Zuzana Bos\u00e1<\/p>\n
<\/p>\n
Sluha dvoch \u0161\u00e9fov<\/strong><\/p>\n Bratislavsk\u00e1 Nov\u00e1 sc\u00e9na vst\u00fapila do nov\u00e9ho roku le\u017e\u00e9rnym, vesel\u00fdm krokom, a\u00a0to janu\u00e1rovou premi\u00e9rou kom\u00e9die Sluha dvoch \u0161\u00e9fov. Hra \u201eSluha dvoch p\u00e1nov\u201c z\u00a0pera talianskeho dramatika Carla Goldoniho in\u0161pirovala Svetoz\u00e1ra Spru\u0161ansk\u00e9ho nato\u013eko, \u017ee sa odhodlal spracova\u0165 p\u00f4vodn\u00fa verziu netradi\u010dn\u00fdm sp\u00f4sobom. Mimochodom, Goldoni sa zaradil medzi uzn\u00e1van\u00fdch dramatikov 17. storo\u010dia a svojimi nespo\u010detn\u00fdmi hrami (cca 200) zasl\u00fa\u017eil o\u00a0reform\u00e1ciu talianskeho \u013eudov\u00e9ho divadla. Svoju prv\u00fa divadeln\u00fa hru \u00fadajne nap\u00edsal ako dev\u00e4\u0165ro\u010dn\u00fd a\u00a0presl\u00e1vili ho najm\u00e4 kom\u00e9die. Po\u010das \u017eivota vystriedal mno\u017estvo zauj\u00edmav\u00fdch povolan\u00ed, napr\u00edklad ako \u0161tudovan\u00fd pr\u00e1vnik p\u00f4sobil na poste tajomn\u00edka ben\u00e1tskeho ve\u013evyslanca, riadil divadlo v\u00a0Janove a\u00a0Ben\u00e1tkach, bol dvorn\u00fdm b\u00e1snikom Bourbonovcov, ba v\u00a0Par\u00ed\u017ei vychov\u00e1val kr\u00e1\u013eovsk\u00e9 dc\u00e9ry. Pr\u00edbeh v\u00a0podan\u00ed slovensk\u00e9ho re\u017eis\u00e9ra zachyt\u00e1va 60. roky minul\u00e9ho storo\u010dia, kedy Francis Henschall vst\u00fapi do slu\u017eieb dvoch \u0161\u00e9fov, Roscoa Crabba a\u00a0Stanleyho Stubbersa, miestneho gangstra. Francisovu snahu utaji\u0165 pred \u0161\u00e9fmi hru na dve strany skomplikuje ne\u010dakan\u00e9 odhalenie. Roscoe Crabb neexistuje. Crabbovu rolu brav\u00farne zvl\u00e1da jeho maskovan\u00e1 dvoji\u010dka, p\u00e1traj\u00faca po vrahovi svojho brata. V hre z\u00e1mien a nedorozumen\u00ed dominuje vtip,\u00a0nads\u00e1zka a,\u00a0samozrejme, hudba, ktor\u00e1 kom\u00e9dii dod\u00e1va ten spr\u00e1vny bl\u00e1zniv\u00fd r\u00e1z. V\u00a0hlavn\u00fdch \u00faloh\u00e1ch sa predstavia P. Ko\u010di\u0161, M. \u0160alacha, J. Lieskovsk\u00e1, D. Kapr\u00e1lik, L. Vr\u00e1blicov\u00e1 a\u00a0mnoh\u00ed \u010fal\u0161\u00ed.<\/p>\n <\/p>\n Zem \u00fasmevov<\/strong><\/p>\n Pre trojdejstvov\u00fa operetu Zem \u00fasmevov sa stala n\u00e1metom exotick\u00e1 \u010c\u00edna. Dielo skomponoval po\u010das medzivojnov\u00fdch rokov minul\u00e9ho storo\u010dia uzn\u00e1van\u00fd majster operiet Franz Leh\u00e1r. Skladate\u013e, naroden\u00fd v Kom\u00e1rne, zo\u017eal mnoh\u00e9 hudobn\u00e9 \u00faspechy a p\u00f4sobil ako huslista, skladate\u013e \u010di vojensk\u00fd kapeln\u00edk v r\u00f4znych k\u00fatoch Eur\u00f3py. Jeho hudobn\u00fd talent vedeli oceni\u0165 i men\u00e1 z najvy\u0161\u0161ej hudobnej elity – Anton\u00edn Dvo\u0159\u00e1k \u010di Johannes Brahms. Zem \u00fasmevov mnoh\u00ed zara\u010fuj\u00fa medzi jeho vrcholn\u00e9 kompoz\u00edcie a predstavuje viedensk\u00fd operetn\u00fd \u017e\u00e1ner s n\u00e1dychom Orientu – ten Leh\u00e1r dosiahol pou\u017eit\u00edm pentatoniky (\u010d\u00ednskej stupnice, pozost\u00e1vaj\u00facej z radu piatich cel\u00fdch t\u00f3nov). Libreto prezr\u00e1dza pr\u00edbeh l\u00e1sky L\u00edzy, dc\u00e9ry viedensk\u00e9ho gener\u00e1la a\u00a0\u010d\u00ednskeho ve\u013evyslanca Su-\u010conga. Ke\u010f Su-\u010dong odch\u00e1dza do rodnej \u010c\u00edny, L\u00edza op\u00fa\u0161\u0165a rodn\u00e9 Rak\u00fasko spolu s n\u00edm. Pri sp\u00f4sobe, ak\u00fdm prij\u00edma konzervat\u00edvna \u010d\u00ednska spolo\u010dnos\u0165 Eur\u00f3panku, mrzne \u00fasmev na tv\u00e1ri. Ako sa skon\u010d\u00ed osud L\u00edzy a jej l\u00e1sky m\u00f4\u017eete si vypo\u010du\u0165 v podan\u00ed H. Becse-Szab\u00f3, A. Koh\u00fatkovej, M. Dvorsk\u00e9ho, M. Lehotsk\u00e9ho, J. Bern\u00e1thovej a\u00a0\u010fal\u0161\u00edch od 17. janu\u00e1ra na sc\u00e9ne SND v\u00a0Bratislave. Dielo hudobne na\u0161tudoval P. Valentovi\u010d,\u00a0re\u017e\u00edruje Juraj Nvota.