{"id":6108,"date":"2018-11-05T11:09:36","date_gmt":"2018-11-05T09:09:36","guid":{"rendered":"http:\/\/www.miaumagazin.sk\/home\/?p=6108"},"modified":"2018-11-05T11:09:36","modified_gmt":"2018-11-05T09:09:36","slug":"umenie-november-2018","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/umenie-november-2018\/","title":{"rendered":"Umenie november 2018"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Fascin\u00e1cia Japonskom<\/strong><\/p>\n<p>Albertina m\u00e1 v\u00a0t\u00fdchto t\u00fd\u017ed\u0148och svojho Clauda Moneta, Kunstforum zasa Fascin\u00e1ciu Japonskom. Viede\u0148 op\u00e4\u0165 exceluje! Nie, nejde o s\u00faperenie o\u00a0div\u00e1ka, ale o roz\u0161\u00edrenie ponuky z\u00a0prvej ligy svetov\u00e9ho umenia. Kritici by povedali, \u017ee galeristi vsadili na overen\u00e9 men\u00e1, pri ktor\u00fdch sa ned\u00e1 zm\u00fdli\u0165, ale &#8211; no a\u00a0\u010do! Kto by nechcel vidie\u0165 trblieta\u0165 sa Monetove lekn\u00e1 na vodnej hladine, alebo, a\u00a0to sme u\u017e pri fascin\u00e1cii Japonskom, Degasove tane\u010dnice, Kandinsk\u00e9ho drevorezy, Klimtove strieborn\u00e9 rybi\u010dky, Gauguinove z\u00e1ti\u0161ie, Van Goghov\u00fdch mot\u00fd\u013eov, \u010di Monetove Waterloo Bridge. \u00c1no, aj t\u00edto umelci boli ok\u00fazlen\u00ed japonskou kult\u00farou, ktor\u00e1 si v\u00a0druhej polovici 19. storo\u010dia prerazila cestu do z\u00e1padn\u00e9ho umenia. Samozrejme, velik\u00e1ni nepreberali vzory ako hotov\u00e9 obrazy, ale boli to vidite\u013en\u00e9 in\u0161pir\u00e1cie v\u00a0ich v\u00fdtvarnej re\u010di. Na v\u00fdstave, ktor\u00e1 v\u00a0Kunstfore na N\u00e1mest\u00ed Freyung potrv\u00e1 do 20. janu\u00e1ra 2019, nen\u00e1jdete len obrazy \u010di grafiku, ale aj sochy, objekty a\u00a0n\u00e1bytok. Nech\u00fdbaj\u00fa ani \u0161pi\u010dkov\u00e9 diela japonsk\u00e9ho dobov\u00e9ho umenia (napr\u00edklad Hokusaiova Ve\u013ek\u00e1 vlna), \u010do dod\u00e1va v\u00fdstave n\u00e1boj pr\u00ed\u0165a\u017elivej panor\u00e1my. Publikujeme olejoma\u013ebu Tane\u010dn\u00e1 hodina od Edgara Degasa.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-6111\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie1-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie1-230x300.jpg 230w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie1-768x1003.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie1-784x1024.jpg 784w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie1.jpg 904w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/a><\/p>\n<p><strong>S D\u00fcrerom na cest\u00e1ch<\/strong><\/p>\n<p>Slovensk\u00fd v\u00fdtvarn\u00edk Mari\u00e1n Kom\u00e1\u010dek (1959) pokra\u010duje vo svojej slovenskej p\u00fati s\u00a0ve\u013ek\u00fdm renesan\u010dn\u00fdm majstrom z\u00a0nemeck\u00e9ho Norimbergu. Projekt S D\u00fcrerom na cest\u00e1ch m\u00f4\u017eete vidie\u0165 od 15. novembra do 13. janu\u00e1ra 2019 vo Ve\u013ekej v\u00fdstavnej sieni Oravskej gal\u00e9rie v\u00a0Dolnom Kub\u00edne. Vo\u013en\u00fd cyklus obrazov a\u00a0grafick\u00fdch listov Mari\u00e1na Kom\u00e1\u010dka sa tematicky a\u00a0obsahovo sp\u00e1ja s\u00a0dielom sl\u00e1vneho nemeck\u00e9ho maliara a grafika Albrechta D\u00fcrera (1471 &#8211; 1528) a pon\u00faka sondu do minulosti, dial\u00f3g s dielami z\u00a0encyklop\u00e9die svetov\u00e9ho umenia, pri\u010dom nech\u00fdba zveli\u010denie, p\u00f4vabn\u00e9 cit\u00e1cie, ale aj surrealistick\u00e9 \u201eabsurditky\u201c a\u00a0najm\u00e4 nekone\u010dn\u00fa autorovu imagin\u00e1ciu. Slovami kur\u00e1tora v\u00fdstavy \u013dubom\u00edra Podu\u0161ela: \u201eV\u00fdstavn\u00e1 prehliadka je zostaven\u00e1 z na seba nadv\u00e4zuj\u00facich \u010dl\u00e1nkov, kde takmer v\u0161etko s\u00favis\u00ed s\u00a0poznatkami pripom\u00ednaj\u00facimi, \u017ee ka\u017ed\u00e1 pr\u00edtomnos\u0165 je v\u00a0kl\u00ed\u010diacej forme obsiahnut\u00e1 v\u00a0minulosti.