{"id":9576,"date":"2022-01-03T12:32:29","date_gmt":"2022-01-03T10:32:29","guid":{"rendered":"https:\/\/www.miaumagazin.sk\/home\/?p=9576"},"modified":"2022-01-03T12:32:29","modified_gmt":"2022-01-03T10:32:29","slug":"bol-to-skandal-priniest-na-javisko-kurtizanu-preco-divaci-miluju-la-traviatu","status":"publish","type":"post","link":"https:\/\/www.miaumagazin.sk\/home\/bol-to-skandal-priniest-na-javisko-kurtizanu-preco-divaci-miluju-la-traviatu\/","title":{"rendered":"Bol to \u0161kand\u00e1l prinies\u0165 na javisko kurtiz\u00e1nu. Pre\u010do div\u00e1ci miluj\u00fa La traviatu?"},"content":{"rendered":"

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SND uvedie nov\u00fa inscen\u00e1ciu Verdiho opery v online premi\u00e9re.\u00a0<\/em><\/p>\n

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\"\"<\/a>Predstavte si t\u00fa opov\u00e1\u017elivos\u0165 skladate\u013ea, ktor\u00fd v polovici 19. storo\u010dia priv\u00e1dza na javisko prostit\u00fatku. Oble\u010die jej s\u00fa\u010dasn\u00fd kost\u00fdm a neods\u00fadi ju za hriechy, pr\u00e1ve naopak, urob\u00ed z nej kladn\u00fa hrdinku, ktor\u00e1 sa pre \u00faprimn\u00fa l\u00e1sku nev\u00e1ha obetova\u0165.\u00a0Giuseppe Verdi sa na to odv\u00e1\u017eil operou La traviata, ktor\u00e1 vznikla pod\u013ea Dumasovho rom\u00e1nu D\u00e1ma s\u00a0kam\u00e9liami a ve\u013emi dobre si pritom uvedomoval, \u017ee vykro\u010dil \u010faleko za hranice vtedaj\u0161\u00edch konvenci\u00ed.\u00a0\u201eV Ben\u00e1tkach chcem uvies\u0165 D\u00e1mu s kam\u00e9liami; zrejme sa bude vola\u0165 La traviata. Je to l\u00e1tka zo s\u00fa\u010dasnosti. Nikto in\u00fd by to asi nekomponoval, kv\u00f4li kost\u00fdmom, dobe, mor\u00e1lnym pochybnostiam a kv\u00f4li tis\u00edcke in\u00fdch hl\u00fapych predsudkov. Mne to – naopak – sp\u00f4sobuje zvl\u00e1\u0161tne pote\u0161enie,\u201d p\u00edsal o svojom diele s\u00e1m skladate\u013e e\u0161te po\u010das pr\u00e1ce.<\/p>\n

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\"\"<\/a>Premi\u00e9ra v sl\u00e1vnom ben\u00e1tskom divadle La Fenice v roku 1853 bola fiaskom. Pre me\u0161tiansku pokryteck\u00fa mor\u00e1lku bolo dielo toti\u017e ve\u013emi provokat\u00edvne. Neznieslo sa vidie\u0165 na javisku ako v zrkadle. Nesadlo im ani spev\u00e1cke obsadenie a pod ne\u00faspech sa podp\u00edsali aj mnoh\u00e9 \u010fal\u0161ie faktory. Verdi potom niektor\u00e9 detaily v diele prepracoval a o nie\u010do vy\u0161e roka (v roku 1854) sa La traviata vr\u00e1tila na opern\u00fa sc\u00e9nu v Ben\u00e1tkach. Tentoraz u\u017e s triumf\u00e1lnym \u00faspechom. Dodnes patr\u00ed medzi najpopul\u00e1rnej\u0161ie a naj\u010dastej\u0161ie uv\u00e1dzan\u00e9 opern\u00e9 tituly.\u00a0Rozpr\u00e1va pr\u00edbeh obletovanej kurtiz\u00e1ny Violetty, ktor\u00e1 \u0165a\u017eko chor\u00e1 na tuberkul\u00f3zu nach\u00e1dza prav\u00fa l\u00e1sku v osobe miluj\u00faceho Alfreda.<\/p>\n

