UMENIE<\/p>\n
<\/p>\n
Obrazy star\u00e9ho sveta<\/strong><\/p>\n Olejoma\u013eby \u010di pastely Janka Alexyho pripom\u00ednaj\u00fa Obrazy star\u00e9ho sveta re\u017eis\u00e9ra Du\u0161ana Han\u00e1ka. Pon\u00fakaj\u00fa \u010darovn\u00e9 obrazy unikaj\u00faceho \u010dasu, ale aj fragmenty, pri ktor\u00fdch sa d\u00e1 st\u00e1le sn\u00edva\u0165 – o\u00a0slovenskej krajine i mestsk\u00fdch z\u00e1kutiach, jej \u013eu\u010foch i zvykoch, t\u00fa\u017ebach, v\u00fdtvarnej kultivovanosti a\u00a0farebnej lyrike. Dokonal\u00e1 kompoz\u00edcia, nad\u013eah\u010duj\u00faca atmosf\u00e9ra. Meno Janka Alexyho (1894 – 1970) u\u017e d\u00e1vno patr\u00ed do pante\u00f3nu zakladate\u013eov modern\u00e9ho slovensk\u00e9ho v\u00fdtvarn\u00e9ho prejavu, ale pri jeho obrazoch m\u00e1te st\u00e1le pocit, \u017ee nie s\u00fa len encyklopedick\u00fdmi heslami, ale st\u00e1le svie\u017eimi okamihmi na\u0161ej pam\u00e4te. Potvrdzuje to aj v\u00fdstava v\u00a0dolnokub\u00ednskej Oravskej gal\u00e9rii, ktor\u00fa a\u017e do 15. marca pripravila vo Ve\u013ekej v\u00fdstavnej sieni Eva \u013dupt\u00e1kov\u00e1. Reprezentat\u00edvna expoz\u00edcia takmer stovky diel je usporiadan\u00e1 k\u00a0120. v\u00fdro\u010diu narodenia Janka Alexyho, pri\u010dom diela poch\u00e1dzaj\u00fa zo zbierok Oravskej gal\u00e9rie a\u00a0Liptovskej gal\u00e9rie P. M. Boh\u00fa\u0148a v\u00a0Liptovskom Mikul\u00e1\u0161i.<\/p>\n \u00a0<\/strong><\/p>\n \u017divotn\u00fd fotopr\u00edbeh<\/strong><\/p>\n Viedensk\u00fd Kunsthaus pravidelne pon\u00faka v\u00fdstavn\u00e9 skvosty v\u00a0podobe ikon svetovej fotografie a\u00a0a\u017e do 8. marca pripravil neuverite\u013en\u00fd pr\u00edbeh dvoch \u017eivotn\u00fdch partnerov, ktor\u00fd spolu \u017eili a\u00a0tvorili 78 rokov: Lillian Bassmanov\u00fa (1917 – 2012) a\u00a0Paula Himmela (1914 – 2009). Partnersk\u00e1 dvojica patr\u00ed k\u00a0tomu najin\u0161pirat\u00edvnej\u0161iemu, \u010do pon\u00fakla svetov\u00e1 fotografia v 20. storo\u010d\u00ed. Lillian bola dlh\u00e9 roky art direktorkou v \u010dasopise Harper’s Bazaar, kde uviedla na sc\u00e9nu bud\u00face hviezdy fotografick\u00e9ho neba: Richard Avedon, Robert Frank \u010di Arnold Newman… Samotn\u00fd ve\u013ek\u00fd Avedon o\u00a0nej raz povedal, \u017ee \u201enikto v\u00a0dejin\u00e1ch fotografie nezobrazil veci tak\u00fdm \u00fachvatn\u00fdm sp\u00f4sobom,\u00a0ktor\u00fdm sa z\u00e1rove\u0148 odkryla ich vn\u00fatorn\u00e1 m\u00e1gia\u201c. Podobn\u00e9 prirovnanie by sme mohli pou\u017ei\u0165 aj pre jej \u017eivotn\u00e9ho druha Paula, ktor\u00fd sa tie\u017e presl\u00e1vil najm\u00e4 m\u00f3dnymi fotografiami. E\u0161te fascinuj\u00facej\u0161\u00ed je azda ich spolo\u010dn\u00fd \u017eivot – v\u00a0\u0148om sa prel\u00ednalo tvoriv\u00e9 nap\u00e4tie v\u00a0pr\u00fade \u010dasu a spriaznenos\u0165 du\u0161\u00ed s\u00a0vizu\u00e1lnou silou ich fotografi\u00ed.