\u201c Na fotografii je obraz Mariana Kom\u00e1\u010dka z\u00a0cyklu SAD na cest\u00e1ch (2015).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-6110\" src=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie2-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie2-195x300.jpg 195w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie2.jpg 768w, https:\/\/www.miaumagazin.sk\/home\/wp-content\/uploads\/2018\/11\/umenie2-666x1024.jpg 666w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><\/p>\n<p><strong>Milan Luk\u00e1\u010d v Danubiane<\/strong><\/p>\n<p>Vo v\u00fdtvarnom svete soch\u00e1ra Milana Luk\u00e1\u010da (1962) sa m\u00f4\u017ee sta\u0165 v\u0161etko. Jeho sochy s\u00fa toti\u017e nadn\u00e1\u0161an\u00e9 bezhrani\u010dnou fant\u00e1ziou autora, ktor\u00e1 sov\u00e1m prilietaj\u00facim z\u00a0Marsu umo\u017e\u0148uje hovori\u0165 \u013eudskou re\u010dou, kr\u00e1\u013eovi a\u00a0kr\u00e1\u013eovnej rozohr\u00e1va\u0165 \u0161achovnicov\u00fa partiu zvan\u00fa \u017eivot a stu\u017ekonoske modrej vo\u013ene lieta\u0165 v priestore. A\u00a0ke\u010f sa na tieto sochy pozriete bli\u017e\u0161ie, fant\u00e1zia pokra\u010duje \u010falej. Je a\u017e neuverite\u013en\u00e9, z\u00a0ak\u00fdch predmetov dok\u00e1\u017ee da\u0165 soch\u00e1r tvar t\u00fdmto kompoz\u00edci\u00e1m: lopata, kromp\u00e1\u010d, \u0161ijac\u00ed stroj, hrable, klie\u0161te, kovov\u00e9 z\u00e1va\u017eia, r\u00fa\u010dky od dvierok &#8211; to v\u0161etko a\u00a0mnoho in\u00fdch \u201en\u00e1jden\u00fdch\u201c predmetov zv\u00e1ra a\u00a0vdychuje im nov\u00fd \u017eivot. S\u00a0umeleckou v\u00e1\u017enos\u0165ou, ale aj humorn\u00fdm zveli\u010den\u00edm. S\u00a0noblesou, ale aj v\u00fdtvarn\u00fdm nadh\u013eadom. Luk\u00e1\u010dova v\u00fdstava v\u00a0M\u00fazeu Danubiana v\u00a0\u010cunove (potrv\u00e1 od 17. novembra do 13. janu\u00e1ra 2019) je in\u0161tala\u010dne \u010dist\u00e1 a\u00a0d\u00e1va vyznie\u0165 ka\u017edej soche. Tie navz\u00e1jom komunikuj\u00fa, ale s\u00fa aj presved\u010div\u00fdmi samostatn\u00fdmi objektmi. T\u00e1to expoz\u00edcia n\u00fati prem\u00fd\u0161\u013ea\u0165, ale dok\u00e1\u017ee aj zabavi\u0165. Publikujeme sochu Milana Luk\u00e1\u010da Kr\u00e1\u013e a\u00a0kr\u00e1\u013eovn\u00e1 (bronz, 2018).<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>\u013dudov\u00edt Petr\u00e1nsky<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Fascin\u00e1cia Japonskom Albertina m\u00e1 v\u00a0t\u00fdchto t\u00fd\u017ed\u0148och svojho Clauda Moneta, Kunstforum zasa Fascin\u00e1ciu Japonskom. Viede\u0148 op\u00e4\u0165 exceluje! Nie, nejde o s\u00faperenie o\u00a0div\u00e1ka, ale o roz\u0161\u00edrenie ponuky z\u00a0prvej ligy svetov\u00e9ho umenia. Kritici by povedali, \u017ee galeristi vsadili na overen\u00e9 men\u00e1, pri ktor\u00fdch sa ned\u00e1 zm\u00fdli\u0165, ale &#8211; no a\u00a0\u010do! Kto by nechcel vidie\u0165 trblieta\u0165 sa Monetove [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6109,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,71],"tags":[],"class_list":["post-6108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-november-2018"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/6108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=6108"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/6108\/revisions"}],"predecessor-version":[{"id":6113,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/6108\/revisions\/6113"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/6109"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=6108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=6108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=6108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}