri \u0148om ml\u010dky presedel \u010di prest\u00e1l cel\u00e9 hodiny, ale potom u\u017e aj on chytil do r\u00fak paletu alebo ceruzky. A\u00a0to ka\u017ed\u00fd de\u0148, nesk\u00f4r sa vyjadril, \u017ee ma\u013eovanie sa pre neho stalo takou neoddelite\u013enou s\u00fa\u010das\u0165ou d\u0148a ako um\u00fdvanie zubov. A\u00a0fal\u0161ovanie? Ako \u0161trn\u00e1s\u0165ro\u010dn\u00e9mu mu otec uk\u00e1zal poh\u013eadnicu s\u00a0Picassovou kresbou a\u00a0sp\u00fdtal sa, \u010di by ju dok\u00e1zal nakresli\u0165. Dok\u00e1zal.<\/p>\n

Otec teda \u017eivil rodinu ako cirkevn\u00fd maliar, mama bola u\u010dite\u013eka, ale Wolfganga Fischera \/ Beltracchiho (druh\u00e9 priezvisko z\u00edskal \u017eenbou ako 42-ro\u010dn\u00fd) to u\u017e v puberte \u0165ahalo na \u0161ikm\u00e9 chodn\u00ed\u010dky. Jednoducho, tak\u00fd sa narodil a\u00a0jednoducho, dospieval v\u00a0b\u00farliv\u00fdch 60. rokoch. So sloganom \u201esex, drogy,\u00a0rock\u2019n\u2019roll\u201c sa stoto\u017enil ve\u013emi r\u00fdchlo. Nechal si nar\u00e1s\u0165 dlh\u00e9 vlasy, otec sa ved\u013ea neho odmietal ukazova\u0165 a\u00a0v\u00a0sedemn\u00e1stich ho vyl\u00fa\u010dili z\u00a0gymn\u00e1zia. Pre\u010do? Lebo v \u0161kole pred\u00e1val porno \u010dasopisy – jeho podnikate\u013esk\u00fd duch zavetril dobr\u00fd biznis. Okrem toho pracoval ako \u010da\u0161n\u00edk v\u00a0no\u010dnom klube. Mama v\u0161ak us\u00fadila, \u017ee chlapec je pr\u00edli\u0161 \u0161ikovn\u00fd na to, aby sa cel\u00e9 dni len tak poflakoval a\u00a0prin\u00fatila ho, aby si podal prihl\u00e1\u0161ku na umeleck\u00fa \u0161kolu. Prijali ho. Na \u0161kole sa prv\u00fdkr\u00e1t stretol s\u00a0t\u00fdm, \u017ee sk\u00fa\u0161aj\u00faca komisia zapochybovala o\u00a0p\u00f4vode jeho malieb. Neverili mu, \u017ee porf\u00f3lio, ktor\u00e9 k\u00a0prij\u00edmac\u00edm sk\u00fa\u0161kam predlo\u017eil, patr\u00ed jemu.<\/p>\n

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Bezstarostn\u00fd psychedelick\u00fd kr\u00e1lik<\/strong><\/p>\n

\u0160tudentsk\u00e9 \u010dasy, to boli hektolitre v\u00edna, kecy a\u00a0ma\u013eovanie. K\u00a0dlh\u00fdm vlasom pribudla ko\u017een\u00e1 vesta a\u00a0frajerka mu darovala Harley-Davidsona, presne ten ist\u00fd model, na akom jazdil Peter Fonda v\u00a0Bezstarostnej jazde. Wolfgang vskutku \u017eil bezstarostne, platil za talentovan\u00e9ho \u0161tudenta, ktor\u00fd akosi zab\u00fadal, \u017ee \u0161kola s\u00fa aj z\u00e1v\u00e4zky \u010di z\u00e1po\u010dty, a\u00a0tak mu po \u0161iestich semestroch pri\u0161iel list s oznamom o\u00a0vyl\u00fa\u010den\u00ed zo \u0161koly. Sprvoti bol trochu zasko\u010den\u00fd, ale v\u00a0podstate ho to v\u00f4bec netr\u00e1pilo, pod\u013ea vlastn\u00fdch slov dobre ma\u013eova\u0165 vedel u\u017e d\u00e1vno predt\u00fdm, chcel iba nadobudn\u00fa\u0165 vedomosti z anatomick\u00e9ho kreslenia, soch\u00e1r\u010diny a\u00a0sie\u0165otla\u010de, a\u00a0to sa podarilo.<\/p>\n