<\/p>\n <\/p>\n Z\u00a0rozpr\u00e1vky do rozpr\u00e1vky <\/strong><\/p>\n Za siedmimi horami baler\u00edn a\u00a0siedmimi dolami n\u00f4t \u017eil kedysi d\u00e1vno (1874 – 1930) jeden talentovan\u00fd skladate\u013e Oskar Nedbal, ktor\u00fd sa so svojou fant\u00e1ziou podelil s\u00a0t\u00fdmi najmlad\u0161\u00edmi posluch\u00e1\u010dmi a\u00a0\u010das od \u010dasu skomponoval balet pre deti, napr\u00edklad Z\u00a0rozpr\u00e1vky do rozpr\u00e1vky. \u010cesk\u00fd skladate\u013e, dirigent a\u00a0violista nav\u0161tevoval hodiny kompoz\u00edcie u\u00a0samotn\u00e9ho Anton\u00edna Dvo\u0159\u00e1ka a okrem toho p\u00f4sobil po boku Jozefa Suka vo vych\u00fdrenom\u00a0\u010ceskom kvartete, dirigoval diela na popredn\u00fdch eur\u00f3pskych javisk\u00e1ch, ba dokonca sa stal i\u00a0riadite\u013eom SND. Napriek hudobn\u00fdm \u00faspechom mu ale \u0161\u0165astie v\u00a0\u017eivote ve\u013emi neprialo. Oskar na svoje starosti v\u0161ak ob\u010das \u201enedbal\u201c a\u00a0ponoril sa do sveta k\u00faziel a\u00a0rozpr\u00e1vok. Do baletu Z\u00a0rozpr\u00e1vky do rozpr\u00e1vky za\u010daroval pr\u00edbeh o\u00a0Zlatovl\u00e1ske, Kraj\u010d\u00edrovi v\u00a0za\u010darovanom z\u00e1mku i\u00a0Zvieratk\u00e1 a\u00a0zbojn\u00edkov. Po\u010das febru\u00e1rovej premi\u00e9ry s\u00f3listi bratislavsk\u00e9ho SND roz\u0161antia v\u00a0historickej budove tancom a \u010darovn\u00fdmi mel\u00f3diami nejednu detsk\u00fa fant\u00e1ziu.\u00a0Kost\u00fdmy navrhla\u00a0 v\u00fdtvarn\u00ed\u010dka S. Vach\u00e1lkov\u00e1, sc\u00e9nu pripravil\u00a0 P. Jank\u016f,\u00a0re\u017e\u00edruje J. Dolinsk\u00fd.<\/p>\n","protected":false},"excerpt":{"rendered":" Zuzana Bos\u00e1 Sluha dvoch \u0161\u00e9fov Bratislavsk\u00e1 Nov\u00e1 sc\u00e9na vst\u00fapila do nov\u00e9ho roku le\u017e\u00e9rnym, vesel\u00fdm krokom, a\u00a0to janu\u00e1rovou premi\u00e9rou kom\u00e9die Sluha dvoch \u0161\u00e9fov. Hra \u201eSluha dvoch p\u00e1nov\u201c z\u00a0pera talianskeho dramatika Carla Goldoniho in\u0161pirovala Svetoz\u00e1ra Spru\u0161ansk\u00e9ho nato\u013eko, \u017ee sa odhodlal spracova\u0165 p\u00f4vodn\u00fa verziu netradi\u010dn\u00fdm sp\u00f4sobom. Mimochodom, Goldoni sa zaradil medzi uzn\u00e1van\u00fdch dramatikov 17. storo\u010dia a svojimi […]<\/p>\n","protected":false},"author":3,"featured_media":209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,7],"tags":[],"class_list":["post-712","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-februar-2015","category-hudba-kino-umenie"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=712"}],"version-history":[{"count":1,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/712\/revisions"}],"predecessor-version":[{"id":713,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/712\/revisions\/713"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/209"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=712"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=712"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}