{"id":5553,"date":"2018-05-15T08:14:08","date_gmt":"2018-05-15T06:14:08","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=5553"},"modified":"2018-05-15T08:14:08","modified_gmt":"2018-05-15T06:14:08","slug":"umenie-maj-2018","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-maj-2018\/","title":{"rendered":"Umenie m\u00e1j 2018"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Neist\u00e9 \u010dasy Xenie Hausnerovej<\/strong><\/p>\n<p>X\u00e9nia Hausnerov\u00e1 (1951) patr\u00ed k\u00a0re\u0161pektovan\u00fdm rak\u00faskym maliarkam a\u00a0svoje znepokojuj\u00face ma\u013eby vystavovala napr\u00edklad aj na minuloro\u010dnom Bien\u00e1le v\u00fdtvarn\u00e9ho umenia v\u00a0Ben\u00e1tkach na sprievodnej bien\u00e1lovej expoz\u00edcii v\u00a0Palazzo Franchetti. Do 10. j\u00fana vystavuje v\u00fdber zo svojej ma\u013eby v\u00a0Danubiane v\u00a0\u010cunove, kde sa odv\u00edjaj\u00fa jej Neist\u00e9 \u010dasy &#8211; tento n\u00e1zov v\u00fdstavy predstavuje aj symbolick\u00fd leitmot\u00edv \u010dasov okolo n\u00e1s. Samozrejme, nejde len o personifik\u00e1ciu toho, \u010do sa deje na Slovensku, ale neist\u00fa realitu predsa len \u017eijeme ka\u017edodenne &#8211; a\u00a0preto je tak\u00e1 intenz\u00edvna. Hausnerovej realizmus je zrozumite\u013en\u00fd, ale aj znepokojuj\u00faci. V\u0165ahuje n\u00e1s do pr\u00edbehov, ale nie v\u017edy sme si ist\u00ed, \u010di by sme ich chceli aj \u017ei\u0165. Maliarka toti\u017e realitu okolo n\u00e1s dodato\u010dne neprifarbuje, hoci jej kolorat\u00fara na ve\u013ekoform\u00e1tov\u00fdch pl\u00e1tnach je naozaj v\u00fdrazn\u00e1. \u201eMoje obr\u00e1zky rozpr\u00e1vaj\u00fa pr\u00edbehy vzdialen\u00e9 jednoduch\u00e9mu \u010d\u00edtaniu,\u201c hovor\u00ed Xenia Hausnerov\u00e1. Publikujem autorkin obraz so\u00a0severok\u00f3rejsk\u00fdm dikt\u00e1torom Kimom, ktor\u00fd charakterizuje na\u0161e neist\u00e9 \u010dasy.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-125_Egon_Schiele_1917.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-5556\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-125_Egon_Schiele_1917-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-125_Egon_Schiele_1917-202x300.jpg 202w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-125_Egon_Schiele_1917-768x1139.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-125_Egon_Schiele_1917-690x1024.jpg 690w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-125_Egon_Schiele_1917.jpg 929w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/a><\/strong><strong>Zlat\u00e9 \u010dasy vo Viedni <\/strong><\/p>\n<p>Viede\u0148 nie je len najlep\u0161\u00edm mestom pre \u017eivot (v\u00a0rebr\u00ed\u010dkoch tento status s\u00a0preh\u013eadom ka\u017edoro\u010dne obhajuje), ale aj miestom, kde to kult\u00farou doslova kyp\u00ed. Plat\u00ed to aj pre v\u00fdstavy. Samozrejme, nech\u00fdbaj\u00fa ani dom\u00e1ce hviezdy, medzi ktor\u00e9 nesporne patria Gustav Klimt, Egon Schiele, Koloman Moser , Oskar Kokoschka \u010di Richard Gerstl. T\u00edto umelci s\u00fa ikonami v\u00fdstavy, ktor\u00e1 vo viedenskom Leopold Museum potrv\u00e1 do 10. j\u00fana a\u00a0pribli\u017euje Viede\u0148 okolo roku 1900, kedy v\u00a0meste val\u010d\u00edkov vl\u00e1dla secesia, zlat\u00e9 \u010dasy umenia. Jubilejn\u00e1 v\u00fdstava Egona Schieleho, ktor\u00fd m\u00e1 v\u00a0Leopold Museum najv\u00e4\u010d\u0161ie a\u00a0z\u00e1rove\u0148 najv\u00fdznamnej\u0161ie zbierky, potrv\u00e1 do 4. novembra. \u00c1 propos, jubilejn\u00e1. \u00c1no, uplynulo 100 rokov od Schieleho smrti (ale aj \u010fal\u0161\u00edch velik\u00e1nov). Schiele pre\u017eil I. svetov\u00fa vojnu, no skosila ho \u0161panielska chr\u00edpka&#8230; Publikujeme obraz Sediacej \u017eeny od Egona Schieleho z\u00a0roku 1917.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-53_Igor_Pia\u010dka_Po\u0161t\u00e1r_zvon\u00ed-v\u017edy-dvak\u00e1t.