Bezstarostn\u00e1 jazda pokra\u010dovala a\u00a0Wolfgang s\u00e1m seba ozna\u010dil za psychedelick\u00e9ho kr\u00e1lika, ktor\u00fd desa\u0165 rokov hopsal po Eur\u00f3pe. Opustil rodn\u00e9 meste\u010dko Geilenkirchen (nach\u00e1dza sa pri holandsk\u00fdch hraniciach), cestoval, b\u00fdval kde-tade, ale predov\u0161etk\u00fdm u\u017e\u00edval drogy, nepohrdol ni\u010d\u00edm, vysk\u00fa\u0161al v\u0161etko a\u00a0peniaze si zh\u00e1\u0148al, ako inak, ma\u013eovan\u00edm. Na bl\u0161\u00edch trhoch pon\u00fakal vlastn\u00e9 v\u00fdtvory alebo vydaren\u00e9 k\u00f3pie sl\u00e1vnych a\u00a0zn\u00e1mych obrazov. E\u0161te ich nepodpisoval, tak\u017ee v\u0161etk\u00fdm bolo jasn\u00e9, \u017ee nejde o\u00a0origin\u00e1ly, napriek tomu bol o\u00a0ne v\u00e4\u010d\u0161\u00ed z\u00e1ujem, ako o\u00a0jeho vlastn\u00e9 pl\u00e1tna a maliar r\u00e1tal za ne z\u00e1robky v\u00a0stovk\u00e1ch.<\/p>\n