Opera SND uviedla v okt\u00f3bri nov\u00fa inscen\u00e1ciu La traviaty v r\u00e9\u017eii talianskeho re\u017eis\u00e9ra Roberta Catalana. Na sviatok Troch kr\u00e1\u013eov sa bude da\u0165 vidie\u0165 aj online. A pre\u010do div\u00e1ci La traviatu tak miluj\u00fa?<\/p>\n

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\"\"<\/a>L\u00e1ska a smr\u0165<\/strong><\/p>\n

Odpove\u010f je jednoduch\u00e1. Jej pr\u00edbeh m\u00e1 v\u0161etko, \u010do ho predur\u010duje na \u00faspech. Je v \u0148om kr\u00e1sna \u017eena, bezcitn\u00fd mu\u017e, romantick\u00e1 \u010dist\u00e1 l\u00e1ska, zasahuj\u00faci otec, mor\u00e1lne vo\u013eby, choroba, osamelos\u0165. A\u00a0to v\u0161etko navy\u0161e umoc\u0148uje n\u00e1dhern\u00e1 hudba. \u201eMysl\u00edm si, \u017ee div\u00e1ci si La traviatu zamilovali v\u010faka bezprostrednosti, s ktorou publikum prich\u00e1dza do kontaktu s Violettou, jej slobodou, chu\u0165ou do \u017eivota, boles\u0165ou a samotou. Jej tragick\u00fd rozmer ju zara\u010fuje medzi m\u00fdty divadla. Jej obeta n\u00e1s nem\u00f4\u017ee nezasiahnu\u0165. Jej trag\u00e9dia je int\u00edmna a \u00faprimn\u00e1,\u201c hovor\u00ed o diele taliansky re\u017eis\u00e9r Roberto Catalano, ktor\u00fd re\u017e\u00edroval aj najnov\u0161iu inscen\u00e1ciu La traviaty v Slovenskom n\u00e1rodnom divadle. \u201eNach\u00e1dzame v nej mot\u00edvy oslavy, prepychu, romantickej l\u00e1sky, ktor\u00e1 sa men\u00ed na trag\u00e9diu; s\u00fa to prvky, ktor\u00e9 sa div\u00e1kovi dost\u00e1vaj\u00fa pod ko\u017eu a dok\u00e1\u017eu ho \u00faplne unies\u0165. Never\u00edm, \u017ee existuje \u010dlovek, ktor\u00fd by pri pozdvihnut\u00ed poh\u00e1ru nezaspieval aspo\u0148 raz v \u017eivote zn\u00e1my pr\u00edpitok \u201eLibiamo ne\u2019 lieti calici\u201c.\u201c<\/p>\n

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\"\"<\/a>Verdi t\u00fa\u017eil prinies\u0165 opern\u00e9 dielo so skuto\u010dn\u00fdmi \u013eu\u010fmi, nie s opern\u00fdmi fig\u00farkami. A to sa mu aj podarilo. Jeho hlavn\u00e1 hrdinka Violetta je n\u00e1ro\u010dnou v\u00fdzvou pre ka\u017ed\u00fa sopranistku.\u00a0\u201eOd interpretky si vy\u017eaduje absol\u00fatny technick\u00fd nadh\u013ead a schopnos\u0165 po\u010das jedn\u00e9ho ve\u010dera preklen\u00fa\u0165 dramatick\u00fd obl\u00fak od roztopa\u0161n\u00e9ho diev\u010da\u0165a, cez pocity hlbok\u00e9ho za\u013e\u00fabenia, uvedomenia si choroby a bl\u00ed\u017eiaceho sa konca \u017eivota \u010di nenaplnenej l\u00e1sky. Na to je potrebn\u00e1 nielen technick\u00e1 zdatnos\u0165, ale aj osobnostn\u00e1 zrelos\u0165,\u201c hovor\u00ed o Violette sopranistka Adriana Ku\u010derov\u00e1.<\/p>\n

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\"\"<\/a>Mel\u00f3die, ktor\u00e9 o\u010daria v\u0161etk\u00fdch<\/strong><\/p>\n