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-5555\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-53_Igor_Pia\u010dka_Po\u0161t\u00e1r_zvon\u00ed-v\u017edy-dvak\u00e1t-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-53_Igor_Pia\u010dka_Po\u0161t\u00e1r_zvon\u00ed-v\u017edy-dvak\u00e1t-225x300.jpg 225w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-53_Igor_Pia\u010dka_Po\u0161t\u00e1r_zvon\u00ed-v\u017edy-dvak\u00e1t-768x1026.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-53_Igor_Pia\u010dka_Po\u0161t\u00e1r_zvon\u00ed-v\u017edy-dvak\u00e1t-766x1024.jpg 766w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/05\/v-53_Igor_Pia\u010dka_Po\u0161t\u00e1r_zvon\u00ed-v\u017edy-dvak\u00e1t.jpg 884w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p><strong>Igor Pia\u010dka v\u00a0Tren\u010d\u00edne<\/strong><\/p>\n<p>V\u00fdstavou Fera Lipt\u00e1ka na Mierovom n\u00e1mest\u00ed v\u00a0Tren\u010d\u00edne koncom marca sl\u00e1vnostne otvorili nov\u00fa s\u00fakromn\u00fa Gal\u00e9riu Valorem, ktor\u00e1 bude organizova\u0165 aj aukcie v\u00fdtvarn\u00e9ho umenia. Valorem znamen\u00e1 po latinsky hodnota, \u010do aj symbolicky vyjadruje v\u00fdstavn\u00fd program, ktor\u00fd chce by\u0165 n\u00e1ro\u010dn\u00fd, ale aj z\u00e1bavn\u00fd, pou\u010dn\u00fd a\u00a0s\u00fa\u010dasne zrozumite\u013en\u00fd pre ka\u017ed\u00e9ho, kto st\u00e1le pozit\u00edvne reaguje na slovn\u00e9 spojenie \u201edobr\u00e9 umenie\u201c. Druhou v\u00fdstavou v\u00a0tejto gal\u00e9rii je expoz\u00edcia Igora Pia\u010dku (1962), ktor\u00fd sa a\u017e do 10. j\u00fana predstavuje prierezom svojej najnov\u0161ej maliarskej i\u00a0grafickej tvorby. Igor je bytostn\u00fd figuralista a\u00a0rozv\u00edja v\u00fdtvarn\u00fd program dynamick\u00e9ho realizmu. Jeho tv\u00e1re s\u00fa presved\u010div\u00e9 aj preto, \u017ee tvor\u00ed pod\u013ea \u017eiv\u00e9ho modelu, \u010do je v\u00a0na\u0161ich zemepisn\u00fdch \u0161\u00edrkach ve\u013ek\u00e1 zriedkavos\u0165. Neskracuje si cestu k\u00a0v\u00fdsledku, od svojho obrazu bezpodmiene\u010dne vy\u017eaduje, aby vydal zo seba to\u013eko energie, ko\u013eko do nej vlo\u017eil. Je a\u017e neuverite\u013en\u00e9, do ak\u00e9ho divok\u00e9ho v\u00edru dostane svoje zmyseln\u00e9 postavy, aby ich n\u00e1sledne ut\u00ed\u0161il do meditat\u00edvnej h\u013abky. Igor Pia\u010dka sa do 10. j\u00fana predstavuje aj v komornej\u0161ej expoz\u00edcii (s \u0165a\u017eiskom v ilustr\u00e1torskej tvorbe) v\u00a0Danubiane v\u00a0\u010cunove. Publikujeme obraz Igora Pia\u010dku s\u00a0n\u00e1zvom Po\u0161t\u00e1r zvon\u00ed v\u017edy dvakr\u00e1t.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u013dudov\u00edt Petr\u00e1nsky<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Neist\u00e9 \u010dasy Xenie Hausnerovej X\u00e9nia Hausnerov\u00e1 (1951) patr\u00ed k\u00a0re\u0161pektovan\u00fdm rak\u00faskym maliarkam a\u00a0svoje znepokojuj\u00face ma\u013eby vystavovala napr\u00edklad aj na minuloro\u010dnom Bien\u00e1le v\u00fdtvarn\u00e9ho umenia v\u00a0Ben\u00e1tkach na sprievodnej bien\u00e1lovej expoz\u00edcii v\u00a0Palazzo Franchetti. Do 10. j\u00fana vystavuje v\u00fdber zo svojej ma\u013eby v\u00a0Danubiane v\u00a0\u010cunove, kde sa odv\u00edjaj\u00fa jej Neist\u00e9 \u010dasy &#8211; tento n\u00e1zov v\u00fdstavy predstavuje aj symbolick\u00fd leitmot\u00edv \u010dasov [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5554,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,64],"tags":[],"class_list":["post-5553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-maj-2018"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/5553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=5553"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/5553\/revisions"}],"predecessor-version":[{"id":5558,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/5553\/revisions\/5558"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/5554"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=5553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=5553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=5553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}