V\u00a0roku 1978 Dom umenia (Haus der Kunst) v\u00a0Mn\u00edchove vystavil tri obrazy Wolfganga Fischera a\u00a0jeden z nich sa dokonca predal za 15.000 mariek. Pre mlad\u00e9ho nezn\u00e1meho umelca to bol ve\u013ek\u00fd \u00faspech, ktor\u00fd zn\u00e1sobila aj ponuka pr\u00e1ce od gal\u00e9rie. V\u00e4\u010d\u0161ina umelcov by po takejto \u0161anci hne\u010f sko\u010dila, ale jeho to nezauj\u00edmalo. Dodr\u017eiava\u0165 term\u00edny, na\u0165ahova\u0165 sa s\u00a0kur\u00e1tormi, posl\u00facha\u0165… Ni\u010d pre neho, on chce r\u00fdchly, divok\u00fd \u017eivot, r\u00fdchle prachy a\u00a0tie najr\u00fdchlej\u0161ie z\u00edska t\u00fdm, \u017ee nie\u010do \u0161ikovne sfal\u0161uje. V\u00a080. rokoch minul\u00e9ho storo\u010dia sa pohyboval predov\u0161etk\u00fdm po z\u00e1pade rodn\u00e9ho Nemecka a\u00a0pomaly vyprac\u00faval te\u00f3riu a postup, ako najbezpe\u010dnej\u0161ie preda\u0165 falo\u0161n\u00fd obraz. Skuto\u010dne falo\u0161n\u00fd obraz aj s\u00a0podpisom. P\u00e1lilo mu to, vedel, \u017ee nem\u00f4\u017ee len tak zaklopa\u0165 na dvere gal\u00e9rie \u010di auk\u010dn\u00e9ho domu a\u00a0poveda\u0165, kuk, len tak n\u00e1hodou tu m\u00e1m so sebou jedn\u00e9ho Picassa. Nie, ve\u013ek\u00e9 men\u00e1 rozhodne nie. Treba pon\u00faka\u0165 niekoho zo strednej triedy, u\u017e trochu zn\u00e1meho a\u00a0pr\u00e1ve je tak trochu in. Taktie\u017e nem\u00f4\u017ee pon\u00faka\u0165 tie najsl\u00e1vnej\u0161ie \u010di najzn\u00e1mej\u0161ie obrazy, ktor\u00e9 u\u017e v\u00e4\u010d\u0161inou visia v\u00a0gal\u00e9ri\u00e1ch. Snoril preto v\u00a0umeleck\u00fdch katal\u00f3goch, a\u017e na\u0161iel, \u010do h\u013eadal – obrazy z\u00a0ran\u00e9ho obdobia maliarov, o\u00a0ktor\u00fdch existuje kr\u00e1tka zmienka, \u017ee v\u00a0tom alebo onom roku umelec pravdepodobne nama\u013eoval pl\u00e1tno s\u00a0tak\u00fdm a tak\u00fdm mot\u00edvom, ale obraz je u\u017e roky straten\u00fd. Pr\u00edpadne sa odv\u00e1\u017eil obraz \u00faplne vymyslie\u0165, jednoducho ho poskladal z\u00a0umelcov\u00fdch zn\u00e1mych diel. Taktie\u017e si d\u00e1val pozor, aby u\u017e nemohol \u017ei\u0165 niekto, kto sa so zvolen\u00fdm maliarom stret\u00e1val a\u00a0pr\u00edpadne by sa mohol ozva\u0165, \u017ee obrazy neexistuj\u00fa alebo vyzerali \u00faplne inak. Okrem toho, Fischer sa intenz\u00edvne vzdel\u00e1val v\u00a0r\u00f4znych vedeck\u00fdch\u00a0met\u00f3dach, ktor\u00fdmi sa sk\u00fama originalita umeleck\u00fdch diel. Na bl\u0161\u00edch trhoch si zh\u00e1\u0148al star\u00e9 obrazy, zotrel ma\u013ebu a\u00a0na star\u00e9 pl\u00e1tno nama\u013eoval, \u010do potreboval. K\u00a0tomu mal, prirodzene, k\u00a0dispoz\u00edcii aj star\u00fd r\u00e1m. S\u00e1m odhaduje, \u017ee mu trvalo asi desa\u0165 rokov, k\u00fdm svoje umenie fal\u0161ovanie vycibril do najmen\u0161\u00edch detailov.<\/p>\n

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Kamar\u00e1ti z\u00a0mokrej \u0161tvrte\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

Sudi\u010dky osudu mu boli naklonen\u00e9, ke\u010f mu do cesty prihrali stretnutie s Ottom Schulte-Kellinghausom. Bol z\u00a0rovnak\u00e9ho cesta, a\u00a0ke\u010f sa mu Wolfgang priznal, \u010d\u00edm sa \u017eiv\u00ed, chlapi si hne\u010f t\u013eapli. Ja ma\u013eujem – ty pred\u00e1va\u0161, tak znel ich dohovor. Schulte-Kellinghaus si na \u017eivobytie zar\u00e1bal kade\u010d\u00edm (od chemick\u00e9ho laboranta a\u017e po d\u00edd\u017eeja na Ibize), ale podstatn\u00e9 bolo, \u017ee mal dostato\u010dn\u00e9 mno\u017estvo stykov v\u00a0umeleckom svete a\u00a0bol to p\u00e1n, ktor\u00fd p\u00f4sobil absol\u00fatne seri\u00f3zne, ale aj suver\u00e9nne, s\u00a0expertmi dok\u00e1zal vies\u0165 dlh\u00e9 diskusie. Najviac pe\u0148az\u00ed spolo\u010dne zarobili fal\u0161ovan\u00edm obrazov Johannesa Molzahna. \u0160lo o\u00a0maliara, ktor\u00fd v\u00a0roku 1938 u\u0161iel z\u00a0nacistick\u00e9ho Nemecka a\u00a0\u010das\u0165 jeho tvorby sa nen\u00e1vratne stratila. Pard\u00f3n, nie nen\u00e1vratne, Otto Schulte-Kellinghaus sa z\u00e1zra\u010dne vynoril s\u00a0viacer\u00fdmi k\u00faskami a\u00a0\u0161u\u0161\u0165anie tis\u00edcok mariek bolo tak\u00e9 neodolate\u013en\u00e9, \u017ee sa nedalo ni\u010d in\u00e9 robi\u0165, len vo fal\u0161ovan\u00ed pokra\u010dova\u0165. A\u00a0pokra\u010dova\u0165 vo ve\u013ekom \u0161t\u00fdle.<\/p>\n