Opern\u00e1 s\u00f3listka hos\u0165uje v roli Violetty v novej inscen\u00e1cii La traviaty v SND. Verdiho La traviata bola v\u00f4bec prv\u00e1 opera, ktor\u00fa Adriana Ku\u010derov\u00e1 videla na\u017eivo v divadle, a ihne\u010f ju o\u010darila.\u00a0V tom \u010dase mala 22 rokov a netu\u0161ila, \u017ee raz aj ona bude st\u00e1\u0165 na javisku ako Violetta.\u00a0\u201eLa traviata m\u00e1 u m\u0148a ve\u013emi \u0161peci\u00e1lne miesto, lebo v\u010faka nej som sa za\u013e\u00fabila do opery. Zaujala ma nielen pr\u00edbehom, ale aj hudbou, ktor\u00e1 je nesmierne emocion\u00e1lna. S\u00fa to n\u00e1dhern\u00e9 mel\u00f3die, ktor\u00e9 uchv\u00e1tia v\u0161etk\u00fdch,\u201c opisuje sopranistka svoje prv\u00e9 stretnutie s Verdiho operou.\u00a0\u201eS ve\u013ekou b\u00e1z\u0148ou a re\u0161pektom som prist\u00fapila k tomuto dielu. Uvedomovala som si v\u0161etky jej \u00faskalia a rozhodla som sa, \u017ee sa sk\u00fasim s t\u00fdm popasova\u0165, \u010do najlep\u0161ie ako viem. Na\u0161la som v tejto opere obrovsk\u00e9 za\u013e\u00fabenie a s ve\u013ekou rados\u0165ou a v\u00e1\u0161\u0148ou som si zaspievala t\u00fato postavu. Som nesmierne \u0161\u0165astn\u00e1, \u017ee som dostala t\u00fato pr\u00edle\u017eitos\u0165.\u201c<\/p>\n

Z\u00e1znam novej La traviaty nakr\u00fatila Opera SND v decembri, ke\u010f museli by\u0165 divadl\u00e1 pre n\u00e1v\u0161tevn\u00edkov zatvoren\u00e9 pre zl\u00fa pandemick\u00fa situ\u00e1ciu. Online sa bude da\u0165 vidie\u0165 u\u017e 6. janu\u00e1ra na port\u00e1li navstevnik.online o 20:00.\u00a0<\/a><\/p>\n

Div\u00e1ci v \u0148om po boku Adriany Ku\u010derovej uvidia v roli Alfreda tenoristu Pavla Br\u0161l\u00edka. Jeho otca Giorgia stv\u00e1rnil \u0161panielsko-americk\u00fd barytonista Daniel Luis De Vicente. Diriguje Robert Jindra.<\/p>\n

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foto Marek Olbrzymek<\/p>\n","protected":false},"excerpt":{"rendered":"

  SND uvedie nov\u00fa inscen\u00e1ciu Verdiho opery v online premi\u00e9re.\u00a0   Predstavte si t\u00fa opov\u00e1\u017elivos\u0165 skladate\u013ea, ktor\u00fd v polovici 19. storo\u010dia priv\u00e1dza na javisko prostit\u00fatku. Oble\u010die jej s\u00fa\u010dasn\u00fd kost\u00fdm a neods\u00fadi ju za hriechy, pr\u00e1ve naopak, urob\u00ed z nej kladn\u00fa hrdinku, ktor\u00e1 sa pre \u00faprimn\u00fa l\u00e1sku nev\u00e1ha obetova\u0165.\u00a0Giuseppe Verdi sa na to odv\u00e1\u017eil operou La […]<\/p>\n","protected":false},"author":3,"featured_media":9577,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,104],"tags":[],"class_list":["post-9576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hudba-kino-umenie","category-zima-2021"],"_links":{"self":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/9576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/comments?post=9576"}],"version-history":[{"count":10,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/9576\/revisions"}],"predecessor-version":[{"id":9592,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/posts\/9576\/revisions\/9592"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media\/9577"}],"wp:attachment":[{"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/media?parent=9576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/categories?post=9576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.miaumagazin.sk\/home\/wp-json\/wp\/v2\/tags?post=9576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}