<\/p>\n <\/p>\n Rembrandt a\u00a0zlat\u00fd vek<\/strong><\/p>\n Nielen Viede\u0148 pon\u00faka v\u00fdstavn\u00e9 magnety. Ob\u010das zakontruje aj Budape\u0161\u0165. A\u00a0v\u00a0t\u00fdchto d\u0148och viac ne\u017e zdatne. Rembrandt a\u00a0Zlat\u00fd vek holandskej ma\u013eby v Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeum (do 15. febru\u00e1ra) je expoz\u00edciou eur\u00f3pskeho form\u00e1tu so stosedemdesiatimi dielami od takmer stovky umelcov z\u00a0mnoh\u00fdch prest\u00ed\u017enych \u0161t\u00e1tnych zbierok na \u010dele s\u00a0amsterdamsk\u00fdm Rijksmuseom (nech\u00fdbaj\u00fa ani obrazy zo s\u00fakromn\u00fdch zdrojov). Samozrejme, kra\u013euje Rembrandt van Rijn (1606 – 1669) s dvadsiatimi olejmi, vr\u00e1tane sl\u00e1vnych autoportr\u00e9tov (na fotografii z\u00a0v\u00fdstavy publikujeme jeden z\u00a0nich), ktor\u00e9 predstavuj\u00fa dokonal\u00fd v\u00fdsledok \u201emajstra \u0161erosvitu\u201c. Ponoril sa v nich do najvn\u00fatornej\u0161\u00edch predst\u00e1v, ale stv\u00e1rnil aj presn\u00fa psychologick\u00fa sondu vlastnej tv\u00e1re v\u00a0obl\u00faku \u010dasu, aby nach\u00e1dzal t\u00fa st\u00e1le neopozeran\u00fa m\u00fadros\u0165 bytia cez osobit\u00fa po\u00e9ziu a\u00a0kr\u00e1su. Nach\u00e1dzal sam\u00e9ho seba.<\/p>\n <\/p>\n To mus\u00edte vidie\u0165:<\/strong><\/p>\n * V\u00a0Malej v\u00fdstavnej sieni Oravskej gal\u00e9rie v\u00a0Dolnom Kub\u00edne je do 15. 3. spr\u00edstupnen\u00e1 v\u00fdstava Pastieri popredn\u00e9ho slovensk\u00e9ho fotografa Pavla Breiera. Autor v\u00a0nej sprac\u00fava svoju osudov\u00fa \u017eivotn\u00fa z\u00e1\u013eubu: t\u00e9mu sala\u0161n\u00edctva.<\/p>\n * V\u00a0Slovenskej n\u00e1rodnej gal\u00e9rii v\u00a0Bratislave, v\u00a0Esterh\u00e1zyho pal\u00e1ci sa do 15. 3. kon\u00e1 v\u00fdstava o\u00a0jedine\u010dnom fenom\u00e9ne v\u00a0dejin\u00e1ch slovensk\u00e9ho v\u00fdtvarn\u00e9ho umenia \u201eKo\u0161ick\u00e1 modern\u00e1 a\u00a0jej kontext\u201c. Pon\u00faka v\u00fdber z\u00a0premi\u00e9ry tejto v\u00fdstavy v\u00a0Ko\u0161iciach.<\/p>\n * V\u00a0tren\u010dianskej Gal\u00e9rii M. A. Bazovsk\u00e9ho m\u00f4\u017eete od 13. 2. do 22. 3. nav\u0161t\u00edvi\u0165 v\u00fdstavu Nov\u00e9 mosty s v\u00fdberom autorov Spolo\u010dnosti \u0161k\u00f3tskych umelcov v\u00a0konfront\u00e1cii s\u00a0tvorbou slovensk\u00fdch a \u010desk\u00fdch v\u00fdtvarn\u00edkov.<\/p>\n","protected":false},"excerpt":{"rendered":" UMENIE Obrazy star\u00e9ho sveta Olejoma\u013eby \u010di pastely Janka Alexyho pripom\u00ednaj\u00fa Obrazy star\u00e9ho sveta re\u017eis\u00e9ra Du\u0161ana Han\u00e1ka. Pon\u00fakaj\u00fa \u010darovn\u00e9 obrazy unikaj\u00faceho \u010dasu, ale aj fragmenty, pri ktor\u00fdch sa d\u00e1 st\u00e1le sn\u00edva\u0165 – o\u00a0slovenskej krajine i mestsk\u00fdch z\u00e1kutiach, jej \u013eu\u010foch i zvykoch, t\u00fa\u017ebach, v\u00fdtvarnej kultivovanosti a\u00a0farebnej lyrike. Dokonal\u00e1 kompoz\u00edcia, nad\u013eah\u010duj\u00faca atmosf\u00e9ra. Meno Janka Alexyho (1894 – […]<\/p>\n","protected":false},"author":3,"featured_media":736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,7],"tags":[],"class_list":["post-734","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-februar-2015","category-hudba-kino-umenie"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=734"}],"version-history":[{"count":2,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/734\/revisions"}],"predecessor-version":[{"id":737,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/734\/revisions\/737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/736"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}