Druh\u00e9 osudov\u00e9 stretnutie – s Helene Beltracchi – sa udialo v\u00a0roku 1992. Bola od neho mlad\u0161ia o\u00a0\u0161es\u0165 rokov, blond\u00edna, modrook\u00e1, pekn\u00e1, mala rada umenie a\u00a0\u00fadajne od prv\u00e9ho d\u0148a zozn\u00e1menia tr\u00e1vili spolu 24 hod\u00edn denne. A l\u00e1sku po roku spe\u010datili sob\u00e1\u0161om, pri\u010dom Wolfgang si prisvojil Helenino priezvisko. Predsa len Beltracchi znie ove\u013ea lep\u0161ie, ako priemern\u00e9 nemeck\u00e9 Fischer. Dvojicu onedlho doplnila dc\u00e9ra Franziska (Beltracchi sa prv\u00fdkr\u00e1t stal otcom v\u00a0roku 1988, s\u00a0matkou syna Manuela v\u0161ak nenadviazal hlb\u0161\u00ed vz\u0165ah). Helene neodradil Wolfgangov sp\u00f4sob ob\u017eivy, sk\u00f4r naopak a\u00a0onedlho spolo\u010dne vypracovali najpref\u00edkanej\u0161\u00ed podvod v\u00a0hist\u00f3rii fal\u0161ovania.<\/p>\n

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Fenomen\u00e1lny pl\u00e1n<\/strong><\/p>\n

