\u013dudov\u00edt Petr\u00e1nsky<\/p>\n
\u00a0<\/strong><\/p>\n Mal\u00fd ve\u013ek\u00fd maliar z\u00a0Montmartru <\/strong><\/p>\n V\u00fdstavn\u00e1 Viede\u0148 u\u017e tradi\u010dne na z\u00e1ver roka pon\u00faka div\u00e1cke magnety prvej ve\u013ekosti. Joan Mir\u00f3 je v\u00a0Albertine (do 11. 1. 2015), Claude Monet v\u00a0Belvederi (do 8. 2. 2015), Diego Vel\u00e1zquez v\u00a0Kunsthistorisches Museum (do 15. 2. 2015) a\u00a0v\u00a0Kunstfore Wien (do 25. 1. 2015) mal\u00fd ve\u013ek\u00fd mu\u017e Henri de Toulouse-Lautrec (1864 – 1901), maliar z Montmartru, ktor\u00fd sa stal jedn\u00fdm zo symbolov par\u00ed\u017eskej boh\u00e9my z\u00a0konca 19. storo\u010dia. \u201eV\u00a0Par\u00ed\u017ei som pochopil, ak\u00fd ve\u013ek\u00fd bol Lautrec,\u201c povedal svojho \u010dasu Picasso a\u00a0vedel, \u010do hovor\u00ed. Azda nikto z\u00a0maliarov nebol tak bl\u00edzko \u017eivota, ktor\u00fd sa odohr\u00e1val v\u00a0par\u00ed\u017eskom polosvete. Moulin Rouge, kabarety, nevestince, kr\u010dmy poslednej cenovej skupiny, halucinog\u00e9nne absinty, ale aj \u017eeny v\u00a0int\u00edmnych chv\u00ed\u013each – to v\u0161etko vedel Lautrec zobrazi\u0165 s neuverite\u013enou presved\u010divos\u0165ou, expres\u00edvnym v\u00fdrazom a pritom s\u00a0takou vo\u013enos\u0165ou, \u017ee sa stal jedn\u00fdm z\u00a0priamych predchodcov modern\u00e9ho umenia 20. storo\u010dia. V\u00fdstava je z\u00e1rove\u0148 pripomenut\u00edm 150. v\u00fdro\u010dia narodenia umelca, pri\u010dom obrazy, kresby a plag\u00e1ty poch\u00e1dzaj\u00fa z\u00a0prest\u00ed\u017enych svetov\u00fdch zbierok cel\u00e9ho sveta.<\/p>\n <\/p>\n Osoby a\u00a0obsadenie Fera Lipt\u00e1ka<\/strong><\/p>\n Fero Lipt\u00e1kuv\u00e1dza:\u201eOsoby a obsadenie pod\u013ea vlastn\u00e9ho n\u00e1metu nama\u013eoval autor 2014. V\u00fdber obsaden\u00fdch os\u00f4b z posledn\u00e9ho tvoriv\u00e9ho obdobia, niektor\u00e9 aj \u010derstvej\u0161ie (d\u00fafam, \u017ee dozrej\u00fa po\u010das v\u00fdstavy) v Gal\u00e9ri\u00ed Michalsk\u00fd Dvor na Michalskej ulici 3, v Bratislave od 2. decembra 2014 do 13. janu\u00e1ra 2015.Ak\u00e1ko\u013evek podobnos\u0165 s inou v\u00fdstavou je \u010disto n\u00e1hodn\u00e1…Osoby na obrazoch s\u00fa vymyslen\u00e9 a nestoto\u017e\u0148uj\u00fa sa s re\u00e1lnymi postavami… Zmena os\u00f4b vyhraden\u00e1 autorom… Obrazy nie s\u00fa mrazuvzdorn\u00e9 a boli nama\u013eovan\u00e9 s \u010dist\u00fdm \u00famyslom… V\u00fdstavu treba vidie\u0165 dvakr\u00e1t na la\u010dno, v popolud\u0148aj\u0161\u00edch hodin\u00e1ch… Autor nezodpoved\u00e1 za div\u00e1cky vkus…\u201d U\u017e len dod\u00e1me, \u017ee v\u00fdtvarn\u00edk a\u00a0divadeln\u00fd sc\u00e9nograf Fero Lipt\u00e1k (1962) predstavuje svoju najnov\u0161iu kolekciu obrazov ako viano\u010dn\u00fa v\u00fdstavu pre v\u0161etky zmysly a\u00a0div\u00e1kov.<\/p>\n <\/p>\n Tenk\u00e1 frontov\u00e1 l\u00ednia<\/strong><\/p>\n A\u017e do konca marca 2015 sa v \u0161amor\u00ednskej Synag\u00f3ge – gal\u00e9rii s\u00fa\u010dasn\u00e9ho umenia At Home Gallery predstavuj\u00fa v\u00fdtvarn\u00edci Monika a Bohu\u0161 Kubinsk\u00ed. Svoj\u00edm v\u00fdstavn\u00fdm projektom Depozit frontovej l\u00ednie tematizuj\u00fa mot\u00edvy vojny a historickej pam\u00e4ti. Re\u010dou ve\u013ekorysej umeleckej in\u0161tal\u00e1cie nastavuj\u00fa zrkadlo s\u00fa\u010dasnej reflexii dejinn\u00fdch v\u00fdjavov oboch \u201eve\u013ek\u00fdch vojen\u201c. V kontexte dne\u0161n\u00fdch svetov\u00fdch aj eur\u00f3pskych udalost\u00ed z\u00edskal tento projekt n\u00e1stoj\u010div\u00fa aktu\u00e1lnos\u0165. Site-specific in\u0161tal\u00e1cia (vytvoren\u00e1 osobitne pre konkr\u00e9tne miesto) pozost\u00e1va z dvoch samostatn\u00fdch, vz\u00e1jomne sa dopl\u0148uj\u00facich \u010dast\u00ed, ktor\u00e9 priestor b\u00fdvalej \u017eidovskej synag\u00f3gy v \u0160amor\u00edne vyp\u013a\u0148aj\u00fa doslova s\u00a0liturgickou citlivos\u0165ou. \u0160amor\u00ednska v\u00fdstava man\u017eelov Kubinsk\u00fdch je vo\u013en\u00fdm pokra\u010dovan\u00edm a rozvinut\u00edm ich predch\u00e1dzaj\u00faceho spolo\u010dn\u00e9ho projektu Frontov\u00e1 linie\/Front Line, po\u010das leta \u00faspe\u0161ne vystaven\u00e9ho v pra\u017eskej gal\u00e9rii DOX – Centrum sou\u010dasn\u00edho um\u011bn\u00ed (publikovan\u00e1 fotografia od Juraja Hantabala poch\u00e1dza z\u00a0tejto v\u00fdstavy). Pripomienok vojny – ako st\u00e1lej hrozby krehkej (\u010dasto iluz\u00f3rnej) civiliza\u010dnej rovnov\u00e1hy – ur\u010dite nie je st\u00e1le dos\u0165…<\/p>\n <\/p>\n Zvieracia r\u00ed\u0161a Petra Bagiho<\/strong><\/p>\n V\u00fdstavn\u00e1 sie\u0148 ZOYA Gallery v\u00a0Erd\u00f6dyho pal\u00e1ci v\u00a0centre starej Bratislavy a\u017e do konca roka pon\u00faka autorsk\u00fa v\u00fdstavu fotografa Petra Bagiho. Vo v\u00fdbere z\u00a0jeho tvorby dominuj\u00fa r\u00f4zne zvierat\u00e1, ktor\u00e9 fotografoval na cest\u00e1ch po\u00a0eur\u00f3pskych, \u00e1zijsk\u00fdch a\u00a0africk\u00fdch krajin\u00e1ch. Medzi nimi kra\u013euj\u00fa kone, ktor\u00e9 predstavuje v\u00a0troch cykloch, vr\u00e1tane u\u0161\u013eachtil\u00e9ho plemena Lipicanov. Nech\u00fdba ani exotick\u00e1 \u017eivo\u010d\u00ed\u0161na r\u00ed\u0161a, zast\u00fapen\u00e1 niektor\u00fdmi \u010dlenmi ve\u013ekej africkej p\u00e4\u0165ky, ale aj mierumilovn\u00fdmi \u017eirafami, zebrami a\u00a0in\u00fdmi zvieratami. Fotografie Petra Bagiho si u\u017e na\u0161li cestu do s\u00fakromn\u00fdch zbierok v\u00a0Rak\u00fasku, Nemecku, Rusku, Franc\u00fazsku, USA a\u00a0in\u00fdch kraj\u00edn. Od Asoci\u00e1cie eur\u00f3pskych fotografov (FEP) autor z\u00edskal v\u00a0roku 2009 za oblas\u0165 v\u00fdtvarnej fotografie najvy\u0161\u0161ie ocenenie Master QEP.<\/p>\n <\/p>\n To mus\u00edte vidie\u0165<\/strong><\/p>\n * V kur\u00e1torskej koncepcii E. \u013dupt\u00e1kovej s\u00fa v\u00a0dolnokub\u00ednskej Oravskej gal\u00e9rii a\u017e do 11. 1. 2015 spr\u00edstupnen\u00e9 dve expoz\u00edcie: vo Ve\u013ekej v\u00fdstavnej sieni sa pripom\u00edna 100. v\u00fdro\u010die narodenia M\u00e1rie Medveckej a\u00a0v\u00a0Malej v\u00fdstavnej sieni vystavuje Michal \u0160krovina.<\/p>\n * V\u00a0Gal\u00e9rii M. A. Bazovsk\u00e9ho je do 15. 3. 2015 spr\u00edstupnen\u00e1 v\u00fdstava v\u00fdberu zo s\u00fa\u010dasn\u00e9ho slovensk\u00e9ho soch\u00e1rstva, \u010d\u00edm gal\u00e9ria obnovuje kontinuitu tohto celoslovensk\u00e9ho podujatia.<\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" \u013dudov\u00edt Petr\u00e1nsky \u00a0 Mal\u00fd ve\u013ek\u00fd maliar z\u00a0Montmartru V\u00fdstavn\u00e1 Viede\u0148 u\u017e tradi\u010dne na z\u00e1ver roka pon\u00faka div\u00e1cke magnety prvej ve\u013ekosti. Joan Mir\u00f3 je v\u00a0Albertine (do 11. 1. 2015), Claude Monet v\u00a0Belvederi (do 8. 2. 2015), Diego Vel\u00e1zquez v\u00a0Kunsthistorisches Museum (do 15. 2. 2015) a\u00a0v\u00a0Kunstfore Wien (do 25. 1. 2015) mal\u00fd ve\u013ek\u00fd mu\u017e Henri de Toulouse-Lautrec (1864 […]<\/p>\n","protected":false},"author":3,"featured_media":629,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,7],"tags":[],"class_list":["post-625","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-december-2014-januar-2015","category-hudba-kino-umenie"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=625"}],"version-history":[{"count":3,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/625\/revisions"}],"predecessor-version":[{"id":630,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/625\/revisions\/630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/629"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}