Medzi najv\u00e4\u010d\u0161\u00edch znalcov a\u00a0milovn\u00edkov, predov\u0161etk\u00fdm modern\u00e9ho umenia, patril v\u00a0\u010dasoch Weimarskej republiky (Nemecko v\u00a0rokoch 1918 – 1933) Alfred Flechtheim. Okrem toho, \u017ee miloval umenie, ktor\u00e9mu nacisti dali pr\u00edvlastok degenerovan\u00e9, bol Flechtheim aj \u017did. Ke\u010f vytu\u0161il, ak\u00e1 hrozba bujnie v\u00a0jeho domovine,\u00a0u\u0161iel z\u00a0Nemecka v\u00a0roku 1933. Jeho umeleck\u00fa zbierku nacisti pravdepodobne skonfi\u0161kovali a\u00a0viac ju nik nevidel. Jedn\u00fdm zo susedov p\u00e1na Flechtheima v\u00a0pokojn\u00fdch \u010dasoch bol aj Werner J\u00e4gers, star\u00fd otec Helene Beltracchi. Sklada\u010dka do seba zapadla: vnu\u010dka zistila, \u010do za poklady obsahovala dom\u00e1cnos\u0165 jej (v\u00a0t\u00fdch \u010dasoch u\u017e m\u0155tvych) star\u00fdch rodi\u010dov a\u00a0svetu predstavila neuverite\u013en\u00fd poklad. A\u00a0pre\u010do viac ako 60 rokov o\u00a0tom nikto nevedel, a\u00a0pre\u010do sa p\u00e1n J\u00e4gers o\u00a0tom nikomu nikdy nezmienil? Jednoducho preto, \u017ee sa b\u00e1l, alebo umeniu nerozumel, alebo nemal z\u00e1ujem to rozchyrova\u0165 do cel\u00e9ho sveta, od Flechtheima z\u00edskal obrazy za symbolick\u00fa cenu a\u00a0len tak doma viseli na stene. Nezabudlo sa ani na vern\u00e9ho kamar\u00e1ta Otta, jeho star\u00fd otec Johann Wilhelm Knops bol kamar\u00e1tom Heleninho star\u00e9ho otca a\u00a0taktie\u017e vlastnil nejak\u00e9 straten\u00e9 sl\u00e1vne obrazy, hoci ich bolo pomenej. V\u00a0roku 1995 dal jeden z\u00a0kol\u00ednskych auk\u010dn\u00fdch domov do dra\u017eby obraz Diev\u010da s\u00a0labu\u0165ou od Heinricha Campendonka, ktor\u00fd poch\u00e1dzal z\u00a0objavenej zbierky Wernera J\u00e4gersa. Od\u00a0pred\u00e1vaj\u00facej Helene Beltracchi po\u017eadovali d\u00f4kaz o\u00a0hodnovernosti a\u00a0man\u017eelsk\u00e1 dvojica vymyslela \u010fal\u0161\u00ed origin\u00e1lny d\u00f4kaz. Helene sa prezliekla za svoju babi\u010dku, zap\u00f3zovala ako\u017ee vo svojej dom\u00e1cnosti pred obrazmi, fotilo sa fotoapar\u00e1tom zo zodpovedaj\u00facej doby, film tie\u017e vytla\u010dili na starom papieri a\u00a0hodnoverne vyzeraj\u00facu fotografiu predlo\u017eili auk\u010dn\u00e9mu domu. Uverili im a\u00a0obraz sa predal za rekordn\u00fdch 100.000 dol\u00e1rov. Podarilo sa to raz, podar\u00ed sa to e\u0161te mnohokr\u00e1t a\u00a0treba uvies\u0165, \u017ee Beltracchiovci (s pomocou vern\u00e9ho Otta, ale u\u017e aj Heleninej sestry Jeanette Spurzem) boli prec\u00edzni a\u00a0dbali na ka\u017ed\u00fd detail. Zberatelia umenia zvykn\u00fa ozna\u010dova\u0165 svoje obrazy vlastnou ochrannou zn\u00e1mkou (n\u00e1lepkou), a\u00a0tak to bolo aj v\u00a0pr\u00edpade Flechtheima. Podvodn\u00edci mali v\u00fdhodu v\u00a0tom, \u017ee Flechtheimova zn\u00e1mka bola tie\u017e straten\u00e1 a\u00a0nik nevedel, ako vlastne vyzerala, a\u00a0tak si ju Beltracchi vymyslel – bol na nej vyobrazen\u00fd profil samotn\u00e9ho zberate\u013ea. (Bez)cenn\u00fd\u00a0k\u00fasok papiera lepil na zadn\u00fa stranu r\u00e1mov.<\/p>\n

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V\u00a0tele a\u00a0du\u0161i g\u00e9nia\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

Ako je mo\u017en\u00e9, \u017ee Beltracchi vedel kresli\u0165 raz ako Campendonk a\u00a0raz ako Ernst? S\u00e1m hovor\u00ed, \u017ee sa vraj dok\u00e1zal prevteli\u0165 do tela a\u00a0mysle fal\u0161ovan\u00e9ho umelca. Bol to proces, ktor\u00fd trval desiatky t\u00fd\u017ed\u0148ov \u010di mesiacov, \u0161tudoval v\u0161etko o\u00a0jeho \u017eivote, zauj\u00edmal sa nielen o\u00a0jeho tvorbu, ale aj o\u00a0jeho s\u00fakromie, \u010d\u00edtal odborn\u00e9 publik\u00e1cie, priv\u00e1tnu kore\u0161pondenciu, chcel a\u00a0potreboval vedie\u0165, \u010di maliar tvoril v\u00a0pokojnom rodinnom prostred\u00ed alebo po\u010das b\u00farliv\u00e9ho a\u00a0z\u00e1ha\u013e\u010div\u00e9ho \u017eivota, taktie\u017e ho zauj\u00edmalo, \u010do sa dialo za m\u00farmi jeho domu. V\u00a0akom \u0161t\u00e1tnom a\u00a0politickom zriaden\u00ed \u017eil, \u010di v\u00a0jeho krajine z\u00farila chudoba, choroby \u010di nebodaj vojnov\u00e9 konflikty… Beltracchi taktie\u017e ve\u013ea cestoval a\u00a0obzeral si pr\u00edbytky ve\u013ek\u00fdch majstrov (ak\u00fa maj\u00fa atmosf\u00e9ru, ak\u00fd mali v\u00fdh\u013ead z\u00a0okna) alebo ako sa doty\u010dn\u00fd maliar stravoval, \u010do mu chutilo? A\u00a0majster fal\u0161ovate\u013e si zadov\u00e1\u017eil rovnak\u00e9 menu. Bol niektor\u00fd z\u00a0kop\u00edrovan\u00fdch maliarov \u013eav\u00e1k? \u017diaden probl\u00e9m, Beltracchi ma\u013eoval obojru\u010dne. Summa summarum: Beltracchi sa stal Heinrichom Campendonkom, Maxom Ernstom, Maxom Pechsteinom, Fernandom L\u00e9gerom, Andr\u00e9 Derainom (najzn\u00e1mej\u0161\u00ed umelci, ktor\u00fdch fal\u0161oval)… V\u00a0jednom z\u00a0neskor\u0161\u00edch rozhovorov spomenul historku, na ktorej sa aj po rokoch dobre bavil. Jedn\u00e9ho Campendonka nama\u013eoval u\u017e v\u00a0roku 1985 a\u00a0n\u00e1sledne ho v\u00a0New Yorku predal za 25.000 dol\u00e1rov. V\u00a0roku 2009 objavil ten ist\u00fd obraz na v\u00fdstave v\u00a0Bazileji a\u00a0jeho cena ho dostala do kolien: 2 mili\u00f3ny eur! A\u00a0v\u00fdroky naslovovzat\u00fdch expertov? Campendonkova erotick\u00e1 aura sa \u00fadajne ned\u00e1 sfal\u0161ova\u0165!<\/p>\n

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\"\"<\/a>\u017divot na \u00fateku v karavane<\/strong><\/p>\n

Ako to, \u017ee experti a\u00a0znalci po cel\u00e9 tie roky na ni\u010d nepri\u0161li? Robili svoju pr\u00e1cu povrchne a\u00a0neodborne, alebo mal Beltracchi len obrovsk\u00e9 \u0161\u0165astie? Po rokoch si ka\u017ed\u00fd kl\u00e1dol tieto ot\u00e1zky a\u00a0najpravdepodobnej\u0161\u00edm vysvetlen\u00edm bola t\u00fa\u017eba po senz\u00e1cii. Historka o\u00a0objavenej Flechtheimovej zbierke bola tak\u00e1 dych ber\u00faca, \u017ee ka\u017ed\u00fd chcel ma\u0165 na nej podiel, ka\u017ed\u00fd chcel by\u0165 jej s\u00fa\u010das\u0165ou. Poveda\u0165, bol som pri tom, ke\u010f rozde\u013eovali tento b\u00e1jny poklad. Helene, ako t\u00e1, \u010do poklad na\u0161la, jedin\u00e1 komunikovala s\u00a0auk\u010dn\u00fdmi domami, man\u017eel bol verejnosti nezn\u00e1my. Beltracchiovci si na svoje podvody vyberali predov\u0161etk\u00fdm auk\u010dn\u00e9 domy, a\u00a0to z\u00a0viacer\u00fdch d\u00f4vodov. Auk\u010dn\u00e9 domy pred\u00e1vaj\u00fa r\u00fdchlo, musia toti\u017e obst\u00e1\u0165 pred konkurenciou. Na d\u00f4kladn\u00e9 expert\u00edzy niet \u010dasu, dlhodob\u00e9 sk\u00famanie m\u00f4\u017ee znamena\u0165 stratu z\u00e1kazn\u00edka. Pon\u00fakate n\u00e1m \u010fal\u0161\u00ed origin\u00e1l, pani Beltracchi? Sem s\u00a0n\u00edm, u\u017e sa nevieme do\u010dka\u0165, \u010d\u00edm n\u00e1s op\u00e4\u0165 prekvap\u00edte. Ako nesk\u00f4r podotkol samotn\u00fd ve\u013emajster fal\u0161ovania, auk\u010dn\u00e9 domy na tom zarobili viac, ne\u017e on s\u00e1m. \u00c1no, pochybova\u010di sa na\u0161li, u\u017e v\u00a0roku 1998 pri\u0161iel jeden zberate\u013e s\u00a0podozren\u00edm, \u017ee ide o\u00a0podvod a\u00a0obr\u00e1til sa na pol\u00edciu. Beltracchiovci si zbalili kufre a\u00a0u\u0161li do ju\u017en\u00e9ho Franc\u00fazska. Na karavane br\u00e1zdili sem a\u00a0tam, a\u00a0ke\u010f sa ich nemeckej pol\u00edcii nepodarilo dolapi\u0165, vr\u00e1tili sa k\u00a0ok\u00e1zal\u00e9mu sp\u00f4sobu \u017eivota. Na pobre\u017e\u00ed Stredozemn\u00e9ho mora si v\u00a0meste\u010dku M\u00e8ze k\u00fapili honosn\u00fa vilu a\u00a0pokra\u010dovali v\u00a0rozhadzovan\u00ed pe\u0148az\u00ed. Mali z\u00a0\u010doho, lebo Beltracchi fal\u0161oval \u010falej. Ke\u010f sa na podozrenie celkom zabudlo, man\u017eelia sa vr\u00e1tili do Nemecka a\u00a0vo Freiburgu si v\u00a0roku 2005 zaobstarali \u010fal\u0161iu vilu a\u00a0\u017eivot na vysokej nohe plynul \u010falej.<\/p>\n

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Martina Sol\u010dansk\u00e1<\/p>\n

foto archiv<\/p>\n

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Cel\u00fd \u010dl\u00e1nok si pre\u010d\u00edtate v zimnom dvoj\u010d\u00edsle MIAU (2017)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

    Za ka\u017ed\u00fdm ve\u013ek\u00fdm majetkom sa skr\u00fdva zlo\u010din. Balzacov dvestoro\u010dn\u00fd v\u00fdrok je aktu\u00e1lny st\u00e1le a\u00a0\u013eudia s\u00fa viac a\u00a0viac vynach\u00e1dzavej\u0161\u00ed. Ak sa v\u00e1m nedar\u00ed by\u0165 sl\u00e1vnym maliarom, nie je ni\u010d jednoduch\u0161ie, ako sl\u00e1vnych maliarov imitova\u0165. A\u00a0verte-neverte, dok\u00e1\u017eete si t\u00fdm zarobi\u0165 mili\u00f3ny, ove\u013ea r\u00fdchlej\u0161ie a\u00a0viac, ako spom\u00ednan\u00ed sl\u00e1vni umelci. Wolfgang Beltracchi o\u00a0tom vie svoje.     […]<\/p>\n","protected":false},"author":3,"featured_media":5124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,60],"tags":[],"class_list":["post-5118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muz","category-zima-2017"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/5118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=5118"}],"version-history":[{"count":12,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/5118\/revisions"}],"predecessor-version":[{"id":5135,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/5118\/revisions\/5135"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/5124"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=5118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=5118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=5118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}